#bikinicyberpunk

Sex Worker

• Model: Z-Image Turbo

• Size: 2480 X 3307 (8.20 MP)

• Used settings:

  • Prompt: A raw, expressive mixed-media illustration driven by aggressive brushwork, scratched ink lines, smeared pigments, and fractured anatomy. The surface feels distressed and alive: charcoal scrawls, ink splatter, torn textures, and painterly imperfections collide with semi-realistic forms. High contrast, imperfect edges, and emotional abrasion dominate the image. Text remains clean and easily readable, set in a simple, neutral sans-serif comic font that stands apart from the chaos of the artwork. Single-panel composition. The viewpoint is from the street, looking through the glass of a display window in the Red Light District of Antwerp. The glass is a strong visual layer: streaked reflections of neon signs and streetlights scrape across the surface in smeared blues, purples, and dirty magentas. The outside world is suggested through rough silhouettes and blurred motion, while the interior is partially muted by the glass, reinforcing distance, judgment, and observation. Inside the window, centered, a young woman stands front-facing, upright and grounded. She is barefoot, legs slightly apart, stance firm and unapologetic. Her hands press into her hips with deliberate weight. She wears acid-lime lingerie, rendered graphically rather than anatomically precise—bold shapes, broken color fields, and rough edges rather than detail. The fabric fractures into paint streaks and scratches at the contours. Her hair is styled in double buns, with long ponytails falling downward, painted in vivid, electric violet that explodes into ink trails and splashes, dissolving into the surrounding abstraction. Her face is calm, proud, and controlled—chin lifted, eyes steady—expressing dignity without softness, strength without aggression. Beside her, also inside the window, sits a very fluffy albino cat. Its long white fur is rendered with rough, gestural strokes and soft smudges, giving volume through suggestion rather than precision. The cat’s eyes are a sharp, luminous yellow, cutting cleanly through the chaos. Its posture is composed and self-possessed, mirroring the woman’s stance. Both figures look outward through the glass, directly toward the unseen observer. Speech bubble (woman, firm and measured; font clean and highly legible): “Many people think my job is dishonorable— yet I do it with honesty. Those same people call politics honorable, even when it’s often done without honor.” The interior space remains intentionally sparse, defined by rough color planes and scraped textures rather than furniture or props. The glass acts as both a physical and emotional barrier, amplifying the sense of external judgment. At the bottom center of the panel, inside the frame, a small, clean caption reads: “(© Emiliano Girina)” The overall mood is defiant, abrasive, and reflective—a confrontation rendered through texture, imbalance, and emotional weight rather than polish, where dignity emerges from chaos and the viewer is forced to confront their own position outside the glass.
  • Using base image: No
  • Aspect Ratio: portrait