#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The structure was opened in the Campania area of southern Italy, the first constructed by the business following the architect’s unexpected death. There was no need for more confirmation that Zaha Hadid’s legacy would carry on inspiring people, even after her passing. The initiative was undertaken by Vincenzo De Luca, the mayor at the time, to help assist in the economic, cultural, and environmental restoration of the neighborhood. During the busy summer months, the structure’s harsh, the asymmetric concrete exterior was meant to shelter people from the area’s intense heat. Its curvy shape, a Hadid signature, even echoes the water, abstractly like an oyster. Within, there are administrative offices for international border controls and commercial shipping routes, as well as a terminal for global ferries and cruise liners and a separate port for regional and local boats. Internal slopes crisscross the structure, improving connectivity between spaces. The remarkable structure of the terminal is illuminated at night, serving as a beacon to the seaside community. The new port acts as a seamless transition between water and land, both operationally and aesthetically.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The newest addition to the Iowa University campus – which houses the departments of sculpture, ceramics, photography, metals, printing, and 3D multimedia – covers four floors of pupil and faculty studios, classrooms, and gallery spaces. The stylish new structure replaced an older structure that had previously housed similar departments but had been devastated by flooding in 2008. Seven courtyards, together with other basic square windows on the façades, offer ample access to sunlight within, allowing light to penetrate deep into the structure’s wide floors. The perforated zinc coating also helps with this and at the very same time, its design provides complexity to the facility’s exterior and gives it a cool, steely grey color.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Gothic Revival is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. Revival architecture varied considerably in its faithfulness to both the ornamental style and principles of construction of its medieval original, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on a building otherwise on a wholly 19th-century plan and using contemporary materials and construction methods, most notably in the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Paxton's modular, hierarchical design reflected his practical brilliance as a designer and problem-solver. It incorporated many breakthroughs, offered practical advantages that no conventional building could match and, above all, embodied the spirit of British innovation and industrial might that the Great Exhibition was intended to celebrate. The geometry of the Crystal Palace was a classic example of the concept of form following manufacturer's limitations: the shape and size of the whole building was directly based around the size of the panes of glass made by the supplier, Chance Brothers of Smethwick. These were the largest available at the time, measuring 10 inches (25 cm) wide by 49 inches (120 cm) long. Because the entire building was scaled around those dimensions, it meant that nearly the whole outer surface could be glazed using millions of identical panes, thereby drastically reducing both their production cost and the time needed to install them. The original Hyde Park building was essentially a vast, flat-roofed rectangular hall. A huge open gallery ran along the main axis, with wings extending down either side.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Carreras Cigarette Factory was faced in Atlas White cement, coloured to look like sand. The front of the building was lined with a colonnade of twelve large papyriform columns, painted in bright colours with Venetian glass decoration. The columns are thought to have been inspired by columns at tombs in Amarna. The main entrance was approached by a staircase, the handrails designed in the shape of serpents mounted on the wall with bronze human hands. The entrance itself was designed in the style of a tent, similar to the cavetto-moulded lintels seen in architecture dating from the Old Kingdom. Above the door was a carved Horus of Behdet, a symbol of the winged disk of the Sun. During World War II it was felt that this symbol resembled too closely the eagle imagery of the Third Reich and it was covered up. It was not replaced during the 1990s restoration. Cow-horned Hathor lamps stood in front of the black cat statues. The repeated black cat logo also featured across the front of the building. Ornamental railings around the building featured Egyptian hieroglyphs. The building was the first factory in Britain to make use of pre-stressed concrete technology.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The King City High School Auditorium is executed in cast-in-place concrete. The design makes full use of concrete's potential for plastic form, with compound curves, rounded corners and cast-in sculptural forms. The structure is somewhat elliptical in plan, with rounded corners. A projecting rounded bay at the front comprises the main entrance, with three pairs of doors separated by tall fluted pilasters surmounted by cast busts of Comedy and Tragedy, dividing a triptych relief sculpture that is itself divided into three levels. The ends of the facade curve around to the side elevations, which have inset fluted panels whose pilasters are crowned with more cast sculpture derived from characters from A Midsummer Night's Dream. The rear elevation is comparatively plain and utilitarian. The lobby is detailed with bright blue wainscoting and ceilings. Curved stairs give access to the balcony on either side of the lobby, with six doors into the main house. Floors throughout are covered in cork, as well as in the aisles of the auditorium. The auditorium seats 596 in the orchestra section and 387 in the balcony.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The American Radiator Building was designed in a black and gold color scheme. These specific colors came from a "somewhat offhand" suggestion made during an early discussion with Hood and Fouilhoux's team. It is not known who exactly suggested the black and gold colors, but architectural writer Walter Littlefield Creese says it may have been Hood's friend, architect Joseph Urban. Hood used the black and gold palette because he believed that conventional office buildings, with their white-masonry facades and dark glass windows, were monotonous. He had compared such windows to "waffles" and wished to find a color to make the window openings more conspicuous. After the tower's completion, Hood anticipated that additional colorful skyscrapers would be developed in New York City. The primary color of black was used to signify coal, while gold-coated decorations were used to symbolize fire. The "gold" was actually bronze powder placed on cast stone, a technique which was devised after a number of experiments by Hood and Fouilhoux's team. Hood had visited Brussels just before the American Radiator Building was built, and he had realized how golden colors had made "gloomy and dingy".
