#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building is shaped as a nine-floor-high asymmetrical polyhedron covered in plaques of white cement, cut by large undulated or plane glass windows. The building is accessible through a front stairway and stands at the center of a vast open plaza of marble, yellow with hint of brown. Its isolated architectural form, deeply set back from adjacent streets, including the main Avenida da Boavista, and from the city's prime ceremonial public space, the Praça Mouzinho de Albuquerque, is evocative of the hull of a ship beached at low tide. It deliberately ignores and challenges the neoclassical order of converging avenues and the vast oval of continuous blocks centered on a tall monument, Heroes of the Peninsular War, that has defined the Praça.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The rear wall of the foyer and balcony faces are maple. The architects' original intention was to make the wood look like that from an old violin. However using the same technique would have been far too expensive. Instead, they have tried to imitate the color using more traditional staining techniques, and the result is very close (the official homepage says differently, but the guides in the Opera tell this story). Due to the orange color and its form, it is suitably known by locals as the pumpkin. The auditorium ceiling is gilded with about 105,000 sheets of almost pure carat (100%) gold leaf. The floor in the main auditorium is smoked oak. The balcony faces have been designed with openings in a special pattern to improve sound quality, and LED-based lighting that can be illuminated in a variety of patterns. The foyer floor is Sicilian Perlatino marble. The central foyer holds three spherical chandeliers created by the Icelandic artist Olafur Eliasson. Each chandelier consists of several pieces of glass, which are semipermeable allowing some light to pass, and some to reflect. The patterns change when viewed from different angles.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Walt Disney Concert Hall was designed by world-renowned architect Frank Gehry. Despite being a well-accomplished architect at the time of design, Gehry found himself an unlikely candidate for the job when the Disney family was looking for the hall's designer. Even with the location of the Walt Disney Concert Hall set to be in his hometown of Los Angeles, California, Gehry, when discussing his thoughts at the time the architect was selected, said, “it was the least likely thing that I thought would ever happen to me in my life”.[6] Gehry's opinion was supported by the representative of the Disney family. Gehry says he was told, "that under no circumstances would Walt Disney’s name be on any buildings that I design".[6] Much of this doubt came from Gehry's reputation for relying on the use of cheap materials in his architecture that were used in unconventional ways. With the Walt Disney Concert Hall being a project that demanded a high budget and an elegant style, Gehry did not seem like the right candidate for the job. However, Gehry's determination landed him the job of designing the hall, as he produced a design that caught the eye of Walt Disney's widow, Lilian.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Auditorio de Tenerife "Adán Martín" (commonly referred to as the Auditorio de Tenerife) is an auditorium in Santa Cruz de Tenerife, Canary Islands, Spain. Designed by architect Santiago Calatrava, it is located on the Avenue of the Constitution in the Canarian capital, and next to the Atlantic Ocean in the southern part of Port of Santa Cruz de Tenerife. Construction began in 1997 and was completed in 2003. The auditorium was inaugurated on 26 September of that year in the presence of Felipe, Prince of Asturias, and was later visited by former U.S. President Bill Clinton. The building is framed within the tenets of late-modern architecture of the late 20th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Near the auditorium stand the two Torres de Santa Cruz, which are the tallest buildings in the Canary Islands, and the tallest residential building in Spain until 2010. The auditorium and the towers are the most recognizable and most photographed structures in the city. The building stands on a plot of 23,000 m2 (250,000 sq ft) of which the auditorium occupies 6,471 m2 (69,650 sq ft), divided into two chambers. The main hall or Symphony, crowned by a dome, has 1,616 seats in an amphitheater. Its stage is 16.5 m (54 ft) wide, with a depth of 14 m (46 ft). Organ pipes emerge from both sides of the pit, designed by the world famous virtuoso Jean Guillou and erected by Albert Blancafort (who has also been involved in the construction of organs at the Cathedral of Alcala de Henares and the Auditorio Alfredo Kraus on Gran Canaria). The auditorium differs from traditional designs because it attempts to surround the listener with sound sources. The chamber hall, with 422 seats, reproduces the symphony hall amphitheater on a smaller scale. In the lobby, accessible from two sides of the building, are the press room, a shop and cafe. The building also has a dozen individual dressing rooms.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Contemporary buildings and styles vary greatly. Some feature concrete structures wrapped in glass or aluminium screens, very asymmetric facades, and cantilevered sections which hang over the street. Skyscrapers twist, or break into crystal-like facets. Facades are designed to shimmer or change color at different times of day.