#ukraine

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Rudolph Hall (built as the Yale Art and Architecture Building, nicknamed the A & A Building) is one of the earliest and best-known examples of Brutalist architecture in the United States. Completed in 1963 in New Haven, Connecticut, the building houses Yale University's School of Architecture. Until 2000, it also housed the School of Art. Designed by the building's namesake, architect Paul Rudolph, the complex building contains more than 30 floor levels in its seven stories. The building is made of ribbed, bush-hammered concrete. The design was influenced by Frank Lloyd Wright's Larkin Administration Building in Buffalo, New York, and the later buildings of Le Corbusier.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Andrew Melville Hall is a student hall of residence of the University of St Andrews located in St Andrews, Fife, Scotland. It was built in 1967 in the brutalist style, and it accommodates approximately 275 students. During the academic year students live in Melville, with the vast majority of these in single rooms. Every room looks out over surrounding parkland, inhabited by a large number of wild rabbits. The hall is divided into five blocks, designated A, B, C, D and E. Generally A, C and E blocks are mixed, with B block being all male and D block all female although in recent years A block has been all male in addition to B block. Each block is divided up into a number of floors accessed through a central stairwell from the ground floor concourse. Typically each floor consists of sixteen study-bedrooms arranged in two groups of eight on either side of the stairwell, a number of showers/bathrooms and a pantry. The buildings' striking geometry is reflected in the irregular octagonal shape of the bedrooms. Blocks A, D and E have glass enclosures similar in shape to a garden greenhouse atop them to provide natural light to their stairwells;
  • Using base image: Yes

Ukrainian woman in the field

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A walk of two lovers in the painting "Wheat Field" by Ivan Shishkin
  • Using base image: No
  • Aspect Ratio: landscape

Bombardment by Norman Rockwell

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Bakhmut after Russian bombardment
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Florey Building is a modernist student accommodation building by James Stirling in Oxford, United Kingdom. It is the third and last building of “The Red Trilogy” (together with the Leicester Engineering Faculty building and the Cambridge History Faculty building), all of which are now listed. The main structure consists of 11 reinforced concrete frames of irregular A shape placed at 7m spacings linked by spine beams at each floor. Red ceramic tiles clad the main structure and paving for the courtyard.[3] Stirling's design was heavily influenced by the Bauhaus movement and uses bold and sculptural forms which make clear each part of the building's function. The building is set back from the road and designed in a horse shoe shape, with the open side facing north. All residential rooms feature floor-to-ceiling glazing, facing the inner court of the building. Only a few small windows face outward and are visible from the outside. This gives every room a view across the River Cherwell to the Angel and Greyhound Meadow beyond.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Engineering Building is part of the University of Leicester. It was designed by the architects James Stirling and James Gowan. The Engineering Building is a large and complex structure. Stirling and Gowan were tasked to design spaces for offices, laboratories, auditorium, and workshops with heavy machinery. The design also includes a water tank on top. The workshops are located in the low-rise section of the building, in a hall with a rectangular floor plan. Connected to the workshop hall is the tower, which houses auditorium, offices, and laboratories. The water tank sits on top of the tower. The tower section is notable for its chamfered edges and its prismatic geometry. The auditorium is located at the base of the tower. The auditoriums seating arrangement is designed typically stadium-like with staggered rows of seats. The angled auditorium floor results in a pronounced wedge-shape on the building's exterior. The tower's facades are clad in glass and red tiles, the workshop hall's facade is entirely made of frosted glass. A unique feature of the workshop hall is its roof construction. The roof's geometry is rotated by 45 degrees in respect to the floor plan's orientation.