#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction has historically been sub-divided between hard science fiction and soft science fiction, with the division centering on the feasibility of the science central to the story. However, this distinction has come under increasing scrutiny in the 21st century. Some authors, such as Tade Thompson and Jeff VanderMeer, have pointed out that stories that focus explicitly on physics, astronomy, mathematics, and engineering tend to be considered "hard" science fiction, while stories that focus on botany, mycology, zoology, and the social sciences tend to be categorized as "soft," regardless of the relative rigor of the science.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction is often said to inspire a "sense of wonder." Science fiction editor and critic David Hartwell wrote: "Science fiction’s appeal lies in combination of the rational, the believable, with the miraculous. It is an appeal to the sense of wonder." Carl Sagan said: "One of the great benefits of science fiction is that it can convey bits and pieces, hints, and phrases, of knowledge unknown or inaccessible to the reader . . . works you ponder over as the water is running out of the bathtub or as you walk through the woods in an early winter snowfall." In 1967, Isaac Asimov commented on the changes then occurring in the science fiction community: "And because today’s real life so resembles day-before-yesterday’s fantasy, the old-time fans are restless. Deep within, whether they admit it or not, is a feeling of disappointment and even outrage that the outer world has invaded their private domain. They feel the loss of a 'sense of wonder' because what was once truly confined to 'wonder' has now become prosaic and mundane."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Feminist science fiction poses questions about social issues such as how society constructs gender roles, the role reproduction plays in defining gender, and the inequitable political or personal power of one gender over others. Some works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction's rapid rise in popularity during the first half of the 20th century was closely tied to the popular respect paid to science at that time, as well as the rapid pace of technological innovation and new inventions. Science fiction has often predicted scientific and technological progress. Some works predict that new inventions and progress will tend to improve life and society, for instance the stories of Arthur C. Clarke and Star Trek. Others, such as H.G. Wells's The Time Machine and Aldous Huxley's Brave New World, warn about possible negative consequences.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: People have observed the sky throughout history, and have sometimes seen unusual sights, such as comets, bright meteors, one or more of the five planets that can be readily seen with the naked eye, planetary conjunctions, and atmospheric optical phenomena such as parhelia and lenticular clouds. One particularly famous example is Halley's Comet: this was recorded first by Chinese astronomers in 240 BC and possibly as early as 467 BC. As it reaches the inner solar system every 76 years, it was often identified as a unique isolated event in ancient historical documents whose authors were unaware that it was a repeating phenomenon. Such accounts in history often were treated as supernatural portents, angels, or other religious omens.[1] While UFO enthusiasts have sometimes commented on the narrative similarities between certain religious symbols in medieval paintings and UFO reports,[2] the canonical and symbolic character of such images is documented by art historians placing more conventional religious interpretations on such images.[3]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In the Pacific and European theatres during World War II, round, glowing fireballs known as "foo fighters" were reported by Allied and Axis pilots. Some proposed Allied explanations at the time included St. Elmo's fire, the planet Venus, hallucinations from oxygen deprivation, or German secret weapons.[11] In 1946, more than 2,000 reports were collected, primarily by the Swedish military, of unidentified aerial objects over the Scandinavian nations, along with isolated reports from France, Portugal, Spain, Italy, and Greece. The objects were referred to as "Russian hail" (and later as "ghost rockets") because it was thought the mysterious objects were possibly Russian tests of captured German V1 or V2 rockets. Most were identified as natural phenomena as meteors.[12]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The USAF's Project Blue Book files indicate that approximately 1% of all unknown reports[18] came from amateur and professional astronomers or other telescope users (such as missile trackers or surveyors). In 1952, astronomer J. Allen Hynek, then a consultant to Blue Book, conducted a small survey of 45 fellow professional astronomers. Five reported UFO sightings (about 11%). In the 1970s, astrophysicist Peter A. Sturrock conducted two large surveys of the AIAA and American Astronomical Society (AAS). About 5% of the members polled indicated that they had had UFO sightings.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: As an acronym, "UFO" was coined by Captain Edward J. Ruppelt, who headed Project Blue Book, then the USAF's official investigation of UFOs. He wrote, "Obviously the term 'flying saucer' is misleading when applied to objects of every conceivable shape and performance. For this reason the military prefers the more general, if less colorful, name: unidentified flying objects. UFO (pronounced yoo-foe) for short." Other phrases that were used officially and that predate the UFO acronym include "flying flapjack", "flying disc", "unexplained flying discs", and "unidentifiable object".
