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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The monument is one of the most visited sites in Italy. Since 1996 major sources of funding from the European Union, the National Lottery and elsewhere have permitted the preparation and implementation of a major programme of investigation, restoration and conservation, and, in particular, the upgrading of visitor facilities. Activities to enhance interpretation and access to the site include a number of cultural events and exhibitions aimed at raising awareness of the various aspects of the monumental complex at Villa Adriana, and the creation of a Villa Adriana website. An analysis of the site’s accessibility for the physically disabled is currently underway. In addition there will be a program of archaeological research conducted in collaboration with international partners (Italian and foreign universities and institutions). There will be a specific study of the underground passageways. One of the main goals is to integrate, in a more effective manner, the property with the surrounding area, the ancient Tiburtine countryside, which preserves numerous historic-archaeological remains, covering a wide range of periods, Villa Gregoriana Park and the World Heritage property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: At the core of the Villa, is a second group of structures including buildings specifically for the emperor and his court, and includes the so called ‘Maritime Theatre’, the ‘Imperial Palace’, ‘Winter Palace’, Latin and Greek ‘Libraries’ and the ‘Golden Square’. This group of structures is organized around four separate peristyles. The ‘Golden Square’ is one of the most impressive buildings in the complex, comprising a vast peristyle surrounded by a two-aisled portico with alternate columns of cipollino marble and Egyptian granite. The ‘palace’ consists of a complex of rooms around a courtyard. The circular structure of the ‘Maritime Theatre’ comprises an ionic marble peristyle that surrounds an artificial circular island with a miniature villa. The ‘Libraries’ are reached from there by two passages, and a nymphaeum stands on the northern side.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Villa Adriana is an exceptional architectural legacy of the great Roman Emperor Hadrian. Built as a retreat from Rome between 117 and 138 AD, the villa was designed as an ideal city and incorporates the architectural traditions of Ancient Greece, Rome and Egypt. The remains of some 30 buildings extend over 120 hectares of the Tiburtine Hills, in Tivoli in the Lazio Region. While the structures appear to be arranged with no particular plan, the site comprises a complex and well planned arrangement together with a large number of residential and recreative buildings, extensive gardens and reflective pools, the site creates a serene and contemplative oasis. There are some thirty extant buildings within the site that can be broadly divided into four groups. A first group of buildings on the site includes the so called ‘Greek Theatre’ and ‘Temple of Cnidian Aphrodite’.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Set in the dense forests of the Kii Mountains overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, Koyasan – linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto, reflect the fusion of Shinto, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sites (506.4 ha) and their surrounding forest landscape reflect a persistent and extraordinarily well-documented tradition of sacred mountains over 1,200 years. The area, with its abundance of streams, rivers and waterfalls, is still part of the living culture of Japan and is much visited for ritual purposes and hiking, with up to 15 million visitors annually. Each of the three sites contains shrines, some of which were founded as early as the 9th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Five hundred years of Ryukyuan history (12th-17th centuries) are represented by this group of sites and monuments. The nine component parts of the property include the sites and archaeological ruins of two stone monuments, five castles, and two cultural landscapes. They are scattered across Okinawa Island, collectively covering 54.9 ha. The surrounding buffer zone covers a total area of 559.7 ha. In the 10th-12th centuries, Ryukyuan farming communities (gusuku) began to enclose their villages with simple stone walls for protection. From the 12th century onwards powerful groups known as aji began to emerge. They enlarged the defences of their own settlements, converting them into fortresses for their own households; these adopted the term gusuku to describe these formidable castles. The castle ruins of the Gusuku sites on imposing elevated locations, are evidence for the social structure over much of that period, while the sacred sites provide mute testimony to the rare survival of an ancient form of religion into the modern age. The wide-ranging economic and cultural contacts of the Ryukyu Islands over that period gave rise to a unique culture.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The entire region suffered considerable damage during the Second World War and reconstruction work has taken place on many of the component parts. In Japan the authenticity of the form/design and materials/substance of each part of the property remains at a very high level, as they have been rehabilitated and restored under strict rules for more than one hundred years. Authenticity of location/setting has been maintained in that none of the component parts of the property has been moved from its original location and traces of buildings discovered through archeological excavations have been preserved underground. Extensive measures have been taken to make it possible to differentiate original materials from those used for rehabilitation and restoration, while sufficient care has been taken in the course of choosing materials. In the immediate aftermath of the Second World War, there were some cases of using improper materials, but adequate steps have been taken to replace these with proper materials or to establish clear distinctions between proper and improper materials. All the projects for such procedures are based on detailed surveys and research conducted in advance.