#architecture

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Tomas Bata Memorial is the most valuable monument of the Zlín functionalism. The idea for the monument is simple - an empty prism placed on a visible spot above the town on the central axis of the ascending park space, made up of several modules of the Zlín 6.15 x 6.15 m frame and clad only with cathedral glass. Inside is Junkers F 13 aircraft in which Tomáš Baťa died in 1932. Gahura reduced the monument to three basic materials of Zlín architecture – concrete, steel and glass. Building's composition express the unique attributes of Tomáš Baťa: generosity, clarity, aspiration, optimism, simplicity and honesty.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A mire, peatland, or quagmire is a wetland area dominated by living peat-forming plants. Mires arise because of incomplete decomposition of organic matter, usually litter from vegetation, due to water-logging and subsequent anoxia. All types of mires share the common characteristic of being saturated with water, at least seasonally with actively forming peat, while having their own ecosystem. Like coral reefs, mires are unusual landforms that derive mostly from biological rather than physical processes, and can take on characteristic shapes and surface patterning. A quagmire is a floating (quaking) mire, bog, or any peatland being in a stage of hydrosere or hydrarch (hydroseral) succession, resulting in pond-filling yields underfoot. Ombrotrophic types of quagmire may be called quaking bog (quivering bog). Minerotrophic types can be named with the term quagfen.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Aalto's starting point for the design of the sanatorium was to make the building itself a contributor to the healing process. He liked to call the building a "medical instrument". For instance, particular attention was paid to the design of the patient bedrooms: these generally held two patients, each with his or her own cupboard and washbasin. Aalto designed special silent basins, so that the patient would not disturb the other while washing. Aalto placed the lamps in the room out of the patients' line of vision and painted the ceiling a relaxing grayish green so as to avoid glare. Each patient had their own specially designed cupboard, fixed to the wall and off the floor so as to aid in cleaning beneath it. In the early years the only known "cure" for tuberculosis was complete rest in an environment with clean air and sunshine. Thus on each floor of the building, at the end of the patient bedroom wing, were sunning balconies, where weak patients could be pulled out in their beds. Healthier patients could go and lie on the sun deck on the very top floor of the building. As the patients spent a long time — typically several years — in the sanatorium, there was a distinct commun
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Baťa's Skyscraper, also known as Building No. 21, is a skyscraper in Zlín, Czech Republic. It is 77.5 metres high and has sixteen floors. It was the administration building of the Bata Shoes factory, a company that was based in the city. Now it is headquarters of the Zlín Region. This building was one of the first high-rise buildings to be constructed in Europe: it was the third-tallest pre-war skyscraper after Madrid's Telefónica Building and Antwerp's Boerentoren.[1] The building is in the style of Constructivist architecture, designed by Vladimír Karfík. It was built between 1936 and 1938 at the direction of company president Jan Antonín Baťa, who took over following the death of his half-brother Tomáš Baťa. Originally, the administration offices were to be concentrated in three interconnected three-story buildings. Architect Karfík suggested the design of a high-rise building and eventually got Jan Antonín Baťa's support for his idea.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building sits on 2.7 acres (11,000 m2) of property on Commerce St between 3rd and 4th Avenues North, and has a footprint of 1+2⁄3 city blocks. It features a three-story winter garden atrium as its foyer and has a nine-story underground parking garage with 1,300 vehicle capacity. Its distinctive design and dark coloration have earned it the nickname "Batman Building", due to its resemblance to the cowl of superhero character Batman. Richard Miller, the president of architectural firm Earl Swensson Associates, said of the design process: "...at the time we did that [South Central Bell] wanted a signature piece of architecture. What happens inside the building drives the way the outside looks." In August 2009, the French online business journal Le Journal du Net named the iconic "Batman Building", or as the article names it "La tour de Batman", one of the 12 most original office buildings in the world. In 2011, a drawing of the AT&T Building – alongside images of iconic structures from Tennessee's three other large cities (the Memphis Pyramid, Knoxville's Sunsphere, and the Tennessee Aquarium of Chattanooga) – was incorporated into the standard design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Mechanical, electrical and plumbing (MEP) refers to the installation of services which provide a comfortable space for the building occupants. In residential and commercial buildings, these elements are often designed by a specialized MEP engineering firms. The part of Mechanical in the overall MEP system is almost 70% of the total work. MEP's design is