Release these chains of darkness, Let me see, Lord, just where I fit into your master plan ...
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: O (Lord) come down from Your golden throne,
To me, to lowly me;
I need to feel the touch of Your tender hand, .
Release these chains of darkness,
Let me see, Lord, let me see;
Just where I fit into your master plan.
Prompt: Majestic windjammers, towering masts, billowing sails, bustling port of Singapore, iconic skyline backdrop, vibrant harbor activity, diverse cultural influences, bustling waterfront, historical charm, modern cityscape contrast, intricate rigging details, deep blue sea, clear skies, warm sunlight, bustling docks, distant cargo ships, seagulls soaring, bustling crowds, digital illustration, realistic style with a touch of fantasy, detailed and immersive, dynamic composition, warm golden hour lighting, by a blend of Ivan Aivazovsky and Thomas Birch, ArtStation.
O Lord, help me walk, Another mile, just one more mile; I’m tired of walkin’ all alone ...
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: O Lord, help me walk,
Another mile, just one more mile;
I’m tired of walkin’ all alone.
And Lord, Help me to smile,
Another smile, just one more smile;
Don’t think I can do things on my own.
Yours knight was/is out of order for a few days, but will be back soon!
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: a friendly young bearded heroic knight wearing chain mail armor with green and yellow tabard has his left arm in a white linen sling, a white linen head bandage and a white linen bandage on his right thigh. The friendly young bearded heroic knight returns, worn out and exhausted, on his magnificent warhorse to his small but fortified castle, surrounded by nature, trees, plants, herbs and mushrooms, sunset, medium wind, medium clouds. By Ivan Bilibin
Prompt: A sprawling holographic workshop in a near-future industrial complex, illuminated by ambient strip lighting and embedded ceiling arrays. Wide, heavy worktables dominate the floor, layered with photonic tools, solid-light interfaces, and translucent blueprints projected in midair. Semi-material holograms show circuit overlays, exploded-view schematics, and component clusters hovering just above the surface, as if “assembled in light.” Along the walls, smart racks store programmable tool heads and modular parts that pulse with embedded LEDs. Diagnostic arms and solid-state manipulators extend from ceiling rails, working in tandem with real-world components and holo-tools. Workbenches are cluttered with hybrid objects: part tangible tech, part luminous construct. Soft haze from thermal vents curls near the floor. Glass panel walls reveal adjacent labs with similar layouts. Stark contrast between clean architectural lines and chaotic invention. Fluorescent blues, clean whites, and vibrant neons reflect off brushed alloy and polymer. Lighting is bright and even—enough to work by—without a central source. Mood is focused, inventive, alive. The space is clearly used—organized clutter, stacked gear, hovering schematics—and infused with cutting-edge tactile holography. Full shot, eye-level, with deep perspective and wide composition. Clear z-axis layering: foreground tools and benches, midground interface arrays, background support walls and robotics. Resembles a fusion of Tony Stark’s garage and Tron: Legacy’s light-grid, anchored in functional realism.
volumetricshafts, structuregrain, highlightscatter, crystalmechanica, digital-illustration, photorealism, hyperdetail, cinematiclighting, holointerface, industrialfuturism, solidlightdesign, labdepthcomposition, interactiveUI, workbenchchaos
Cobalt Foundry – Consumer Tech Division, Bay 3 (1987)
Model:
DaVinci2
Size:
1920 X 1080
(2.07 MP)
Used settings:
Prompt: A sprawling 1980s video game repair workshop with neon and cassette futurism influences, captured in a full wide shot at eye level with deep focus. The scene shows a large central workbench made of scratched laminate and metal tubing, cluttered with half-disassembled home consoles like the Atari 2600, NES, and ColecoVision. Circuit boards, joystick components, analog voltmeters, and open plastic bins overflow with ribbon cables, microchips, worn cartridges, and small tools. A soldering iron rests on a scorched pad. Surrounding the workspace, old CRT televisions display paused gameplay or glitched boot screens from classic titles like Pac-Man, Frogger, and Donkey Kong, with visible scanlines and phosphor glow.
