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Artisthyperrealistic photograph, "Amelie Elmquist aka Amelea 20yo blonde in a room" with an intensely calm, almost unnervingly serene expression, is attired in stark, minimalist, almost architectural "bikini"-like metallic and porcelain white garments. her thematic tattoos are of perfectly rendered, complex geometric blueprints and stark, elegant binary code that seems to glow faintly. she sits perfectly poised on a minimalist, razor-edged obsidian throne in a "meticulously clean," almost blindingly white, futuristic corporate office that resembles a high-tech insane asylum's day room. "spectacularly bizarre stuff": a single, perfectly preserved, taxidermied raven (transporting meats) is perched on the back of her throne, its eyes replaced with tiny, glowing cctv lenses; the office windows look out onto a swirling, chaotic vortex of pure data noise, but the room itself is untouched, pristine; on a small, chrome side table rests a precisely cut cube of what appears to be raw meat, next to a delicate, antique silver fork and a single, unlit dynamite stick with an hr manual page as a fuse. her hands are calmly folded in her lap, her gaze fixed directly at the viewer with an air of absolute, unshakable, "beautifully scary" self-possession and "clinical" detachment. dramatic, sterile, high-key lighting. ultra-realistic, 8k.
A young woman with a serene expression sits on a sleek obsidian throne in a stark, futuristic office. Clad in minimalist white attire, her intricate tattoos glow softly. A taxidermied raven perches nearby, and the room is filled with unsettling yet captivating details.