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In 2008, the university announced that Robarts Library would be receiving a significant upgrade, the first phase of which was completed in the spring of 2011. During these years a major transformation gradually took place at Robarts, beginning with the renovation of the apexes on each stack floor in 2008 (finished in 2010), the Map & Data Library on the 5th floor in 2009, the Media Commons on the 3rd floor in 2010, and the second floor porticos in 2011. The renovations were intended to create a welcoming environment that would both provide informal study space and function to let people know about the services and resources available throughout the building. Signage throughout the building was redesigned and refreshed to improve navigation and usability of the library and its resources, and new touch screens are already improving communication with students, providing information such as the number of available workstations on each floor at any given time. Robarts outdoor signage can be scanned with the smartphone app Layar for augmented reality links.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The John P. Robarts Research Library, commonly referred to as Robarts Library, is the main humanities and social sciences library of the University of Toronto Libraries and the largest individual library in the university. Opened in 1973 and named for John Robarts, the 17th Premier of Ontario, the library contains more than 4.5 million bookform items, 4.1 million microform items and 740,000 other items. Robarts Library occupies a 3-acre (12,000 m2) site on a field of open space and mature tree cover. The building rests on an equilateral triangle footprint with each side measuring 330 feet (100 m), the same length as a Canadian football field from goal post to goal post.[2] The building is oriented such that one side of the equilateral triangle faces west while the other two sides face northeast and southeast. From the southeast corner, the building appears as a peacock.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The distinctive original building was designed in the late 1960s by William Pereira to sit at the head of a canyon. The building's arches, in combination with the design of the individual floors, are intended to look like hands holding up a stack of books. William Pereira & Associates prepared a detailed report in 1969. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library."[16] Within its two subterranean levels are the other library sections as well as study spaces and computer labs.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: HABITAT 67, or simply Habitat, is a housing complex at Cité du Havre, on the Saint Lawrence River, Montreal, Quebec, Canada, designed by Israeli-Canadian architect Moshe Safdie. It originated in his master's thesis at the School of Architecture at McGill University and then an amended version was built for Expo 67, a World's Fair held from April to October 1967. Its address is 2600 Avenue Pierre-Dupuy, next to the Marc-Drouin Quay. Habitat 67 is considered an architectural landmark and a recognized building in Montreal.Habitat 67 comprises 354 identical,[7] prefabricated concrete forms (11.7 m × 5.3 m × 3 m [38 ft 5 in × 17 ft 5 in × 9 ft 10 in])[7] arranged in various combinations, divided into three pyramids,[11][7] reaching up to 12 residential storeys, with a parking level, and a building services level. Together these units created 146 residences of varying sizes and configurations, each formed from one to eight linked concrete units.[12] The complex originally contained 158 apartments,[13] but several apartments have since been joined to create larger units, reducing the total number. Each unit is connected to at least one private landscaped garden terrace,[7] built on t
  • Using base image: Yes

