Prompt: Create a visually uplifting YouTube Shorts banner for a Christian channel named "Bible Treasure". The niche is Daily Motivational Prayers. Use warm, radiant colors like gold, white, and soft blue to represent peace, hope, and divine light. Include subtle elements like an open Bible, a glowing cross, soft rays of light, or doves in the background. Text should include the channel name "Bible Treasure" in elegant, readable font with a tagline below:
"Daily Prayers for Strength, Peace, and Hope".
Prompt: A big room inside a jungle spiritual temple. The stone is old, cracked and mossy. There are creepers everywhere hanging from the ceiling. The atmosphere is eerie, antic and mystical. Some holes in the ceiling projects beautiful sunlight beams in the hallway. A beautiful woman with a red dress is on her knees in the middle of the ruined temple, staring at the camera with a subbtle smile.
Prompt: A giant hallway in a very old medieval castle. The stone is old, cracked and mossy. The atmosphere is eerie, antic and mystical. The back wall has tall stained glass windows projecting beautiful sunlight beams in the hallway. A beautiful woman with a red dress is on her knees in the middle of the ruined hallway, staring at the camera with a subbtle smile.
Prompt: The close up head of a beautiful women facing left in the mist. Hair in the wind. There is an incrustation in the middle of the head that lets us see transparency a small dreaming world inside her head made of trees, colorful flowers and a dream like landscape with strange mountains and valley.
Prompt: The polka-dot artwork has an unexpectedly complex plot, a multi-layered scene and a dynamic composition.
The unexpected plot depicts a young, attractive woman in a sitting position (turned 45 degrees to the camera) with a closed book in her hands.
The scene present a typical environment of the 1930s (randomly - home, workplace, cafe, movie theater, Protestant meeting, girl's bedroom, living room or some other atmosphere).
The protagonist is a Protestant charmful woman [age: 18-35; race: any race and nationality] with a 1990s-style hairstyle and dress.
Her posture and emotions indicate openness to new relationships. She smiles modestly at the camera.
The dress design, which is bold for the story, and the design of each layer of the scene is based on the polka dot style.
The main object is a book, a Bible. It is closed, and on the leather cover you can see the gold embossed inscription "BIBLE".
Deep dramatic light. Reflections of light. The depth of the scene. Microstructured textures of objects.
Prompt: In the evening, in a small, barren and poor clay house, the risen Jesus Christ and the two Emmaus disciples Cleopas and James sit at a simple wooden table by the light of a tallow candle. Jesus breaks and shares a small flatbread, and the two disciples are surprised to recognize him.
Prompt: The Last Supper - Jesus Christ in the middle takes the Last Supper in an old, antique Jewish guest room in Jerusalem at a long wodden table together with the twelve (12) Apostles. There is bread and wine (amphoras), they celebrate the Passover meal (Pesach), the festival of unleavened bread. Biblical Scene, Ancient Jerusalem, Evening.
Mark, Chapter 16: The women at the empty sepulchre
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: And when the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, had bought sweet spices, that they might come and anoint him. And very early in the morning the first day of the week, they came unto the sepulchre at the rising of the sun. And they said among themselves, And when they looked, they saw that the stone was rolled away: for it was very great. And entering into the sepulchre, they saw a young man sitting on the right side, clothed in a long white garment; and they were affrighted. And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him. But go your way, tell his disciples and Peter that he goeth before you into Galilee: there shall ye see him, as he said unto you.
Prompt: Lonely Scene: Near the ancient city of Jerusalem on the Hill of Calvary (Golgotha) stand three (3) large empty wooden crosses. At the foot of the hill under the three (3) crosses stands a only one single Roman centurion (legionnaire, roman soldier), with a doubtful and sad look at those who are crossing, he is holding a robe in his hands. The evening sun has almost completely sunk behind the hill, only a few rays of light can be seen. Biblical scene, antiquity.
Prompt: And straightway in the morning the chief priests held a consultation with the elders and scribes and the whole council, and bound Jesus, and carried him away, and delivered him to Pilate. And Pilate asked him, Art thou the King of the Jews? And he answering said unto him, Thou sayest it. And the chief priests accused him of many things: but he answered nothing. And Pilate asked him again, saying, Answerest thou nothing? behold how many things they witness against thee. But Jesus yet answered nothing; so that Pilate marvelled.
Prompt: Jesus Christ together with many Japanese secondary school students in dark blue clothes, preaching and learning the Bible under sakura tree. In pre-war photography style, partially colored.
Prompt: A hyperrealistic, 8K-resolution depiction of a majestic, Jesus Christ, with intricately detailed, photorealistic textures and shading, embedded within the delicate, pages of a bible, as if cast from a vibrant, noctilucent metal sculpture that undulates and pulsates with kinetic energy, reminiscent of Zdzisław Beksiński's surrealist visions, Greg Rutkowski's dynamic brushstrokes, and Thomas Kinkade's love of light, with Amanda Sage's flowing forms, Wassily Kandinsky's abstract, expressive colors, Rebecca Sugar's whimsical, fantastical elements, and Jean Tinguely's mechanistic, kinetic energy. The bible's covers and pages, with swirling, inticate lettering, appear to be reflected in their own curves, casting an air of mystery and intrigue, with warm, golden light emanating from the bible, contrasting with the iridescent atmosphere, creating a sense of drama and awe-inspiring feelings, infused with subtle, nuanced color gradations and chiaroscuro effects, like the soft glow of embers amidst the shadows, with intricate details and delicate patterns, evoking an otherworldly essence.
Prompt: Create a serene and uplifting image of an open Bible resting on a wooden table, with soft golden light shining on the pages. In the background, show a peaceful meadow with blooming flowers, a flowing river, and a radiant sunrise breaking through the clouds. Include a subtle glowing cross in the distance, symbolizing faith and healing. Use warm, calming colors like gold, soft green, and light blue to evoke hope and divine peace.
Prompt: And I heard a voice in the midst of the four beasts, And I looked, and behold a pale horse, And his name that sat on him was death, and hell followed with him
Prompt: Through the darkness there is a glimmering spark that yearns to expand and fill the dark space with a golden bright blinding light revealing what darkness has hidden a knowledge censored and forbidden, the powerful truth when revealed forces the corrupt to bleed.
Recreating Moses's Burning Bush Only by Using Natural Terms
Model:
FluX
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: A 4' living wild bush in the center forefront of a undiscovered wilderness setting without many taller bushes or trees nearby, is on fire. Just the bottom branches of that bush are burning, but nothing else has caught fire anywhere. A powerful vortex is intertwined in that bush's branches, effecting the flames,and causing slightly spinning smoke.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
