eat your veggies - Delft-patterned pumpkin and chestnuts
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a large, blue-and-white patterned, precious delft porcelain platter with a landscape pattern. The platter lies on an intricately patterned, colorful jacquard tablecloth. The table stands against a simple, rough, whitewashed wall whose spots and bumps stand out in the sunlight streaming in. On the platter lies a halved Hokkaido pumpkin, showing the seeds and the bright orange-yellow flesh. A few chestnuts lie around the pumpkin display. The elegant, timeless atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the tablecloth, platter, pumpkin and chestnuts standing out in full detail, almost like in an etching. The wall behind the arrangement is rendered in an airy, impressionistic manner, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the manner of accomplished contemporary and historical artists like Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sharp-focus, macro-view watercolor of a bunch of five golden beets with greens, tied together with rough hemp packaging string, lying a wooden cutting board on a kitchen counter, waiting to be cleaned and prepared. One beet is split to show the glowing, golden-yellow inside, with the close-up showing the concentric rings of lighter and deeper yellow. The greens of the beets are crinkled and present in various chades of green, the stems are a light yellow-green. The roots of the beets still have some dry soil clinging to them. Behind the beets, we see the suggestion of a red-and-white checkered tea towel hanging over the kitchen sink faucet. We se no other kitchen utensils. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the burgundy-colored background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: ((Like in a junk room)) a rough, old, battered wooden display case in which dried shells, grasses, seahorse, snail, leaves, a crab and a small fish skeleton are kept in compartments, in the left corner a small fine spider's web, on the old dark rustic blue wall in front of it lie small shells a fishing net, mini anchor, mini lighthouse and mini seagull, immaculate, anatomically correct, by Brian Froud, by Daniel Merriam, by Earnst Haeckel, by Esao Andrews, by Andrée Wallin
Prompt: Oil painting of a naturalistic portrait of the prettiest girl with birds and flowers in hair, by Nayla Chabba, by Jacek Yerka, by George Callaghan, by Catherine Abel, trending on Artstation, highly detailed, digital painting, sharp focus, ultra reallistic, extremely detailed, oil on canvas, very attractive, 4K 3D, high definition
Prompt: Full screen, sunlit, sharp-focus, macro-view large watercolor of three freshly picked, purplish-red kohlrabi plants lying on a potting bench covered with a red-and-white checkered wax cloth. The roots of the kohlrabi have some soil clinging to them, and the purplish-green, perfect leaves of the kohlrabi are spread out behind the kohlrabi bulbs. The potting bench stands before a weatherd, horizontally slatted wooden toolshed. The nostalgic gardening still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The toolshed wall is full of spots and splotches and is rendered in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
juicy fruit - pomegranate, the fruit of eternal life
Model:
AIVision
Size:
2958 X 1690
(5.00 MP)
Used settings:
Prompt: Full-screen, front-lit, macro-view watercolor of a large, ripe pomegranate, broken apart to show the dozens of juicy, red seeds lodged inside the white pulp. The skin of the pomegranate is thick, leathery, red and dull. The pomegranate pieces lie on a flower-patterend fine bone china plate, which lies atop a wooden serving tray along with an ornate heirloom silver spoon. The culinary still life is lit from the front and casts high shadows on the splotchy, sumptuously flower-patterned wallpaper behind it. The wall is rendered in blurry, wet-on-wet speedpainted watercolor. The pomegranate, bone china plate and wooden serving tray are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: An impasto oil on canvas painting using dirty brownish red paints and violent impasto to paint a rustic terracotta vase with a weathered surface texture sits on a rough wooden tabletop. The vase is adorned with a lively arrangement of branches bearing red flowers and small red fruit, possibly rose hips or berries. Scattered around the base of the vase are loose petals and several fallen fruits. The scene is illuminated by natural light streaming in from a large window to the right, which features a classic wooden frame with peeling paint and small, square glass panes. A portion of the windowsill is visible. The walls and window cast soft, diffused shadows onto the table and wall, suggesting a serene and slightly melancholy mood. The background wall exhibits patches of fading blue and clouded white paint, showing signs of age and neglect. There are vibrant Irises, Roses, lupines, Bleeding Heart flowers, curly reeds in the vase. The overall atmosphere of the image is poetic and evokes a sense of forgotten beauty, with an interplay of light and shadow contributing to the melancholic ambience.
