#ajpaintings

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series : The Fountain Interlude

• Model: Ideogram (Base)

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.9, Late Afternoon

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4, Sunset

• Model: ImagineArt

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4.5, The Magic Hour

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the combined styles of ARTHUR RACKHAM and AUBREY BEARDSLEY and IVAN BILIBIN ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #5, Night

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #1, Pre-Dawn

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of AUBREY BEARDSLEY ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.5, Mid-Morning

• Model: Z-Image Turbo

• Size: 2576 X 1456 (3.75 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.0, Early Morning

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.0, Early Afternoon

• Model: Ideogram (Base)

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.7, Mid-Afternoon

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Blue Yellow Green Abstract 05

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Vibrant abstract composition, dynamic interplay of inks and watercolors, minimalistic geometric shapes, sharply defined borders, sleek lines, high contrast, vivid yellow, bright blue, and lush green hues, fluid transitions, intricate patterns, contemporary aesthetic, digital creation, high resolution, detailed textures, modern art influence, Artstation showcase.
  • Using base image: No
  • Aspect Ratio: square

Blue Yellow Green Abstract 06

• Model: Artistic 2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: An ABSTRACT COMPOSITION IN INKS AND WATERCOLORS with MINIMALISTIC GEOMETRIC SHAPES WITH SMOOTHLY DEFINED BORDERS and SLEEK LINES in VERY bright YELLOW and BLUE and GREEN COLORS
  • Using base image: No
  • Aspect Ratio: square

Blue Yellow Green Abstract 07

• Model: Artistic 2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Vibrant abstract composition, dynamic ink and watercolor blend, minimalistic geometric shapes, smoothly defined borders, sleek lines, bold contrast, very bright yellow, blue, and green hues, fluid transitions, intricate patterns, contemporary art style, high detail, intricate textures, digital painting, artful balance, striking color palette, Artstation.
  • Using base image: No
  • Aspect Ratio: square

Blue Yellow Green Abstract 08

• Model: Artistic 2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: An ABSTRACT COMPOSITION IN INKS AND WATERCOLORS with MINIMALISTIC GEOMETRIC SHAPES WITH SMOOTHLY DEFINED BORDERS and SLEEK LINES in VERY bright YELLOW and BLUE and GREEN COLORS
  • Using base image: No
  • Aspect Ratio: landscape

Blue Yellow Green Abstract 09

• Model: FluX 2 (Base)

• Size: 2560 X 1372 (3.51 MP)

• Used settings:

  • Prompt: A work of abstract minimalism colored exclusively in bright shades of blue and yellow and green
  • Using base image: No
  • Aspect Ratio: landscape_wide

Blue Yellow Green Abstract 10

• Model: Ideogram (Base)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Vibrant abstract minimalism, bold geometric shapes, exclusive use of bright blue, yellow, and green, clean lines, sharp angles, no intricate patterns, digital art, high resolution, focus on color contrast, no gradients, no blending, simple yet impactful composition, modern and sleek, vivid and eye-catching, dynamic lighting to enhance colors.
  • Using base image: No
  • Aspect Ratio: square

Blue Yellow Green Abstract 11

• Model: FluX 2 (Base)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: An ABSTRACT COMPOSITION IN INKS AND WATERCOLORS with MINIMALISTIC GEOMETRIC SHAPES WITH SMOOTHLY DEFINED BORDERS and SLEEK LINES in VERY bright YELLOW and BLUE and GREEN COLORS
  • Using base image: No
  • Aspect Ratio: square

For You : A Bouquet, with Poppies, Lupines, Daisies, and a Sunrise

• Model: Ideogram (Base)

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: A wilderness SCENE with a prairie filled with wildflowers blooming and with the Rocky Mountains spanning the entire horizon in the distance, on a sunny Summer NOONTIME in JULY, depicted in the style of commercial 20th century American comics
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Reeds of the Camargue (1907) by Julian Stone, a fictional character of my own invention

• Model: ArtFusion

• Size: 1344 X 768 (1.03 MP)

• Used settings:

  • Prompt: A vibrant, painterly landscape depicting a marsh or wetlands scene at sunset, rendered in the style of Vincent van Gogh. The composition is dominated by a dramatic sky, with swirling, thick brushstrokes of deep blues and purples in the upper half, transitioning to a glowing band of peach, pink, and pale yellow hues along the horizon. Below the horizon, a distant line of dark green trees or dense foliage stretches across the mid-ground. The foreground and mid-ground feature a winding river or waterway with calm, reflective water rendered in shades of bright blue, teal, and lavender, showing horizontal brushstrokes that suggest ripples. The banks of the river and surrounding areas are filled with tall, golden-yellow and bright green marsh grasses, depicted with energetic, upward-sweeping brushstrokes that give them a sense of movement and texture. The overall lighting is that of a sunset, casting warm glow on the lower sky and reflecting in the water, while the upper sky retains a deep, twilight blue. The colors are highly saturated and contrasting, with bold blues, greens, yellows, and oranges. The style is distinctly Post-Impressionistic, characterized by visible, expressive brushwork, strong lines, and a heightened sense of color and emotion. The mood is serene yet dynamic, capturing the beauty of nature with an almost dreamlike intensity.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Oconee in Early Summer

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: The Oconee River in Georgia in bright Springtime greens and bright red and yellow and blue wildflowers and other bright colors and depicted in a wilderness landscape scene using the combined styles and techniques of Ivan BILIBIN, Arthur RACKHAM, and Bernard BUFFET
  • Using base image: No
  • Aspect Ratio: landscape_wide