#japan

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Five hundred years of Ryukyuan history (12th-17th centuries) are represented by this group of sites and monuments. The nine component parts of the property include the sites and archaeological ruins of two stone monuments, five castles, and two cultural landscapes. They are scattered across Okinawa Island, collectively covering 54.9 ha. The surrounding buffer zone covers a total area of 559.7 ha. In the 10th-12th centuries, Ryukyuan farming communities (gusuku) began to enclose their villages with simple stone walls for protection. From the 12th century onwards powerful groups known as aji began to emerge. They enlarged the defences of their own settlements, converting them into fortresses for their own households; these adopted the term gusuku to describe these formidable castles. The castle ruins of the Gusuku sites on imposing elevated locations, are evidence for the social structure over much of that period, while the sacred sites provide mute testimony to the rare survival of an ancient form of religion into the modern age. The wide-ranging economic and cultural contacts of the Ryukyu Islands over that period gave rise to a unique culture.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The entire region suffered considerable damage during the Second World War and reconstruction work has taken place on many of the component parts. In Japan the authenticity of the form/design and materials/substance of each part of the property remains at a very high level, as they have been rehabilitated and restored under strict rules for more than one hundred years. Authenticity of location/setting has been maintained in that none of the component parts of the property has been moved from its original location and traces of buildings discovered through archeological excavations have been preserved underground. Extensive measures have been taken to make it possible to differentiate original materials from those used for rehabilitation and restoration, while sufficient care has been taken in the course of choosing materials. In the immediate aftermath of the Second World War, there were some cases of using improper materials, but adequate steps have been taken to replace these with proper materials or to establish clear distinctions between proper and improper materials. All the projects for such procedures are based on detailed surveys and research conducted in advance.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The shrine and temple buildings, together with their natural surroundings, have for centuries constituted a sacred site and the home of architectural and decorative masterpieces. The site continues to function today as a place of religious rituals and other activities which maintain its traditions, both physically and spiritually. The site has suffered from natural disasters (e.g. fire, falling trees, and earthquakes) over the centuries. Each time, the damaged building was restored faithfully, following rigorously the original plans and techniques, using the original materials whenever possible with attention and care to the preservation of colouring, materials and decorative works. Detailed documents about these operations have been kept. Most of the buildings as elements of the property remain in their original locations. The setting, with its relationship between buildings and old growth forest planted in the early 17th century, has also been maintained. The mountains and forests retain their sacred meanings, and the shrines and temples of Nikko are in active religious use. As described above, the property retains high level of authenticity in terms of form/design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Nikko shrines and temples is a perfect illustration of the architectural style of the Edo period as applied to Shinto shrines and Buddhist temples. The Gongen-zukuristyle of the two mausoleums, the Tôshôgû and the Taiyû-in Reibyô, reached the peak of its expression in the Nikko shrines and temples, and was later to exert a decisive influence. The ingenuity and creativity of its architects and decorators are revealed in an outstanding and distinguished manner.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The level of authenticity of the various buildings on the property is high from the view of form and design, materials and substance, traditions and techniques, and location and setting. Japanese conservation principles have ensured that replacement of damaged or degraded architectural elements has respected the materials and techniques used by the original builders. The archaeological site of the Nara Palace Site, protected for a long period under cultivated rice fields, has also a high level of authenticity in form, materials and substance, and location and setting. Unearthed archaeological remains have been reburied for protection. There has been some reconstruction of the gate, the study hall, and the garden at the Nara Palace Site. The continuity of traditional architecture in Japan and the substantial amount of data recovered by archaeological excavation has ensured that the reconstructed buildings have a high level of authenticity in form and design. The State Party is currently addressing how to best maintain that continuity in ongoing reconstruction work emphasizing the need for a clear rationale and justification for all interventions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Historic Monuments of Ancient Nara bear exceptional witness to the evolution of Japanese architecture and art and vividly illustrate a critical period in the cultural and political development of Japan, when Nara functioned as its capital from 710 to 784. During this period, the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture. Located in the modern city of Nara, the property includes eight component parts composed of seventy-eight different buildings covering 617.0 ha, which is surrounded by a buffer zone (1,962.5 ha) and the “historic environment harmonization area (539.0 ha)”. The site of Heijô-kyô was carefully selected in accordance with Chinese geomantic principles. A grand city plan, based on Chinese examples such as Chang'an, was laid out, with palaces, Buddhist temples, Shinto shrines, public buildings, houses, and roads on an orthogonal grid. The palace itself, located at the northern end of the central avenue, occupied 120 ha. It comprised the official buildings where political and religious ceremonies took place, notably the Daigokuden (imperial audience hall) and Chôdô-in.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Located in a mountainous region that was cut off from the rest of the world for a long period of time, these villages with their Gassho-style houses subsisted on the cultivation of mulberry trees and the rearing of silkworms. The large houses with their steeply pitched thatched roofs are the only examples of their kind in Japan. Despite economic upheavals, the villages of Ogimachi, Ainokura and Suganuma are outstanding examples of a traditional way of life perfectly adapted to the environment and people's social and economic circumstances.
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Kuchisake-Onna Face Ripper

• Model: Cyberspace (v2)*

• Size: 1281 X 1639 (2.10 MP)