important for planning, decision-making, accurate documentation, performance- and cost-estimation, construction, and operating/maintaining the resulting facilities. MEP specifically encompasses the in-depth design and selection of these systems, as opposed to a tradesperson simply installing equipment. In countries of Asia such as Pakistan, China and Saudi Arabia the use of MEP is increasing in building construction projects due to extreme climates in summer and winter. For example, a plumber may select and install a commercial hot water system based on common practice and regulatory codes. A team of MEP engineers will research the best design according to the principles of engineering, and supply installers with the specifications they develop. As a result, engineers working in the MEP field must understand a broad range.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building is cruciform in plan and has a steel-framed superstructure with a braced mechanical core. It consists of the office tower on the west side of the land lot as well as four-story podium on the east side. Its facade is largely composed of a glass curtain wall, in front of which are ceramic rods that deflect heat and glare. The steel framing and bracing is exposed at the four corner "notches" of the building. The New York Times Building is designed as a green building. The lower stories have a lobby, retail space, and the Times newsroom surrounding an enclosed garden. The other stories are used as office space.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Umeda Arts Theater (梅田芸術劇場, Umeda Geijutsu Gekijō) is a Japanese theater located at Chayamachi Applause in Chayamachi, Kita-ku, Osaka, operated by Umeda Arts Theater Co., Ltd. It opened in 1992. Umeda Arts Theater Co., Ltd. is a member of Hankyu Hanshin Toho Group and a subsidiary of Hankyu Corporation. It serves as a theater producing company and a talent agency for former Takarazuka Revue Company stars, with branches in Tokyo and New York. Umeda Arts Theater has produced the world premiere of Prince of Broadway, a musical retrospective celebrating the 21-time Tony winner Harold Prince, directed by Prince and Susan Stroman.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Abeno Harukas (あべのハルカス) is a multi-purpose commercial facility in Abenosuji Itchome, Abeno-ku, Osaka, Japan. It consists of the New Annex, Eastern Annex and a supertall skyscraper, Abeno Harukas. The building is 300 m (984 ft) tall and has 62 floors; it was the tallest building in Japan from 2014 to 2023, until Azabudai Hills Mori JP Tower seized the title. The facility is the planned alternative station building of Ōsaka Abenobashi Station, the terminal of Kintetsu Minami Osaka Line. It contains Kintetsu Department Store Main Store Abeno Harukas, Marriott International hotel, university campuses and Sharp Corporation sales office. Its floor space is around 100,000 m2 (1,100,000 sq ft), making it one of the biggest department stores in Japan. Construction was completed on March 7, 2014.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Umeda Sky Building (梅田スカイビル, Umeda Sukai Biru) is the nineteenth-tallest building in Osaka Prefecture, Japan, and one of the city's most recognizable landmarks. It consists of two 40-story towers that connect at their two uppermost stories, with bridges and an escalator crossing the wide atrium-like space in the center. It is located in Umeda district of Kita-ku, Osaka.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The peristasis (Greek: περίστασις) was a four-sided porch or hallway of columns surrounding the cella in an ancient Greek peripteral temple. This allowed priests to pass round the cella (along a pteron) in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In Roman architecture, a tablinum (or tabulinum, from tabula, board, picture) was a room generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain. The walls were richly decorated with fresco pictures, and busts of the family were arranged on pedestals on the two sides of the room.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Windcatchers vary dramatically in shape, including height, cross-sectional area, and internal sub-divisions and filters.[3] Windcatching has gained some ground in Western architecture, and there are several commercial products using the name windcatcher. Some modern windcatchers use sensor-controlled moving parts or even solar-powered fans to make semi-passive ventilation and semi-passive cooling systems.[3] Windscoops have long been used on ships, in the form of a dorade box. Windcatchers have also been used experimentally to cool outdoor areas in cities, with mixed results;[3] traditional methods include narrow, walled spaces, parks and winding streets, which act as cold-air reservoirs, and takhtabush-like arrangements (see sections on night flushing and convection, below).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A windcatcher, wind tower, or wind scoop (Arabic: برجيل ; Persian: بادگیر) is a traditional architectural element that originated in Iran,[1] and is used to create cross ventilation and passive cooling in buildings.[2] Windcatchers come in various designs: unidirectional, bidirectional, and multidirectional. Windcatchers are widely used in North Africa and West Asia. People in Iran, especially in southern Fars and Hormozgan provinces, are known to have been using windcatchers throughout the past three millennia. Neglected by modern architects in the latter half of the 20th century, the early 21st century saw them used again, to increase ventilation and cut power demand for air-conditioning.