Prompt: 16:9 format of a painstakingly crafted, extremely detailed speedpainted image of five paralympic wheelchair users in a race. The paralympic athletes are wearing sports clothes with an asisgned number and are speedil racing on a track. We see the wheelchair racers fully frontally as they approach the finish line, each at his or her own pace. The joy and exertion of the race shows on their faces. The speedpaint splashes and the bright colors perfectly capture the motion of the athletes. The sun is shining on a perfect race scene. Captivating painting exuding infectuous excitement.
Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Ogura Hyakunin Isshu No. 74 - Minamoto no Toshiyori Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 74, Minamoto no Toshiyori Ason, of the Ogura Hyakunin Isshu: "It was not for this / I prayed at the holy shrine: / That she would become / As pitiless and as cold / As the storms on Hase's hills." A modern-day Japanese traveler is coming down the mountain through a snowstorm, his staff in his hand and his cloak whipped about by the relentless wind. He is returning from pilgrimage, glum and unhappy. In heavy cloud cover, we see the image of a scornful face of a woman with piercing eyes looking at the traveler exposed to the brunt of the bad weather. Early winter ambiance, painstakingly detailed linocut, especially of the cloud cover with the scornful woman's face. Exquisite Japanese foili depicting unrequited love.
Ogura Hyakunin Isshu No. 78 - Minamoto no Kanemasa
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a powerful silk screen print of poem number 78, Minamoto no Kanemasa, of the Ogura Hyakunin Isshu: "Guards of Suma Gate, / From your sleep, how many nights have you awakened / At the creis of sanderlings / Flying from Awaji Island?" We see a flock of sanderlings (sandpipers) flapping over Suma Gate. A guard dressed in ō-yoroi armor (a large, box-shaped, heavy suit made from dark, burnished leather plates connected by cords) is standing, feet planted firmly on the ground far apart, looks up at the flock with an irritated mien. The sanderlings are dark against the night sky, and the guard is lit by the fire of oil lamps on either side of Suma Gate, making him look tall and menacing. The image focuses fully on the guard and his armor as well as the action above his head. Solid, striking design, silk screen print using thick, textured ink in bold, consistent colors with clear, sharp edges. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed Expressionistic oil painting of poem number 77, Sutoku-in, of the Ogura Hyakunin Isshu: "Though a swift stream is / Divided by a boulder / In its headlong flow, / Though divided, on it rushes, / And at last unites again." A mighty rivver current rushes onward and is parted in the middle by a large boulder, almost the size of a small island. Behind the dark, craggy, wet boulder, the stream comes together again and continues onward. White froth gathers at the boulder as the river hits the obstacle. The water surface is most turbulent as the stream hits the boulder, turning smoother as it progresses past the boulder. The sky is clear and blue, the shore of the wild river is lined with pebbles and dense, green vegetation. Expressive primary colors, thick oil paint applied directly from the tube in splotches, and repetitive textures in the river. Strong symbolism, archetypical Expresssionism reminiscent of the German Expressionist painters August Macke and Ernst Ludwig Kirchner. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed oil painting of poem number 76, Hosshōji Nyūdō Saki no Kanpaku Daijōdaijin, of the Ogura Hyakunin Isshu: "Over the wide sea / As I sail and look around, / It appears to me / That the white waves, far away, / Are the ever shining sky." A small, one-man Japanese rowboat is sailing toward the horizon on a completely flat, calm sea. In the distance, the yellow-white clouds in the sky have the same color and texture as the small, low, calm, flat wave caps stretching along the entire horizon. Above the white-yellow clouds, the dawn sky is light blue, the same color as the ocean in front of the low, horizontal wave caps. Only the rowboat creats a speck of red-brown color on the sea. The sea and the sky fully merge at the horizon in texture and color, creating the illusion of infinity. Oil painting emulating the style of William Turner, the painter of light. Expressive coloring, with thick oil paint applied directly from the tube in splotches, and repetitive, calm textures. Breathtaking illusion of the sky and the sea melting together. Exquisite Japanese foilio.