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The shrine and temple buildings, together with their natural surroundings, have for centuries constituted a sacred site and the home of architectural and decorative masterpieces. The site continues to function today as a place of religious rituals and other activities which maintain its traditions, both physically and spiritually. The site has suffered from natural disasters (e.g. fire, falling trees, and earthquakes) over the centuries. Each time, the damaged building was restored faithfully, following rigorously the original plans and techniques, using the original materials whenever possible with attention and care to the preservation of colouring, materials and decorative works. Detailed documents about these operations have been kept. Most of the buildings as elements of the property remain in their original locations. The setting, with its relationship between buildings and old growth forest planted in the early 17th century, has also been maintained. The mountains and forests retain their sacred meanings, and the shrines and temples of Nikko are in active religious use. As described above, the property retains high level of authenticity in terms of form/design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Nikko shrines and temples is a perfect illustration of the architectural style of the Edo period as applied to Shinto shrines and Buddhist temples. The Gongen-zukuristyle of the two mausoleums, the Tôshôgû and the Taiyû-in Reibyô, reached the peak of its expression in the Nikko shrines and temples, and was later to exert a decisive influence. The ingenuity and creativity of its architects and decorators are revealed in an outstanding and distinguished manner.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The level of authenticity of the various buildings on the property is high from the view of form and design, materials and substance, traditions and techniques, and location and setting. Japanese conservation principles have ensured that replacement of damaged or degraded architectural elements has respected the materials and techniques used by the original builders. The archaeological site of the Nara Palace Site, protected for a long period under cultivated rice fields, has also a high level of authenticity in form, materials and substance, and location and setting. Unearthed archaeological remains have been reburied for protection. There has been some reconstruction of the gate, the study hall, and the garden at the Nara Palace Site. The continuity of traditional architecture in Japan and the substantial amount of data recovered by archaeological excavation has ensured that the reconstructed buildings have a high level of authenticity in form and design. The State Party is currently addressing how to best maintain that continuity in ongoing reconstruction work emphasizing the need for a clear rationale and justification for all interventions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Historic Monuments of Ancient Nara bear exceptional witness to the evolution of Japanese architecture and art and vividly illustrate a critical period in the cultural and political development of Japan, when Nara functioned as its capital from 710 to 784. During this period, the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture. Located in the modern city of Nara, the property includes eight component parts composed of seventy-eight different buildings covering 617.0 ha, which is surrounded by a buffer zone (1,962.5 ha) and the “historic environment harmonization area (539.0 ha)”. The site of Heijô-kyô was carefully selected in accordance with Chinese geomantic principles. A grand city plan, based on Chinese examples such as Chang'an, was laid out, with palaces, Buddhist temples, Shinto shrines, public buildings, houses, and roads on an orthogonal grid. The palace itself, located at the northern end of the central avenue, occupied 120 ha. It comprised the official buildings where political and religious ceremonies took place, notably the Daigokuden (imperial audience hall) and Chôdô-in.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located in a mountainous region that was cut off from the rest of the world for a long period of time, these villages with their Gassho-style houses subsisted on the cultivation of mulberry trees and the rearing of silkworms. The large houses with their steeply pitched thatched roofs are the only examples of their kind in Japan. Despite economic upheavals, the villages of Ogimachi, Ainokura and Suganuma are outstanding examples of a traditional way of life perfectly adapted to the environment and people's social and economic circumstances.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Phoenix Island Protected Area (PIPA) is a 408,250 sq.km expanse of marine and terrestrial habitats in the Southern Pacific Ocean. The property encompasses the Phoenix Island Group, one of three island groups in Kiribati, and is the largest designated Marine Protected Area in the world. PIPA conserves one of the world's largest intact oceanic coral archipelago ecosystems, together with 14 known underwater sea mounts (presumed to be extinct volcanoes) and other deep-sea habitats. The area contains approximately 800 known species of fauna, including about 200 coral species, 500 fish species, 18 marine mammals and 44 bird species. The structure and functioning of PIPA's ecosystems illustrates its pristine nature and importance as a migration route and reservoir. This is the first site in Kiribati to be inscribed on the World Heritage List.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located 46 km northwest of Migori Town in the Lake Victoria region, Thimlich Ohinga archaeological site is a dry-stone walled settlement, based on a complex organization system of communal occupation, craft industries and livestock that reflects a cultural tradition developed by pastoral communities in the Nyanza region of the Lake Victoria basin that persisted from 16th to mid-20th centuries. Thimlich Ohinga is the largest and best preserved of these massive dry-stone walled enclosures. The Ohinga appear to have served primarily as security for communities and livestock, but they also defined social units and relationships linked to lineage based systems. The property comprises four larger Ohingni, all of which have extensions. The main Ohinga is referred to as Kochieng, while the others are Kakuku, Koketch and Koluoch. The dry stone wall enclosures are constructed in a three-phase design with separately built up outer and inner phases, held together by the middle phase. Stones were placed in an interlocking system that enhanced overall stability without use of any mortar or cement. The walls are built of neatly arranged stones of various sizes and without mortar.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Built in a period and in a region, which were at the centre of the emerging political, commercial, and cultural globalisation, Fort Jesus, with its imposing structure, and the various traces of subsequent modifications, bears significant witness to the interchange of cultural values among peoples of African, Arab, Turkish, Persian and European origin. Built and occupied first by the Portuguese, Fort Jesus, Mombasa, changed hands many times throughout its history, coming under Arab, Swahili and English control. Its important role in the control of trade also saw it host many of the peoples of the Indian Ocean basin. Fort Jesus, Mombasa, eminently exemplifies a new type of fortification that resulted from the innovations in military and weapons technology that occurred between the 15th and 16th centuries. In its layout and form, the Fort reflects the Renaissance ideal whose architectural proportions and geometric harmony are to be found in the proportions of the human body, while at the same time meeting the functional needs of a modern and well-defended fortification. The original layout of the Fort, despite several changes, has survived almost unchanged over centuries of continued