Prompt: Full-screen, front-lit, macro-view watercolor of a large, very ripe papaya, cut in half to reveal the deep-orange pulp and the many small, round, shiny black and taupe-colored seeds. The very smooth, shiny skin is greenish-orange. The two halves of the papaya lie on a very ornately patterned brass platter bought at a Moroccan bazaar; the platter lies atop a delicately patterned, pale pink Moroccan cactus silk tablecloth. The culinary still life is lit from the front and casts grayish-pink shadows on the splotchy, sumptuously striped and patterned wallpaper behind it. The wall is rendered in blurry, wet-on-wet speedpained watercolor. The papaya, platter and tablecloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: A flat, traditionally floral-patterned blue-and-white bone china bowl containing horizontally layered, freshly cleaned and cooked, emerald-green wakame (Undaria pinnatifida) seaweed sits on a speckled black-and-white stone kitchen counter along with an elegant glass soy sauce cruet and an ornate stainless steel countertop chopstick organizer holding numerous pairs of intricately inlaid, lacquered, and exquisitely patterned chopsticks. The tableau is painted in fine aquarelle watercolor completely and all the way to the edges of the paper. The bowl, the samphire, the cruet and the chopstick holder with the chopsticks are rendered in extreme detail. The suggested smooth, dark-brown-and-purple kitchen wall background is hastlly rendered in alcohol ink. The items are front-lit and cast a shadow on the wall. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen macro view of a single bunch of seven ripe, neon-yellow, perfectly shaped bananas, close-up. The fruit is artistically draped in a shallow, deep-blue-green-gold murano glass bowl, extending over the sides of the bowl. A single light source illuminates the bananas from the side, highlighting tiny brown spots on the ripe bananas. In the background, we see a blurry, dark blue and gold fleur-de-lis patterned wallpaper. The bananas in the blue-green bowl are deftly rendered in quick and dirty, sloppy, very wet-on-wet watercolor, with a hint of ornate William-Morris-style patterns. Prize-winning illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin and Jen Stark. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, top-lit, sharp-focus, macro-view large watercolor of a perfect, blue-red blown glass bowl heaped with steamed, golden-beige chickpeas on a carved, dark, wooden tablet next to several ripe, red roma tomatoes, a glass with flat-leaf parsley stems, a whole red onion and a mother-of-pearl handled kitchen knife. The chickpeas are destined to become a luscious, mouth-watering Mediterranean salad. The culinary still life stands out dramatically against the dark burgundy wall. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly are emphasized with a touch of pen-and-ink. The dark burgundy wall is full of flecks and splotches and is rendered in lsoppy, wet watercolor speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sharp-focus, macro-view watercolor of a silver pewter dish filled with freshly harvested walnuts. The bowl stands on a dining room table covered with a woven, somewhat wrinkled, natural-colored linen tablecloth. Next to the bowl lie a worn, old iron nutcracker and several walnut shells. Behind the still life, we see the suggestion of a dining room window and dark blue, jacquard print curtains. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the bowl, tablecloth and the walnuts are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The background is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of two dozen freshly picked, school-bus-yellow chanterelle mushrooms spilling out of a brown paper cone bag onto a black stone slab table. Next to the chanterelle mushrooms lies a short vegetable knife, and behind the mushrooms, we can discern a few onions and a bunch of fresh, dark green parsley held together with a red rubber band. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: still life in pale lilac with lilac flowers and grey, background lilac no animals Old magic and raw power, intricate oil on canvas crisp quality , style of Louis Jover and Endre Penovac
Prompt: an watercolor painting with alcohol ink : A whimsical still life of two mustard yellow leather boots, standing next to each other on a wooden surface, their brown laces threaded through metal eyelets, rounded toe caps, and intricate floral embroidery in green, red, and blue threads at the ankles. Two birds perch atop each boot, with vibrant red-orange bodies, golden yellow bellies, teal wings, black beaks, and large expressive eyes. A small red heart floats between them. In the background, a quaint village scene unfolds, featuring houses with reddish-brown tiled roofs and beige walls, a church tower with a dark green roof and pointed spire, and tall coniferous trees beyond. Soft, even lighting creates a warm atmosphere. Style: Jean Baptiste Monge meets Josephine Wall.
Prompt: Full screen, sharp-focus, macro-view watercolor, painted completely to the outer edge of the paper, of a corrugated cardboard fruit shipping box with a molded paper pit tray inside, with each indentation containing only a single, delicately yellow pear tinged crimson-red on the side of the sun. The shipping box lies on a wooden pallet, and several pears lie outside the box. The pallet lies in front of a roll-up, white-painted garage door. The pears and the box are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The roll-up door is suggested in blurry, wet-on-wet speedpainted watercolor. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle on heavy handmade rag paper.
Prompt: A whimsical still life: On a worn kitchen table, the remnants of a culinary adventure unfold. Overturned spice jars scatter their contents - cinnamon, paprika, cumin, and ground ginger - creating a vibrant mosaic. The stain, now a work of art, takes on the silhouette of a charming young woman with a bright, inviting smile. Her gaze seems to dance across the table, beckoning me in.
Prompt: Full screen, sharp-focus, macro-view watercolor of five freshly cut, green-and purple artichokes lying together on a mosaic-tiled kitchen counter, waiting to be cleaned and prepared. Next to the artichokes lies a dish with fresh butter, and behind the artichokes stands a spic-and-span, shiny, high steel pot reflecting the artichokes in a blurry and distorted manner. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Old shabby chic, a still life, old shabby gray town square in Pszczyna. in the foreground 4 (Four) coffee grinders, a Chinese lantern, a sausage, a bunch of Polaroids, peaches, keys, matte ivory background, smoky atmosphere. Picasso, Daniel Merriam and Enki Bilal, details in the center
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
125w