Somewhere in Ukraine

• Model: Artistic

• Size: 1254 X 836 (1.05 MP)

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  • Prompt: style Inga Moore
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Balfron Tower is a 26-storey residential building in Poplar, Tower Hamlets, East London. Built in a Brutalist style, it forms part of the Brownfield Estate, an area of social housing between Chrisp Street Market and the A12 northern approach to the Blackwall Tunnel. It was designed by Ernő Goldfinger in 1963 for the London County Council, built 1965–67 by the GLC, and has been a listed building since 1996. Balfron Tower is stylistically similar to Goldfinger's later Trellick Tower in London. Balfron Tower is 84 metres (276 ft) high and contains 146 homes (136 flats and 10 maisonettes). Lifts serve every third floor; thus, to reach a flat on the 11th, 12th, or 13th floors, residents or visitors would take a lift to the 12th. The lift shaft sits in a separate service tower, also containing laundry rooms and rubbish chutes, and joined to the residential tower by eight walkways.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured. New brutalism is not only an architectural style; it is also a philosophical approach to architectural design, a striving to create simple, honest, and functional buildings that accommodate their purpose, inhabitants, and location. Stylistically, brutalism is a strict, modernistic design language that has been said to be a reaction to the architecture of the 1940s, much of which was characterised by a retrospective nostalgia. Peter Smithson believed that the core of brutalism was a reverence for materials, expressed honestly, stating "Brutalism is not concerned with the material as such but rather the quality of material", and "the seeing of materials for what they
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Truth to materials is a tenet of modern architecture (as opposed to postmodern architecture), which holds that any material should be used where it is most appropriate and its nature should not be hidden. Concrete, therefore, should not be painted and the means of its construction should be celebrated by, for instance, not sanding away marks left by timber shuttering (béton brut). As another example, porcelain is infrequently used in the exterior facing of buildings, but one modern example is the Dakin Building, Brisbane, California; therefore, the porcelain panels of this building have been left uncovered by any paint or preservative.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Regaleira Palace (Portuguese: Palácio da Regaleira) bears the same name as the entire estate. The structure's façade is characterised by exuberantly Gothic pinnacles, gargoyles, capitals, and an impressive octagonal tower. The palace contains five floors (a ground floor, three upper floors, and a basement). The ground floor consists of a series of hallways that all connect the living room, dining room, billiards room, balcony, some smaller rooms, and several stairways. In turn, the first upper floor contains bedrooms and a dressing room. The second upper floor contains Carvalho Monteiro's office, and the bedrooms of female servants. The third upper floor contains the ironing room and a smaller room with access to a terrace. Finally, the basement contains the male servants' bedrooms, the kitchen (which featured an elevator for lifting food to the ground floor), and storage rooms.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Quinta da Regaleira [ˈkĩ.tɐ dɐ ˈʁɨ.ɡɐ.lɐj.ɾɐ] is a quinta located near the historic centre of Sintra, Portugal. It is classified as a World Heritage Site by UNESCO within the "Cultural Landscape of Sintra". Along with the other palaces in the area such as the Quinta do Relógio, Pena, Monserrate and Seteais palaces, it is considered one of the principal tourist attractions of Sintra. The property consists of a Romantic palace and chapel, and a luxurious park that features lakes, grottoes, wells, benches, fountains, and a vast array of exquisite constructions. The palace is also known as "The Palace of Monteiro the Millionaire", which is based on the nickname of its best known former owner, António Augusto Carvalho Monteiro. The palace was designed by the Italian architect Luigi Manini.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Basilica of Notre-Dame de Fourvière (French: Basilique Notre-Dame de Fourvière) is a minor basilica in Lyon, France. It was built with private funds between 1872 and 1896 in a dominant position overlooking the city. The site it occupies was once the Roman forum of Trajan, the forum vetus (old forum), thus its name (as an inverted corruption of the French Vieux-Forum). The design of the basilica, by Pierre Bossan, draws from both Romanesque and Byzantine architecture, two non-Gothic models that were unusual choices at the time. It has four main towers, and a belltower topped with a gilded statue of the Virgin Mary. It features fine mosaics, superb stained glass,[4] and a crypt of Saint Joseph. Fourvière actually contains two churches, one on top of the other. The upper sanctuary is very ornate, while the lower is a much simpler design. Work on the triumphant basilica was begun in 1872 and finished in 1884. Finishing touches in the interior were not completed until as late as 1964. Bossan's first sketches for the basilica seem to date from 1846. At the time he was in Palermo. The basilica has acquired the local nickname of "the upside-down elephant".
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Sinaia Monastery, located in Sinaia, in Prahova County, Romania, was founded by Prince Mihail Cantacuzino in 1695 and named after the great Saint Catherine's Monastery on Mount Sinai in Egypt. As of 2005, it is inhabited by 13 Christian Orthodox monks led by hegumen Macarie Boguș. It is part of the Bucharest archdiocese.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Mayan Theater in Los Angeles, California is a landmark former movie palace and current nightclub and music venue. Façade closeup, featuring the god Huitzilopochtli seated upon the symbolic earth monster, separated by stylized serpents/rattlesnakes. Mayan and Aztec motifs feature in low-relief across the entire building’s façade. Heavily featured is the figure of Huitzilopochtli, the Aztec god of the Sun and of war. The current colorful painting was added in 1968; prior to that the façade was described as being a “dull two-tone scheme of tan and orange”.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Horezu Monastery or Hurezi Monastery was founded in 1690 by Prince Constantin Brâncoveanu in the town of Horezu, Wallachia, Romania. It is considered to be a masterpiece of "Brâncovenesc style", known for its architectural purity and balance, the richness of its sculpted detail, its treatment of religious compositions, its votive portraits, and its painted decorative works. The Brâncovenesc style, which can be found at several other churches and monasteries in Wallachia, is the only true and original Romanian style and is called "Brancoveanu art" by the name of the ruler who, in a period of constant battles between the world powers of that time, put cultural development of the country above everything and made it the goal of his life.
  • Using base image: Yes