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Mausoleum of Khoja Ahmed Yaswi, a distinguished Sufi master of the 12th century, is situated in southern Kazakhstan, in the north-eastern section of the city of Turkestan (Yasi). Built between 1389 and 1405, by order of Timur (Tamerlane), the ruler of Central Asia, it replaced a smaller 12th century mausoleum. Construction of the building was halted in 1405, with the death of Timur, and was never completed. The property (0.55 ha) is limited to the mausoleum, which stands within a former citadel and the archaeological area of the medieval town of Yasi; the latter serves as the buffer zone (79.36 ha) for the property. Rectangular in plan and 38.7 meters in height, the mausoleum is one of the largest and best-preserved examples of Timurid construction. Timur, himself, is reported to have participated in its construction and skilled Persian craftsmen were employed to work on the project. Its innovative spatial arrangements, vaults, domes, and decoration were prototypes that served as models for other major buildings of the Timurid period, in particular in Samarkand. It was left unfinished, providing documented evidence of the construction methods at that time and by having a uniqu
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Encompassing 42,698 hectares of subtropical rainforests on four islands on a chain located in the southwest of Japan, the serial site forms an arc on the boundary of the East China Sea and Philippine Sea whose highest point, Mount Yuwandake on Amami-Oshima Island, rises 694 metres above sea level. Entirely uninhabited by humans, the site has high biodiversity value with a very high percentage of endemic species, many of them globally threatened. The site is home to endemic plants, mammals, birds, reptiles, amphibians, inland water fish and decapod crustaceans, including, for example, the endangered Amami Rabbit (Pentalagus furnessi) and the endangered Ryukyu Long-haired Rat (Diplothrix legata) that represent ancient lineages and have no living relatives anywhere in the world. Five mammal species, three bird species, and three amphibian species in the property have been identified globally as Evolutionarily Distinct and Globally Endangered (EDGE) species. There are also a number of different endemic species confined to each respective island that are not found elsewhere in the property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The integrity of the serial property is based on archaeological remains that exemplify the cultural traits and site types of the ancient Jomon culture in northern Japan. The property is comprised of archaeological sites that show the initiation of sedentism and the eventual separation between the residential area and burial areas; sites that show the diversity of settlement facilities during the warm marine transgression period, as well as hub settlements that have ritual places; and sites that demonstrate the maturity of sedentism through stone circles, cemeteries, and settlements. The sites also include, to a degree, their interaction with the environment. The component parts of the serial property are of adequate size individually, and as a group they include all important archaeological remains that constitute settlements and ceremonial spaces as well as landforms or features showing their locations and environment. The serial property is protected by law and does not suffer from the negative impacts of natural disasters or large-scale developments. There are, however, several modern constructions, referred to as “non-compliant elements”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Jomon Prehistoric Sites in Northern Japan bears exceptional testimony to a globally rare prehistoric sedentary hunter-fisher-gatherer society which nurtured a complex spiritual culture, as revealed by archaeological artefacts such as clay tablets with the impression of feet and the famous goggle-eyed dogu figurines, as well as remains including graves, ritual deposits, artificial earthen mounds, and stone circles.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located on a plateau above the Osaka Plain, the Mozu-Furuichi Kofun Group is a serial property of 45 components which contains 49 kofun (‘old mound’), a large and distinctive type of burial mound. The selected kofun are found in two major clusters, and are the richest tangible representation of the culture of the Kofun period in Japan from the 3rd to 6th centuries, a period before Japanese society became an established centralised state under the influence of the Chinese system of law. The kofun have a range of contents, such as grave goods (weapons, armour, ornaments); and clay figures used to decorated the mounds, known as haniwa (in the form of cylinders arranged in rows, or representations of objects, houses, animals and people). Understood as tombs for kings’ clans and affiliates during this period, some of the kofun are Ryobo (imperial mausolea) and are managed by Japan’s Imperial Household Agency. The serial components have been selected from a total of 160,000 kofun from around Japan and represent the ‘middle kofun’ period (late 4th to late 5th centuries) which is considered to be the peak of the Kofun period. The attributes of the property are the 49 burial mou
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The 12 components not only include all of the elements necessary to express the Outstanding Universal Value of the property but are also of an adequate size and in a good state of conservation. Thorough and complete protection measures have been taken for each of the components in accordance with all relevant national laws and regulations – including the Law for the Protection of Cultural Properties. Within the buffer zones of the property, appropriate protection is provided not only by the Law for the Protection of Cultural Properties but also by the Landscape Act and other relevant laws and regulations. Therefore, the property does not suffer from any adverse effects of development or neglect, and it has been effectively conserved together with its surrounding landscape.
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