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Mason's marks in Kharosthi have been found on several elements of the Bharhut remains, indicating that some of the builders at least came from the north, particularly from Gandhara where the Kharoshti script was in use. Cunningham explained that the Kharosthi letters were found on the balustrades between the architraves of the gateway, but none on the railings which all had Indian markings, summarizing that the gateways, which are artistically more refined, must have been made by artists from the North, whereas the railings were made by local artists. According to some authors, Hellenistic sculptors had some connection with Bharhut and Sanchi as well.[23] The structure as a whole as well as various elements point to Hellenistic and other foreign influence, such as the fluted bell, addorsed capital of the Persepolitan order, and the abundant use of the Hellenistic flame palmette or honeysuckle motif.[20] Besides the origin of its contributors however, the gateway retains a very strong Indian character in its form. The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Gujari Mahal Archeological Museum or State Archaeological Museum, sometimes called the "Gwalior Fort Museum", is a state museum in Gwalior, located in the fortress of Gujari Mahal. It displays numerous artifacts of the region, including a fragment of the Garuda capital of the Heliodorus pillar from Vidisha. The palace of Gujari Mahal was built by Tomar Rajput ruler Man Singh Tomar for his wife Mrignayani who belonged to Gujjar tribe. She demanded a separate palace for herself with a regular water supply through an aqueduct from the nearby Rai River.[citation needed] The palace has been converted into an archaeological museum. Rare artifacts at the museum include Hindu and Jain sculptures dated to the 1st and 2nd centuries BCE, miniature statue of Salabhanjika, terracotta items and replicas of frescoes seen in the Bagh Caves.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Nyātāpola (Nepal Bhasa:
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In Buddhism, a stupa (Sanskrit: स्तूप, lit. 'heap', IAST: stūpa) is a mound-like or hemispherical structure containing relics (such as śarīra – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. Circumambulation or pradakhshina has been an important ritual and devotional practice in Buddhism since the earliest times, and stupas always have a pradakhshina path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had vedikā railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreading from it. These were chatras, symbolic umbrellas, and tend not to have survived, if not restored. The Great Stupa at Sanchi, Madhya Pradesh, is the most famous and best-preserved early stupa in
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Wooden construction details. Wooden construction. Nyatpola & Bhairav Temples. Bhairav Temple from Nyatpola. Taumadhi Square. Wooden wheels of a disassembled festival cart for Bisket Jatra. Bhojanalaya overlooking the temples. Wide view of Nyatapola Temple. Another Side of Nyatapola Temple
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There are five plinths on the stairways to the entrance of the temple and each of the plinth has a pair of stone guardians. Each of the pair is said to ten times stronger than the one below them. At the bottom are two Rajput wrestlers named Jai and Pratap who are said to be ten times stronger than normal men. Above them are the gaint statues of two elephants and above them are the statues of two Singhas, which is a mythical big cat and can be found throughout South and Southeast Asia. Above the cats are the statues of two Sārdūlas , a griffin-like creature of local Newari mythology. And in the topmost plinths are the Tantric deities, Simhanī and Vyāghranī, the lioness and tigress deity who are the strongest of all the guardians. There are also a total of five Ganesha idols on four shrines, one on each corner of the structure(one of the shrines, the south western one has two idols on one shrine)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Nyatapola is noted for its unique architecture as it is one of only two five storey temples in the Kathmandu Valley, the other one being the Kumbheshvara in Lalitpur and its five level plinth which along with steps to the top part also contains pairs of stone statues of animals and deities serving as the temple's guardians. Along with the Bhairava temple and other historical monuments, the Nyatapola forms the Tamārhi square, which forms the central and culturally the most important part of Bhaktapur and a popular tourist destination. Although, the temple itself has no religious significance to the locals, it is culturally used as a symbol of Bhaktapur. Its silhouette is used by the municipality in its coats of arms as well as by most of the corporations of the city. Reaching to a height of 33 m, the Nyatapola temple dominates the skyline of Bhaktapur and is the tallest monument there. The Nyatapola Square also divides the town of Bhaktapur into two parts: Thané (lit. 'Upper one') and Konhé