[4] Generally, the cost of construction for a windcatcher-ventilated building is less than that of a similar building with conventional heating, ventilation, and air conditioning (HVAC) systems. The maintenance costs are also lower. Unlike powered air-conditioning and fans, windcatchers are silent[5] and continue to function when the electrical grid power fails (a particular concern in places where grid power is unreliable and expensive).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The earthen architecture in the Sahel zone region is noticeably different from the building style in the neighboring savannah. The "old Sudanese" cultivators of the savannah built their compounds out of several cone-roofed houses. This was primarily an urban building style, associated with centres of trade and wealth, characterised by cubic buildings with terraced roofs comprise the typical style. They lend a characteristic appearance to the close-built villages and cities. Large buildings such as mosques, representative residential and youth houses stand out in the distance. They are landmarks in a flat landscape that point to a complex society of farmers, craftsmen and merchants with a religious and political upper class. With the expansion of Sahelian kingdoms south to the rural areas in the savannas (inhabited by culturally or ethnically similar groups to those in the Sahel), the Sudano-Sahelian style was reserved for mosques, palaces, the houses of nobility or townsfolk (as is evident in the Gur-Voltaic style), whereas among commonfolk, there was a mix between either typically distinct Sudano-Sahelian styles for wealthier families, and older African roundhut styles for rural
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Hausa[30] – The characteristic Hausa architectural style predominant in North and Northwestern Nigeria, Niger, Eastern Burkina Faso, Northern Benin, and Hausa-predominant zango districts and neighbourhoods throughout West Africa. Characterised by its attention of stucco detail in abstract design and extensive use of parapets. One to two storey buildings. Examples in the architecture of the Yamma Mosque and old town of Zinder, The Hausa quarter of Agadez Niger, the Gidan Rumfa of Kano, and various Hausa districts across West Africa.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: In the earthen architecture of the region, scholar Andrew Petersen distinguishes two general styles: a "western" style that may have its roots in Djenné (present-day Mali), and an "eastern" style associated with Hausa architecture that may have its roots in Kano (present-day Nigeria).[19] The eastern or Hausa style is generally more plain on the exterior of buildings, but is characterized by diverse interior decoration and the much greater use of wood.[19] Mosques often have prayer halls with pillars supporting flat or slightly domed roofs of wood and mud.[15][25] An exceptional example is the 19th-century Great Mosque of Zaria (present-day Nigeria), which has parabolic arches and a roof of shallow domes.[15][26] The western or "Sudan" style is characterized by more elaborate and decorated exterior façades whose compositions emphasize verticality. They have tapering buttresses with cone-shaped summits, mosques have a large tower over the mihrab, and wooden stakes (toron) are often embedded in the walls – used for scaffolding but possibly also for some symbolic purpose.[19]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Starting in the 9th century AD, Muslim merchants came to play a vital role in the western Sahel region through trans-Saharan trade networks.[8] The earliest mosques discovered in sub-Saharan Africa are at Kumbi Saleh (in present-day southern Mauritania), the former capital of the Ghana Empire.[9] Here, a mosque has been discovered which consisted of a courtyard, a prayer hall, and a square minaret, built in dry stone covered in red mud used as plaster. On both the exterior and interior of the mosque, this plaster was painted with floral, geometric, and epigraphic motifs. A similar stone mosque from the same period has been found at Awdaghust.[10] Both mosques are dated generally between the 9th and 14th centuries. The mosque of Kumbi Saleh appears to have gone through multiple construction phases from the 10th century to the early 14th century.[10] At Kumbi Saleh, locals lived in domed-shaped dwellings in the king's section of the city, surrounded by a great enclosure. Traders lived in stone houses in a section which possessed 12 mosques (as described by Al-Bakri), one centered on Friday prayer.[11] The king is said to have owned several mansions, one of which was 66 feet long, 42
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Sudano-Sahelian architecture refers to a range of similar indigenous architectural styles common to the African peoples of the Sahel and Sudanian grassland (geographical) regions of West Africa, south of the Sahara, but north of the fertile forest regions of the coast. This style is characterized by the use of mudbricks and adobe plaster, with large wooden-log support beams that jut out from the wall face for large buildings such as mosques or palaces. These beams also act as scaffolding for reworking, which is done at regular intervals, and involves the local community.
  • Using base image: Yes