Along the back wall, a row of full-sized arcade cabinets—Centipede, Space Invaders, Galaga, and Spy Hunter—stand in various states of repair. Some have their back panels removed or propped open with exposed wiring and circuit boards, while others flicker softly with attract screens. The iconic side panel art is vibrant and clearly visible, chipped and aged but unmistakable. The floor is a scuffed vinyl composite with tape marks and grease stains. A corkboard cluttered with repair notes, hand-drawn schematics, and faded flyers hangs beside a cracked wall clock.
Fluorescent ceiling lights cast bright, sterile light across the entire space—no moody shadows, just crisp visibility for delicate technical work. Desk lamps with magnifying lenses are clamped to tables. A Jolt Cola can sits beside a greasy pizza box, an open repair manual, and a stack of sticky notes. Poster of The Last Starfighter and Tron hang crookedly near the corner. The mood is tactile, nostalgic, functional—an 80s workshop frozen in time, rich with texture and personality. Hyper-detailed, photorealistic, cinematic composition, meticulously composed with layered realism and retro-futurist atmosphere.
Prompt: A sprawling atompunk laboratory infused with cyberpunk aesthetics, blending retro-futuristic tech and dystopian neon. The scene captures the full scope of the lab, showcasing multiple workstations and research benches in an expansive facility.
Benches and tables overflow with exotic high-tech gadgetry — disassembled machines, arc reactors, robotic limbs, holographic schematics, and plasma conduits in exploded view. Power generators hum with contained energy, their tubes glowing amber and cyan, while walls are lined with copper pipes, control panels, and flickering CRT monitors. Scattered tools and cybernetic components hint at recent, urgent experimentation.
Intense directional lighting highlights chrome surfaces and glass tubes, while neon signage and digital projectors cast saturated hues — electric blue, deep magenta, and radioactive green — onto matte metal. Subtle fog coils near the floor from overworked coolant systems. The mood is tense and alive: a place of dangerous genius, where invention borders on madness.
Hyperrealistic photorealism with CGI-style surface rendering and digital matte painting fidelity. Hyper-detailed textures (grime, patina, wiring, lens reflections), inspired by cinematic sci-fi from Denis Villeneuve and Masamune Shirow. Clear depth of field, deep focus, and epic cinematic framing. Every bolt, cable, and flicker rendered with obsessive precision.
Full shot, eye-level angle with deep perspective through modular industrial architecture. The composition emphasizes scale and complexity: converging support struts, layered depth of desks and walls, and a clear vanishing point that draws the viewer's eye through the chaos toward a central, glowing prototype. Objects placed using rule of thirds and visual storytelling hierarchy, with foreground clutter leading into a structured midground and looming background.
Prompt: A colossal dieselpunk laboratory tinged with atompunk flair, set within a fortified concrete-and-steel bunker. The room sprawls with heavy industrial machinery, aged brass instrumentation, and radioactive-era tech, fusing World War II aesthetics with speculative science.
Massive workbenches bear mechanical computers, pressurized gauges, Geiger counters, coil arrays, thermionic valves, and open-core reactor blueprints. Exposed piping snakes along the walls. Overhead gantries support hydraulic robotic arms and crane systems for moving unstable materials. Tables feature half-dissected power armor, prototype plasma emitters, and irradiated isotope cores under thick leaded glass domes. Atompunk influence shows in the sweeping chrome finishes, Cold War-era labels, and glowing vacuum tubes.
Dim, industrial amber light from hanging sodium lamps clashes with the cold glow of electric blue plasma cores and green-tinted cathode displays. Sparks drift from welding units. Steam and vapor linger around floor grates. The mood evokes tension and invention, where danger is a constant companion. Shadows stretch long, punctuated by warning strobes and flickering status monitors.
