#history

Release these chains of darkness, Let me see, Lord, just where I fit into your master plan ...

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: O (Lord) come down from Your golden throne, To me, to lowly me; I need to feel the touch of Your tender hand, . Release these chains of darkness, Let me see, Lord, let me see; Just where I fit into your master plan.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Archangel Saint Michael with Flaming Sword, Leader of the Army of God and Patron Saint of Chivalry

• Model: FluX

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: Awesome and Mighty Archangel Saint Micheal in silver armor with flaming Sword, commander of the Army of God, in the sky, sunrise
  • Using base image: No
  • Aspect Ratio: portrait

DEATH, the Grim Reaper

• Model: FluX

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: DEATH, The Grim Reaper
  • Using base image: No
  • Aspect Ratio: portrait

Ｐａｓｔ　Ｍｅｅｔｓ　Ｐｏｒｔ

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Majestic windjammers, towering masts, billowing sails, bustling port of Singapore, iconic skyline backdrop, vibrant harbor activity, diverse cultural influences, bustling waterfront, historical charm, modern cityscape contrast, intricate rigging details, deep blue sea, clear skies, warm sunlight, bustling docks, distant cargo ships, seagulls soaring, bustling crowds, digital illustration, realistic style with a touch of fantasy, detailed and immersive, dynamic composition, warm golden hour lighting, by a blend of Ivan Aivazovsky and Thomas Birch, ArtStation.
  • Using base image: No
  • Aspect Ratio: landscape_wide

O Lord, help me walk, Another mile, just one more mile; I’m tired of walkin’ all alone ...

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: O Lord, help me walk, Another mile, just one more mile; I’m tired of walkin’ all alone. And Lord, Help me to smile, Another smile, just one more smile; Don’t think I can do things on my own.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Yours knight was/is out of order for a few days, but will be back soon!

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: a friendly young bearded heroic knight wearing chain mail armor with green and yellow tabard has his left arm in a white linen sling, a white linen head bandage and a white linen bandage on his right thigh. The friendly young bearded heroic knight returns, worn out and exhausted, on his magnificent warhorse to his small but fortified castle, surrounded by nature, trees, plants, herbs and mushrooms, sunset, medium wind, medium clouds. By Ivan Bilibin
  • Using base image: No
  • Aspect Ratio: square

Exploring Abandoned Places and Ruins

• Model: DigitalDaVinci

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: lost places, ruins
  • Using base image: No
  • Aspect Ratio: landscape_wide

Do or do not. There is no try.

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: "Do or do not. There is no try."
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cobalt Foundry Quantum Interface Lab (2057)

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A sprawling holographic workshop in a near-future industrial complex, illuminated by ambient strip lighting and embedded ceiling arrays. Wide, heavy worktables dominate the floor, layered with photonic tools, solid-light interfaces, and translucent blueprints projected in midair. Semi-material holograms show circuit overlays, exploded-view schematics, and component clusters hovering just above the surface, as if “assembled in light.” Along the walls, smart racks store programmable tool heads and modular parts that pulse with embedded LEDs. Diagnostic arms and solid-state manipulators extend from ceiling rails, working in tandem with real-world components and holo-tools. Workbenches are cluttered with hybrid objects: part tangible tech, part luminous construct. Soft haze from thermal vents curls near the floor. Glass panel walls reveal adjacent labs with similar layouts. Stark contrast between clean architectural lines and chaotic invention. Fluorescent blues, clean whites, and vibrant neons reflect off brushed alloy and polymer. Lighting is bright and even—enough to work by—without a central source. Mood is focused, inventive, alive. The space is clearly used—organized clutter, stacked gear, hovering schematics—and infused with cutting-edge tactile holography. Full shot, eye-level, with deep perspective and wide composition. Clear z-axis layering: foreground tools and benches, midground interface arrays, background support walls and robotics. Resembles a fusion of Tony Stark’s garage and Tron: Legacy’s light-grid, anchored in functional realism. volumetricshafts, structuregrain, highlightscatter, crystalmechanica, digital-illustration, photorealism, hyperdetail, cinematiclighting, holointerface, industrialfuturism, solidlightdesign, labdepthcomposition, interactiveUI, workbenchchaos
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cobalt Foundry – Consumer Tech Division, Bay 3 (1987)

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A sprawling 1980s video game repair workshop with neon and cassette futurism influences, captured in a full wide shot at eye level with deep focus. The scene shows a large central workbench made of scratched laminate and metal tubing, cluttered with half-disassembled home consoles like the Atari 2600, NES, and ColecoVision. Circuit boards, joystick components, analog voltmeters, and open plastic bins overflow with ribbon cables, microchips, worn cartridges, and small tools. A soldering iron rests on a scorched pad. Surrounding the workspace, old CRT televisions display paused gameplay or glitched boot screens from classic titles like Pac-Man, Frogger, and Donkey Kong, with visible scanlines and phosphor glow. Along the back wall, a row of full-sized arcade cabinets—Centipede, Space Invaders, Galaga, and Spy Hunter—stand in various states of repair. Some have their back panels removed or propped open with exposed wiring and circuit boards, while others flicker softly with attract screens. The iconic side panel art is vibrant and clearly visible, chipped and aged but unmistakable. The floor is a scuffed vinyl composite with tape marks and grease stains. A corkboard cluttered with repair notes, hand-drawn schematics, and faded flyers hangs beside a cracked wall clock. Fluorescent ceiling lights cast bright, sterile light across the entire space—no moody shadows, just crisp visibility for delicate technical work. Desk lamps with magnifying lenses are clamped to tables. A Jolt Cola can sits beside a greasy pizza box, an open repair manual, and a stack of sticky notes. Poster of The Last Starfighter and Tron hang crookedly near the corner. The mood is tactile, nostalgic, functional—an 80s workshop frozen in time, rich with texture and personality. Hyper-detailed, photorealistic, cinematic composition, meticulously composed with layered realism and retro-futurist atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cobalt Foundry Advanced Systems Bay (1982)

