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The painting is in the style of Edward Hopper. An intense, exprssionism, pastel drawing of a high-angle, wide shot of an ancient Moroccan tannery and town under a bright, cloud-dotted sky. In the foreground and middle ground, the tannery features hundreds of stone vats of various sizes and shapes, mostly circular and rectangular. Many vats contain liquids of different colors, ranging from off-white and light gray to dark brown, black, and reddish hues, indicating dyes or tanning solutions. Workers in the vats are visible, some with equipment. Stretched leather pieces are hanging to dry on rails between the tannery and the surrounding buildings. The background shows a densely packed town with light-colored, multi-story buildings, characteristic of Moroccan architecture, featuring numerous small windows and flat rooftops. A few larger buildings with arched windows stand out. Farther back, the city expands across a hillside, dotted with more buildings and a distant blue dome. The overall atmosphere suggests a historic, bustling industrial area integrated within a city landscape on a sunny day.
A detailed, impressionistic painting by Tomas Laboratory from 2026, depicting an expansive elevated view of a bustling Moroccan tannery complex and the surrounding city under a vibrant blue sky filled with fluffy white clouds. In the foreground, numerous rectangular and circular dye vats are meticulously organized, filled with various colored liquids, and several workers are actively engaged in the tanning process. The architecture of the buildings is characterized by light yellow and beige facades with small windows and balconies, some with awnings. In the midground, the city sprawls across various elevations, showcasing a mix of traditional buildings, and a distinctive blue-domed structure with a golden finial stands prominently in the distance, suggesting a significant religious or public building. The background reveals more urban development extending towards hills, all meticulously rendered with visible brushstrokes that create a layered texture in the sky and buildings, enhancing the impressionistic style. Based on a photography made during trip to Fez, Morocco in july 2022.