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A city exists three miles high and countless miles long encompassing tens of millions of people displaced from Earth. Structors (the builder's guild) deconstruct the "TailEnd" of the city and rebuild the "Frontend" in a sort of glacial urban march from the mountains to the sea over 30,000 years. Multiple generations of folk living at the TailEnd are obliged to pack up and relocate to the Frontend. However, entropy and decay has set in. Machines cease to function and fall into disrepair and society slowly loses technological knowledge with each successive generation. moving those houses all of mankind All mankind lived in The City, a self-enclosed towering single building that had always moved generation by generation across the vast empty landscape.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: savanna, huge acacia trees, sun, massive storm clouds, Ivan Shishkin,Victo Ngai,Gregorio Catarino,Cyril Rolando,Michal Karcz,Anato Finnstark,Flavio Greco Paglia, hyperdetailed defined oil painting, vibrant colors, 8K resolution, polished divine photorealistic intricate complex HDR, amber glow, dreamy
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Biomimetic architecture. Though a contemporary concept in a technological age, biomimicry does not entail the incorporation of complex technology in architecture. In response to prior architectural movements biomimetic architecture strives to move towards radical increases in resource efficiency, work in a closed loop model rather than linear (work in a closed cycle that does not need a constant intake of resources to function), and rely on solar energy instead of fossil fuels. The design approach can either work from design to nature or from nature to design. Design to nature means identifying a design problem and finding a parallel problem in nature for a solution. An example of this is the DaimlerChrysler bionic car that looked to the boxfish to build an aerodynamic body. The nature to design method is a solution-driven biologically inspired design. Designers start with a specific biological solution in mind and apply it to design. An example of this is Sto's Lotusan paint, which is self-cleaning, an idea presented by the lotus flower, which emerges clean from swampy waters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Juxtaposing City and Nature is unproductive. Allowing for their mutually-reinforcing coexistence makes better sense. Trailblazers across the world are testing new concepts of integrating nature in the urban fabric so that natural and man-made systems could merge and cooperate. Just a few ongoing projects: XTU architects with scientists and manufacturers develop a facade system that incorporates the production of one of the most valuable raw materials, microalgae, while enabling passive climate control inside the building. New types of concrete support the growth of plants, transforming buildings into air purifiers. Breathe.austria deploys a 560m2 'augmented forest' to lower interior temperature by 5-7°C and produce as much oxygen as some 3 ha of a regular forest. Architect Ferdinand Ludwig is testing the use of living trees as structural supports. Let’s look into the new architecture that results from this approach, and see how nature/architecture hybrids can reshape our cities.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism. Geisel Library. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs. The building has been described by Architecture Daily as occupying "a fascinating nexus between brutalism and futurism". Its tower rises 8 stories to a height of 110 ft (33.5 m). The five upper stories of the tower house collections, individual study space, and group study rooms.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: El Capricho. Casa Vicens. Episcopal Palace of Astorga. Güell Pavilions. Palau Güell. Teresian College. Casa Botines. Bodegas Güell. Casa Calvet. Bellesguard.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet. The Lviv Theatre of Opera and Ballet is built in the classical tradition using forms and details of Neo-Renaissance and Neo-Baroque styles. There are also elements of Art Nouveau. The stucco mouldings and oil paintings on the walls and ceilings of the multi-tiered auditorium and foyer give it a richly festive appearance. The Opera's imposing facade is opulently decorated with numerous niches, Corinthian columns, pilasters, balustrades, cornices, statues, reliefs and stucco garlands. Standing in niches on either side of the main entrance are allegorical figures representing Comedy and Tragedy sculpted by Antoni Popiel and Tadeusz Barącz; figures of muses embellish the top of the cornice. The building is crowned by large bronze statues, symbolizing Glory, Poetry and Music. The theatre, beautifully decorated inside and outside, became a centrefold of the achievements in sculpture and painting of Western Europe at the end of the 19th century. The internal decoration was prepared by some of the most renowned Polish artists of the time. Among them were Stanisław Wójcik (allegorical sculptures of Poetry, Music.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet is an opera house located in Lviv, Ukraine's largest western city and one of both Polish and Ukrainian historic cultural centers. Originally built on former marshland of the submerged Poltva River, the Lviv Opera now located on Freedom Avenue the tree-lined centerpiece of Lviv's historic Old City, a UNESCO World Heritage Site located in the city's Halych district. The Lviv Theatre of Opera and Ballet is built in the classical tradition using forms and details of Neo-Renaissance and Neo-Baroque styles. There are also elements of Art Nouveau. The stucco mouldings and oil paintings on the walls and ceilings of the multi-tiered auditorium and foyer give it a richly festive appearance. The Opera's imposing facade is opulently decorated with numerous niches, Corinthian columns, pilasters, balustrades, cornices, statues, reliefs and stucco garlands. Standing in niches on either side of the main entrance are allegorical figures representing Comedy and Tragedy sculpted by Antoni Popiel and Tadeusz Barącz; figures of muses embellish the top of the cornice. The building is crowned by large bronze statues.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neofuturist Architecture. Neofuturism is an architectural style that is seen as a more idealistic approach to the future. The designs increasingly take advantage of new technologies to build seemingly impossible forms and innovative structures that have never been done before. Neofuturist architecture is identified with structures that seem to defy natural physics which were only previously seen in sci-fi movies. One of the best-known architects of Neofuturist architecture is ground-breaking Iraqi-British architect Zaha Hadid. In 2004, she was the first female architect to be awarded the Pritzker Prize in Architecture which was considered the Nobel Prize in the architecture world. She was also a two-time recipient of the Riba Stirling Prize- the UK’s most prestigious architecture award. Hadid, who passed away in 2016 at the age of 65, was known for her distinctive projects including The New Riverside Museum in Glasgow, Serpentine Sackler Gallery in Hyde Park, the 2020 Tokyo Olympic Stadium in Japan, the 2022 FIFA World Cup Stadium in Qatar, and the Heydar Aliyev Cultural Centre in Azerbaijan.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
  • Using base image: Yes