Ogura Hyakunin Isshu No. 75 - Fujiwara no Mototoshi
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed vanitas-type oil painting of poem number 75, Fujiwara no Mototoshi, of the Ogura Hyakunin Isshu: "As dew promises / New life to the thirsty plant, / So did your vow to me. / Yet the year has passed away, / And autumn has come again." Dew richly covers a flowerbed of Japanese mugwort (Artemisia princeps), glittering and shimmering in the early morning sun, breaking the light into rainbow colors. The dew stands for a promise - which, alas, was later broken. But in this image, the hyperrealistic dewdrops, each reflecting and magnifying the leaves next to it, present a breathtaking spectacle. Painstakingly detailed, hyperrealistic oil painting in the technique of the old Dutch vanitas masters. The vanitas concept embraces the fleeting nature of life - like this soon to be broken proomise. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, multilayer linocut of poem number 79, Sakyō Dayū Akisuke, of the Ogura Hyakunin Isshu: "See how clear and bright / Is the moonlight finding was / through the riven clouds / That, with drifting autumn wind, / Gracefully float in the sky." The night sky is filled with altocumulus clouds between which a crescent moon throws shafts of light onto the dark, windblown autumn meadow. The clouds closest to the moon are backlit by the white crescent moon. The other clouds are grayish, or even black at the edges of the midnight-blue sky. The moon and the clouds close to it take pride of place in this masterful, extremely detailed linocut. Exquisite Japanese foilio.
Ogura Hyakunin Isshu No. 80 - Taikenmon-in no Horikawa
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut executed on rough handmade paper of poem number 80, Taikenmon-in no Horikawa, of the Ogura Hyakunin Isshu: "I do not evn know / how long your feelings will last. / My long black hair / is all diheveled and, this morning, / my thoughts, too, are in a tangle!" The image shows a young, contemprary Japanese woman sitting crosslegged and barefoot on her futon in her small, sparsely furnished but tidy apartment. She is hanging her head in confusion, and has her palms up to her face, covering her face fully. Her long, black hair is tangled. She is wearing a modern silk morning robe with a tiny, beautiful floral pattern in rich pastels. The early morning sun is streaming in the window, highlighting her tangled hair and her silk morning robe. The color palette otherwise is reduced to tans, ivory and brown, so that the hair and the morning robe are highlighted. The image is rendered as an exceedingly detailed, zentangle-like linocut. The hair and the morning robe are executed in profound detail, whereas the surroundings are executed more schematically. Extreme detail, clarity of rendering, timeless, symbolical morning-after motif combining a traditional linocut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, finely cut, multilayer linocut showing the topic of poem number 83, Dōin Hōshi, of the Ogura Hyakunin Isshu: "From this world I think / That there is nowhere to escape. / I wanted to hide / In the mountains' farthest depths; / But there I hear the stag's cry." see light from the hallway shining on an old, closed, heavy-plank wooden basement door. The door has a brass knob and shield-mounted stag antlers. The basement door leads to a refuge for the plagued poet to hide away when the worl becomes too much for him. Highly symbolic image. The linocut is so fine that we see every single wood fiber of the door's planks perfectly lit in dimensional detail, every twist and turn of the antlers, and every spot on the brass doorknob. Exquisite Japanese linocut folio in full 16:9 width.
Unpleasant Things: When evolution takes place in the sink
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: (((Masterpiece, close up))) A punk collage made of torn magazines combined with dynamic impressionist coarse impasto painting and ink drawing in a scratching, splashing, blotting appeal, irregular stroke, squiggly line, evocative, splatter, overspray of color
We see a close-up image of a very beautiful young blonde etheral busty vietamese woman with a messy blonde bun washing very dirty dishes in the sink. An octopus arm stretches out of the very dirty and foamy dishwater and grabs her. She looks at at the octopus arm with an pouty, annoyed, frowning expression.
The blonde vietnamese woman wears a saggy t-shirt with deep neckline and a mini-skirt.
Background: a messy vintage kitchen with some plants and band posters. The morning sun beams through the kitchen window and highlights the beautiful facial and bodily features of the woman.