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  • Prompt: portrait of Kuchisake-Onna covering her face with the face ripped from another victim:: feasting on her pray for her midnight dinner staring eerily at the camera
  • Using base image: Yes (Effect strength - 10%)
  • Base image resolution: 2MP
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Encompassing 42,698 hectares of subtropical rainforests on four islands on a chain located in the southwest of Japan, the serial site forms an arc on the boundary of the East China Sea and Philippine Sea whose highest point, Mount Yuwandake on Amami-Oshima Island, rises 694 metres above sea level. Entirely uninhabited by humans, the site has high biodiversity value with a very high percentage of endemic species, many of them globally threatened. The site is home to endemic plants, mammals, birds, reptiles, amphibians, inland water fish and decapod crustaceans, including, for example, the endangered Amami Rabbit (Pentalagus furnessi) and the endangered Ryukyu Long-haired Rat (Diplothrix legata) that represent ancient lineages and have no living relatives anywhere in the world. Five mammal species, three bird species, and three amphibian species in the property have been identified globally as Evolutionarily Distinct and Globally Endangered (EDGE) species. There are also a number of different endemic species confined to each respective island that are not found elsewhere in the property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The integrity of the serial property is based on archaeological remains that exemplify the cultural traits and site types of the ancient Jomon culture in northern Japan. The property is comprised of archaeological sites that show the initiation of sedentism and the eventual separation between the residential area and burial areas; sites that show the diversity of settlement facilities during the warm marine transgression period, as well as hub settlements that have ritual places; and sites that demonstrate the maturity of sedentism through stone circles, cemeteries, and settlements. The sites also include, to a degree, their interaction with the environment. The component parts of the serial property are of adequate size individually, and as a group they include all important archaeological remains that constitute settlements and ceremonial spaces as well as landforms or features showing their locations and environment. The serial property is protected by law and does not suffer from the negative impacts of natural disasters or large-scale developments. There are, however, several modern constructions, referred to as “non-compliant elements”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Jomon Prehistoric Sites in Northern Japan bears exceptional testimony to a globally rare prehistoric sedentary hunter-fisher-gatherer society which nurtured a complex spiritual culture, as revealed by archaeological artefacts such as clay tablets with the impression of feet and the famous goggle-eyed dogu figurines, as well as remains including graves, ritual deposits, artificial earthen mounds, and stone circles.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Located on a plateau above the Osaka Plain, the Mozu-Furuichi Kofun Group is a serial property of 45 components which contains 49 kofun (‘old mound’), a large and distinctive type of burial mound. The selected kofun are found in two major clusters, and are the richest tangible representation of the culture of the Kofun period in Japan from the 3rd to 6th centuries, a period before Japanese society became an established centralised state under the influence of the Chinese system of law. The kofun have a range of contents, such as grave goods (weapons, armour, ornaments); and clay figures used to decorated the mounds, known as haniwa (in the form of cylinders arranged in rows, or representations of objects, houses, animals and people). Understood as tombs for kings’ clans and affiliates during this period, some of the kofun are Ryobo (imperial mausolea) and are managed by Japan’s Imperial Household Agency. The serial components have been selected from a total of 160,000 kofun from around Japan and represent the ‘middle kofun’ period (late 4th to late 5th centuries) which is considered to be the peak of the Kofun period. The attributes of the property are the 49 burial mou
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Located 60 km off the western coast of Kyushu island, the island of Okinoshima is an exceptional example of the tradition of worship of a sacred island. The archaeological sites that have been preserved on the island are virtually intact, and provide a chronological record of how the rituals performed there changed from the 4th to the 9th centuries AD. In these rituals, votive objects were deposited as offerings at different sites on the island. Many of them are of exquisite workmanship and had been brought from overseas, providing evidence of intense exchanges between the Japanese archipelago, the Korean Peninsula and the Asian continent. Integrated within the Grand Shrine of Munakata, the island of Okinoshima is considered sacred to this day. Located 60 km off the north-western coast of Kyushu Island, the Island of Okinoshima is an exceptional repository of records of early ritual sites, bearing witness to early worship practices associated with maritime safety, which emerged in the 4th century AD and continued until the end of the 9th century AD, at a time of intense exchanges between the polities in the Japanese Archipelago, in the Korean Peninsula, and on the Asian continent.
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Japanese Geisha in Ukiyo-e Style

• Model: Artistic

• Size: 836 X 1254 (1.05 MP)

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  • Prompt: Picture of a Japanese Geisha in the style of ukiyo-e art
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Japanese Temple in Ukiyo-e Style

• Model: Artistic

• Size: 1355 X 774 (1.05 MP)

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  • Prompt: Picture of a Japanese temple in the style of ukiyo-e art
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Tokyo in the year 2100

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Tokyo in the year 2100
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  • Aspect Ratio: landscape

Cherry blossom

• Model: Fantasy

• Size: 1152 X 896 (1.03 MP)

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  • Prompt: Japanese cherry trees blooming scenery, abstract art, high quality, intense light,
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  • Aspect Ratio: landscape

Japan Terraces

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Rice terraces in Japan, surrounded by mountains. a path crosses a torii.
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  • Aspect Ratio: landscape

Japanese style rice terraces

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Rice terraces in Japan, surrounded by mountains. a path crosses a torii. Old Japanese drawings style.
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Tokyo Tower (東京タワー, Tōkyō tawā, officially called 日本電波塔 Nippon denpatō "Japan Radio Tower") is a communications and observation tower in the Shiba-koen district of Minato, Tokyo, Japan, built in 1958. At 332.9 meters (1,092 ft), it is the second-tallest structure in Japan. The structure is an Eiffel Tower-inspired lattice tower that is painted white and international orange to comply with air safety regulations. The tower's main sources of income are tourism and antenna leasing. Over 150 million people have visited the tower. FootTown, a four-story building directly under the tower, houses museums, restaurants, and shops. Departing from there, guests can visit two observation decks. The two-story Main Deck (formerly known as the Main Observatory) is at 150 meters (490 ft), while the smaller Top Deck (formerly known as the "Special Observatory") reaches a height of 249.6 meters (819 ft). The names were changed following renovation of the top deck in 2018.[4] The tower is repainted every five years, taking a year to complete the process.
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