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A sprawling atompunk laboratory infused with cyberpunk aesthetics, blending retro-futuristic tech and dystopian neon. The scene captures the full scope of the lab, showcasing multiple workstations and research benches in an expansive facility. Benches and tables overflow with exotic high-tech gadgetry — disassembled machines, arc reactors, robotic limbs, holographic schematics, and plasma conduits in exploded view. Power generators hum with contained energy, their tubes glowing amber and cyan, while walls are lined with copper pipes, control panels, and flickering CRT monitors. Scattered tools and cybernetic components hint at recent, urgent experimentation. Intense directional lighting highlights chrome surfaces and glass tubes, while neon signage and digital projectors cast saturated hues — electric blue, deep magenta, and radioactive green — onto matte metal. Subtle fog coils near the floor from overworked coolant systems. The mood is tense and alive: a place of dangerous genius, where invention borders on madness. Hyperrealistic photorealism with CGI-style surface rendering and digital matte painting fidelity. Hyper-detailed textures (grime, patina, wiring, lens reflections), inspired by cinematic sci-fi from Denis Villeneuve and Masamune Shirow. Clear depth of field, deep focus, and epic cinematic framing. Every bolt, cable, and flicker rendered with obsessive precision. Full shot, eye-level angle with deep perspective through modular industrial architecture. The composition emphasizes scale and complexity: converging support struts, layered depth of desks and walls, and a clear vanishing point that draws the viewer's eye through the chaos toward a central, glowing prototype. Objects placed using rule of thirds and visual storytelling hierarchy, with foreground clutter leading into a structured midground and looming background.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Halberd & Royce Engineering Annex (1947)

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A colossal dieselpunk laboratory tinged with atompunk flair, set within a fortified concrete-and-steel bunker. The room sprawls with heavy industrial machinery, aged brass instrumentation, and radioactive-era tech, fusing World War II aesthetics with speculative science. Massive workbenches bear mechanical computers, pressurized gauges, Geiger counters, coil arrays, thermionic valves, and open-core reactor blueprints. Exposed piping snakes along the walls. Overhead gantries support hydraulic robotic arms and crane systems for moving unstable materials. Tables feature half-dissected power armor, prototype plasma emitters, and irradiated isotope cores under thick leaded glass domes. Atompunk influence shows in the sweeping chrome finishes, Cold War-era labels, and glowing vacuum tubes. Dim, industrial amber light from hanging sodium lamps clashes with the cold glow of electric blue plasma cores and green-tinted cathode displays. Sparks drift from welding units. Steam and vapor linger around floor grates. The mood evokes tension and invention, where danger is a constant companion. Shadows stretch long, punctuated by warning strobes and flickering status monitors. Photorealistic, cinematic dieselpunk style, with hyperreal rendering and detailed textures: grease-slicked steel, cracked Bakelite, scorched copper wiring, weathered dials. Influences from Jakub Rozalski, Simon Stålenhag, and Sky Captain-era visuals. Every element—rust, smoke, wire, and rivet—rendered in meticulous detail. Digital matte painting meets film concept art. Full shot at eye-level, with strong horizontal lines and a deep industrial z-axis perspective. The frame captures a central power generator or experimental core glowing ominously, flanked by cluttered desks, catwalks, and mechanical scaffolding. Foreground grit, midground machinery, and a background of vault doors, blast walls, or containment chambers. All elements meticulously composed using strong symmetry and layered depth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A real warhorse knows how to fight! ** (Please read Description!)

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: "Fear cuts deeper than swords."
  • Using base image: No
  • Aspect Ratio: landscape_wide

Viking Settlement

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: The Early medieval viking settlement of Haithabu, sunrise, dawn of sun
  • Using base image: No
  • Aspect Ratio: square

I shall conquer untruth by truth. And in resisting untruth, I shall put up with all suffering.

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Let the first act of every morning be to make the following resolve for the day: - I shall not fear anyone on Earth. - I shall fear only God. - I shall not bear ill will toward anyone. - I shall not submit to injustice from anyone. - I shall conquer untruth by truth. And in resisting untruth, I shall put up with all suffering.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Storyteller II

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: I am a writer, storyteller and author, and that's why I try to tell little stories in my Dreams!
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Knight with the Iron Hand ... and his loyal Cat

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Old master painting... bearded knight wearing a blue tunic and black cape has a medieval prosthetic iron right hand with a faithful grey tabby cat on his left side ... looking at the viewer... in the style of Titian. rainbow background... old master style
  • Using base image: No
  • Aspect Ratio: square

The Good Spirits of Virtuous Knights fighting against the Evil Legions of Darkness

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: Same as start image, a group of shimmering pale green knightly ghosts band together fighting the dark souls who attack their descendants, | Zdzisław Beksiński, Gustave Doré, Dan Seagrave
  • Using base image: Yes

Timeless Treasures: Vintage Books on Display

• Model: Realismo

• Size: 2880 X 1616 (4.65 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Venus de Milo "healed" with cybernetic prostheses #diversitysaturday (Re-Work)

• Model: FluX

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: Create an image of the famous marble sculpture Venus de Milo (Aphrodite of Melos) with the missing arms replaced by modern medical cybernetic prosthetic arms.
  • Using base image: No
  • Aspect Ratio: portrait