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vijaya Stambha is an imposing victory monument located within Chittor Fort in Chittorgarh, Rajasthan, India. The tower was constructed by the Hindu Rajput king Rana Kumbha of Mewar in 1448 to commemorate his victory over the army of Malwa led by Mahmud Khalji in the Battle of Sarangpur. The tower is dedicated to Hindu God Vishnu. The inscribed slabs in the uppermost storey containing a detailed genealogy of the rulers of Chittaur and their deeds is ascribed to Rana Kumbha court scholar, Atri and his son Mahesh. The names of the architect, Sutradhar Jaita and his three sons who assisted him, Napa, Puja, and Poma, are carved on the fifth floor of the tower. The Vijaya Stambha is a remarkable example of religious pluralism practised by the Rajputs. The topmost story features an image of the Jain Goddess, Padmavati.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Many of the oldest sculptural elements have been moved to the museum beside the temple, and some, such as the carved stone railing wall around the main structure, have been replaced by replicas. The main temple's survival is especially impressive, as it was mostly made of brick covered with stucco, materials that are much less durable than stone. However, it is understood that very little of the original sculptural decoration has survived. The temple complex includes two large straight-sided shikhara towers, the largest over 55 metres high. This is a stylistic feature that has continued in Jain and Hindu temples to the present day, and influenced Buddhist architecture in other countries, in forms like the pagoda.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The tower is built in the Solanki style. The tower is 75 feet (23 m) Height. The tower is famous for its for intricate carvings and architecture. The seven storey temple is adorned by sculpture and mouldings from the base to summit. The carvings on each summit is different from other. The tower stands near the Saat-Bees Jain temple.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The large group of Palitana temples on the Shatrunjaya hills in Gujarat are another very important Jain pilgrimage site, with temples numbering into the hundreds (most very small, and all but one Svetambara). Though many were founded much earlier, the site was so thoroughly destroyed by Muslim armies, starting in 1311, that there is little surviving that dates back before the 16th century. The temples are packed tightly together in a number of high-walled compounds called "tuks" or "tonks". Michell calls them "characteristic of the final phase of Western Indian temple architecture", with traditional shikharas, double storey porches, often on three or four sides, and miniature-urn roofs to the main mandapas. But there are influences from Indo-Islamic architecture in the domes, often fluted, over porches and second mandapas, "arches with petalled fringes, parapets of merlons", and other features. The Polo Forest in Gujarat has groups of Hindu and Jain ruined temples of various dates, but mostly 15th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The temple is a grand white marble structure spread over 48,000 square feet (4,500 m2) with 1444 marble pillars, twenty-nine halls, eighty domes and 426 columns. One pillar is incomplete and legend says every time it is built the next morning the pillar breaks down again. The temple, with its distinctive domes, shikhara, turrets and cupolas rises majestically from the slope of a hill. The 1444 marble pillars, carved in exquisite detail, support the temple. The pillars individually carved and no two pillars are the same. Legend says that it is impossible to count the pillars. One of the pillar bares the carving mother of a tirthankar lying on a cot. In the axis of the main entrance, on the western side, is the largest image. Inside the garbhagriha, the moolnayak of this temple, there is a 6-ft. tall, white-coloured chaumukha idol of Adinath with four heads facing in four direction. Temple has a total of 84 bhonyra (underground chambers) built to protect the Jain idols from the Mughals.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Whilst Dilwara temples are known for their sculptural work, this temple is famous for its intricate carvings and unique architecture. It was built in the form of Nalini-Gulma Vimana(a heavenly vehicle Dharna Shah saw in his dreams). This temple is built in Māru-Gurjara architecture. The temple has a garbhagriha in which the main Chaumukha Adinatha idol is placed. The four openings of the sanctum lead to rangamandapa— the Dancing hall, which is connected to a two-storeyed mandapa, which is again connected to another two-storeyed mandapa called Balana and nalimandapa. This courtyard is surrounded by a wall enclosing sub-shrines. The wall is also exclusive on projections like devakulikas and minor deity. The temple has five shikharas amongst which the central one is the largest. The temple is rich with sculptural pieces - carvings created with great skill and artistry. The Shikhara in the temple is symbolic of Mount Meru, the mountain which forms the axis of Jambudvipa with a preaching hall as the Samavasarana.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A stambha is a pillar or a column employed in Indian architecture. A stambha sometimes bears inscriptions and religious emblems. In Hindu mythology, a stambha is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, including the Atharva Veda, feature references to stambhas. In the Atharva Veda, a celestial stambha has been described as an infinite scaffold, which supports the cosmos and material creation. In the legend of Narasimha, an avatara of Vishnu, the deity appears from a stambha to slay the asura Hiranyakashipu. The stambha has been interpreted to represent the axis mundi in this myth by Deborah A. Soifer.
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