Masterpiece, touching, gorgeous, golden ratio, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD, style by zettel
Prompt: An impressionist scene inspired by Claude Monet: a woman lying on her back on a bed near an open window, bathed in shimmering daylight. Soft, broken brushstrokes, vibrant yet delicate color variations, luminous atmosphere. The outdoor meadow glows with touches of yellow, green, and blue; the sky is filled with vaporous, textured clouds in pale blues and whites. Light reflects gently on her skin, creating subtle iridescent highlights. Forms are suggested rather than detailed, with airy contours and a sense of movement in the light. A peaceful, poetic summer moment rendered with Monet’s characteristic play of color, light, and atmosphere.
Prompt: She is Water: Frozen. Watercolor, wet on wet, red Beautiful, Shattered Mermaid of the ocean, in translucent mosaic colors, waves in background by Daniel Merriam, Josephine Wall. I see your hair is burning, hills are filled with fire. If they say I never loved you--you know they are a liar!
Prompt: Portrait of a beauty at the Imperial Ball in the St. George's Hall of the Winter Palace, 19th century, with a magnificent necklace and earrings, crowded, magnificent interior, with stunningly intricate details - a brilliant masterpiece of filigree digital art. Fantasy by Josephine Wall and Cyril Rolando. Concept art, centered composition, perfect composition, centered, complex pose, intricacy, watercolor, artstation trends, sharp focus, studio photography, intricate details, high detail, Greg Rutkowski
Prompt: (A masterpiece of unparalleled excellence), (("A stylized blue cat stand on a textured landscape under a starry night sky. A bright yellow sun and scattered stars illuminate the scene, creating a whimsical cosmic atmosphere". Side view, Complex stipple texture, Abstract expressionism surrealism, Pop art)), Inspired by the style illustrations of Edward Gorey, Tim Burton and Tomasz Setowski, Use stunning color oil drawing on textured paper, As if created By Paul Klee, Tim Burton, Tomasz Setowski, Kris Kuksi, Niki de saint phalle, Antoni Gaudí, Dee Nickerson and Jacek Yerka. (Full Size image)
Ogura Hyakunin Isshu No. 81 - Gotokudaiji no Sadaijin
Model:
AIVision
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, richly colored, multilayer, extremely finely tooled linocut of poem number 81, Gotokudaiji no Sadaijin, of the Ogura Hyakunin Isshu: "When I turned my look / Toward the place where I had heard / the cuckoo's call, / The only thing I found / Was the moon of early dawn." The early dawn of late spring is visible on the horizon, coloring the clouds and sky in magenta, pink, orange, and yellow. The sky above is turquoise, deepening to midnight blue the higher it rises over the horzon. In the distance, dark tree silhouettes line the horizon. Far above the horizon, in the darkest part of the sky, sits a tiny crescent moon, just a very small, white sliver high in the sky. A very small bird silhouette stands out dark against the low yellow of the horizon. The bird, a lesser cuckoo, is symbolic of the beginning of summer. Masterful, painstakingly executed, extremely detailed linocut combined with a wet watercolor wash. Exquisite Japanese foilio.
Prompt: Photorealistic surreal landscape A woman is walking on a winding path through cracked desolate landscape within a cracked open borderless world. with boarding rocks and an ancient giant tree, towards the ominous horizon stylized clouds impressionist sun setting, waterfalls winding stream. yellow orange yin yang superimposed on moon mixture of reality and fantasy journey towards an unknown destination. Cracked landscape dark fantasy colorful stylized ink wash and watercolor
Prompt: Create a surreal image that represents, in a very bright, colorful and creative way, the following concept:
"Why does some music make you happy but other music make you sad?"
Surreal composition, in style by Robert Rauschenberg, Minjae Lee and Scott Bergey
Prompt: “Progress is a natural result of staying focused on the process of doing anything.” surreal impossible prospective portrait of a landing black "Corvus Corax" in the style of Scott Bergey, Squeak Carnwath and Stasia Burrington
Prompt: can you draw a mixed media artwork abstract illustrating the following description? "Follow the day and reach for the sun!" in the style of Tang Yau Hoong
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