Photorealistic, cinematic dieselpunk style, with hyperreal rendering and detailed textures: grease-slicked steel, cracked Bakelite, scorched copper wiring, weathered dials. Influences from Jakub Rozalski, Simon Stålenhag, and Sky Captain-era visuals. Every element—rust, smoke, wire, and rivet—rendered in meticulous detail. Digital matte painting meets film concept art.
Full shot at eye-level, with strong horizontal lines and a deep industrial z-axis perspective. The frame captures a central power generator or experimental core glowing ominously, flanked by cluttered desks, catwalks, and mechanical scaffolding. Foreground grit, midground machinery, and a background of vault doors, blast walls, or containment chambers. All elements meticulously composed using strong symmetry and layered depth.
I shall conquer untruth by truth. And in resisting untruth, I shall put up with all suffering.
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Let the first act of every morning be to make the following resolve for the day:
- I shall not fear anyone on Earth.
- I shall fear only God.
- I shall not bear ill will toward anyone.
- I shall not submit to injustice from anyone.
- I shall conquer untruth by truth. And in resisting untruth, I shall put up with all suffering.
The Knight with the Iron Hand ... and his loyal Cat
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Old master painting... bearded knight wearing a blue tunic and black cape has a medieval prosthetic iron right hand with
a faithful grey tabby cat on his left side ... looking at the viewer... in the style of Titian. rainbow background... old master style
The Good Spirits of Virtuous Knights fighting against the Evil Legions of Darkness
Model:
DaVinci2
Size:
1016 X 1016
(1.03 MP)
Used settings:
Prompt: Same as start image, a group of shimmering pale green knightly ghosts band together fighting the dark souls who attack their descendants, | Zdzisław Beksiński, Gustave Doré, Dan Seagrave
The Venus de Milo "healed" with cybernetic prostheses #diversitysaturday (Re-Work)
Model:
FluX
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: Create an image of the famous marble sculpture Venus de Milo (Aphrodite of Melos) with the missing arms replaced by modern medical cybernetic prosthetic arms.
Chevalier Yvain de Leoans has returned home and is back on DDG!
Model:
Ideogram
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: A 12th-century knight returns on horseback, wearing no helmet, a chainmail shirt, and a green and yellow tabard. At the top of the image is a large garnet-green banner with golden medieval Fraktur script and the words "I am back!", a sunset, a few clouds, and a medieval landscape.
Prompt: high contrast. metaphorically galore, extreme real surrealist,
the old banana with glasses and a gray beard reads history for the whimsical tropical fruits
Prompt: A bearded knight with long grey hair in his mid-forties, wearing a green and yellow tabard over his chainmail armour, shakes hands with the misty, luminescent, transparent ghost figure of his deceased brother at his grave. A brown tabby cat watches the ghost attentively, the furry cat belongs to the knight. It is an old, medieval Celtic cemetery with a small graveyard. It is a misty full moon night in spring, a few fireflies are buzzing around among the wildflowers and wild herbs. Melancolic and tragic mood
Sir Jupp of Bram with his Black Tomcat Salem, a really magical cat!
Model:
Artflow
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Old master painting... old skeletal knight with a skull wearing a rusty chain mail with a faithful black cat... looking at the viewer... in the style of Titian. Dark background... old master style
Prompt: Old master painting... A grieving single bearded sad knight with a green and yellow tunic over his chain mail kneels and prays at a fresh,new grave with a christian tombstone, the grave , the grave of his recently deceased brother. The knight's shieldmaiden stands behind the knight and places her hand comfortingly on his shoulder. A majestic furry brown tabby cat sits sadly at the grave and looks up at the knight. The sky is cloudy, gray and dark, but a single ray of light breaks through the clouds and falls on the grave, And one sees a faint, ghostly apparition of the deceased brother smiling at him from heaven ... in the style of Titian. Dark background... old master style
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
