Prompt: "Novacane Kaleidoscope" A psychosomatic surrealism masterpiece visualizing the lyrics' descent into numb, superhuman detachment. The scene is a fractured, Beksinski-esque landscape of a distorted collegiate campus at dusk, where the lawn is a sheet of cracked, ice-blue glass. Centered in the composition is a figure, their face a glitching, multi-perspective portrait merging Picasso's fractured forms with Egon Schiele's raw, nervous lines. Their expression is a vacant, "muted emotion" stare, capturing the lyric, "I can't feel my face." One eye is wide open, filmy and unseeing; the other is sutured shut, echoing "pleasure with my eyes wide shut." From their mouth, a ghostly, M.C. Escher-like staircase of smoke coils upward, morphing into the words "Don't let the high go to waste" in a Jean-Michel Basquiat graffiti scrawl. At their feet, an "ice-blue bong" lies on its side, spilling a liquid that transforms into a sink full of dishes rendered in the gritty, textural style of Francis Bacon. The background is a chaotic collage: a "chemist on campus" appears as a skeletal figure in a Tim Burton style, holding a beaker that bubbles with Andy Warhol's repetitive Coca-Cola logos. The sky is a Henri Matisse cut-out of vivid color, but sickly and stained, while the ground pulses with the organic, neural patterns of Alex Grey. The entire scene is framed by a grotesque, smiling mouth--a la Louis Wain in his later period--whispering the word "DISGUST." This is not a painting but a visceral experience--a "visionary stuff" tapestry of abstract expressionism and art brut, where you can "taste a little taste of Novacane" through sheer visual overload. It's the moment where pleasure, academia, and chemical numbness collapse into one another. Modifiers: Psychosomatic surrealism, hyper-detailed, chaotic collage, fractured perspective, glitch art, raw texture, high contrast, morbid whimsy, Zdzisław Beksiński, Picasso, Francis Bacon, Egon Schiele, Jean-Michel Basquiat, Tim Burton, Andy Warhol, Alex Grey, M.C. Escher, Louis Wain, abstract expressionism, art brut.
Prompt: "Novacane Kaleidoscope" A psychosomatic surrealism masterpiece visualizing the lyrics' descent into numb, superhuman detachment. The scene is a fractured, Beksinski-esque landscape of a distorted collegiate campus at dusk, where the lawn is a sheet of cracked, ice-blue glass. Centered in the composition is a figure, their face a glitching, multi-perspective portrait merging Picasso's fractured forms with Egon Schiele's raw, nervous lines. Their expression is a vacant, "muted emotion" stare, capturing the lyric, "I can't feel my face." One eye is wide open, filmy and unseeing; the other is sutured shut, echoing "pleasure with my eyes wide shut." From their mouth, a ghostly, M.C. Escher-like staircase of smoke coils upward, morphing into the words "Don't let the high go to waste" in a Jean-Michel Basquiat graffiti scrawl. At their feet, an "ice-blue bong" lies on its side, spilling a liquid that transforms into a sink full of dishes rendered in the gritty, textural style of Francis Bacon. The background is a chaotic collage: a "chemist on campus" appears as a skeletal figure in a Tim Burton style, holding a beaker that bubbles with Andy Warhol's repetitive Coca-Cola logos. The sky is a Henri Matisse cut-out of vivid color, but sickly and stained, while the ground pulses with the organic, neural patterns of Alex Grey. The entire scene is framed by a grotesque, smiling mouth--a la Louis Wain in his later period--whispering the word "DISGUST." This is not a painting but a visceral experience--a "visionary stuff" tapestry of abstract expressionism and art brut, where you can "taste a little taste of Novacane" through sheer visual overload. It's the moment where pleasure, academia, and chemical numbness collapse into one another. Modifiers: Psychosomatic surrealism, hyper-detailed, chaotic collage, fractured perspective, glitch art, raw texture, high contrast, morbid whimsy, Zdzisław Beksiński, Picasso, Francis Bacon, Egon Schiele, Jean-Michel Basquiat, Tim Burton, Andy Warhol, Alex Grey, M.C. Escher, Louis Wain, abstract expressionism, art brut.
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Prompt:
"Novacane Kaleidoscope" A psychosomatic surrealism masterpiece visualizing the lyrics' descent into numb, superhuman detachment. The scene is a fractured, Beksinski-esque landscape of a distorted collegiate campus at dusk, where the lawn is a sheet of cracked, ice-blue glass. Centered in the composition is a figure, their face a glitching, multi-perspective portrait merging Picasso's fractured forms with Egon Schiele's raw, nervous lines. Their expression is a vacant, "muted emotion" stare, capturing the lyric, "I can't feel my face." One eye is wide open, filmy and unseeing; the other is sutured shut, echoing "pleasure with my eyes wide shut." From their mouth, a ghostly, M.C. Escher-like staircase of smoke coils upward, morphing into the words "Don't let the high go to waste" in a Jean-Michel Basquiat graffiti scrawl. At their feet, an "ice-blue bong" lies on its side, spilling a liquid that transforms into a sink full of dishes rendered in the gritty, textural style of Francis Bacon. The background is a chaotic collage: a "chemist on campus" appears as a skeletal figure in a Tim Burton style, holding a beaker that bubbles with Andy Warhol's repetitive Coca-Cola logos. The sky is a Henri Matisse cut-out of vivid color, but sickly and stained, while the ground pulses with the organic, neural patterns of Alex Grey. The entire scene is framed by a grotesque, smiling mouth--a la Louis Wain in his later period--whispering the word "DISGUST." This is not a painting but a visceral experience--a "visionary stuff" tapestry of abstract expressionism and art brut, where you can "taste a little taste of Novacane" through sheer visual overload. It's the moment where pleasure, academia, and chemical numbness collapse into one another. Modifiers: Psychosomatic surrealism, hyper-detailed, chaotic collage, fractured perspective, glitch art, raw texture, high contrast, morbid whimsy, Zdzisław Beksiński, Picasso, Francis Bacon, Egon Schiele, Jean-Michel Basquiat, Tim Burton, Andy Warhol, Alex Grey, M.C. Escher, Louis Wain, abstract expressionism, art brut.
Modifiers:
Zdzisław Beksiński
Picasso
naive art
Henri Matisse
Alex Grey
Andy Warhol
Paul Klee
Ernst Ludwig Kirchner
Tim Burton
graffiti
Francis Bacon
Egon Schiele
M.C. Escher
Joan Miró
Louis Wain
Victo Ngai
Enki Bilal
art brut
primitivism
Jean-Michel Basquiat
Raoul Dufy
abstract expressionism
Ray Caesar
Roberto Matta
Niko Pirosmani
Piero della Francesca
Adam Martinakis
Arshile Gorky
rauschenberg
Tanya Shatseva
Francesco Clemente
Bridget Bate Tichenor
fnord
zebadri
Psychosomatic surrealism
Gayane Khachaturian
More about On Campus
A surreal scene features a dazzling blue illuminated pit in a serene grassy area, framed by bare trees, with an impressive historic building in the background under a twilight sky.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
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