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building is located on the edge of the old town, close to other famed residential landmarks such as the Casa della Vittoria and the Villino Raby. It is spread over three floors above ground, plus the attic floor. A privileged location is characterized by angular momentum along the axis of the corso Francia and via Principi d'Acaja where will find the main entrance and driveway access to the inner garden. Although the structure is characterized by a rather traditional urban setting typical of a bourgeois villa, the building is an excellent and balanced example of combined use of materials. The decoration is very rich, abundant and references Art Nouveau with frequently phytomorphic shapes. The latter constitutes the elements between the two wings of the building and is embellished with a pronounced oriel window with polychrome glazing which exhibits a mixture of wrought iron. The motifs of twisting lines are also evident in an elegant glass aedicule overlooking the garden terrace, which seems to reference the Parisian sinuosity of Hector Guimard's architecture. The work of Fenoglio, however, seems refreshingly unaffected by the schools of French and Belgian Art Nouveau.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Liberty style, like other versions of Art Nouveau, had the ambition of turning ordinary objects, such as chairs and windows, into works of art. Unlike the French and Belgian Art Nouveau, based primarily on nature, Liberty style was more strongly influenced by the Baroque style, with very lavish ornament and color, both on the interior and exterior.[2] The Italian poet and critic Gabriele d'Annunzio wrote in 1889, as the style was just beginning, "the genial sensual debauche of the Baroque sensibility is one of the determining variants of the Italian Art Nouveau."[3]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: For the several employments and offices of our fellows, we have twelve that sail into foreign countries under the names of other nations (for our own we conceal), who bring us the books and abstracts, and patterns of experiments of all other parts. These we call merchants of light. “We have three that collect the experiments which are in all books. These we call depredators. “We have three that collect the experiments of all mechanical arts, and also of liberal sciences, and also of practices which are not brought into arts. These we call mystery–men. “We have three that try new experiments, such as themselves think good. These we call pioneers or miners. “We have three that draw the experiments of the former four into titles and tables, to give the better light for the drawing of observations and axioms out of them. These we call compilers. “We have three that bend themselves, looking into the experiments of their fellows, and cast about how to draw out of them things of use and practice for man's life and knowledge, as well for works as for plain demonstration of causes, means of natural divinations, and the easy and clear discovery of the virtues and parts of bodies.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The novel depicts a mythical island, Bensalem, which is discovered by the crew of a European ship after they are lost in the Pacific Ocean somewhere west of Peru. The minimal plot serves the gradual unfolding of the island, its customs, but most importantly, its state-sponsored scientific institution, Salomon's House, "which house or college ... is the very eye of this kingdom." Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's Hous
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva Sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Solomon's House), envisioned the modern research university in both applied and pure sciences.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Among the suitors are five nobles: Prince Ishitsukuri (石作皇子), Prince Kuramochi (車持皇子), the Minister of the Right Abe no Mimuraji (右大臣阿倍御主人), the Grand Counselor Ōtomo no Miyuki (大納言大伴御行), and the Middle Counselor Isonokami no Marotari (中納言石上麻呂). They eventually persuade the old man to have Kaguya-hime choose from among them. Uninterested, Kaguya-hime devises five impossible tasks, agreeing to marry the noble who can bring her the item specified for him: the stone begging bowl of the Buddha, a jeweled branch from the mythical island of Hōrai, a robe of Chinese fire-rat skins, a colored jewel from a dragon's neck, and a cowry shell born from a swallow.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Prelude to Foundation opens on the planet Trantor, the empire's capital planet, the day after Hari Seldon has given a speech at a mathematics conference. Several parties become aware of the content of his speech (that using mathematical formulas, it may be possible to predict the future course of human history). Seldon is hounded by the Emperor and various employed thugs who are working surreptitiously, which forces him into exile. Over the course of the book, Seldon and Dors Venabili, a female companion and professor of history, are taken from location to location by Chetter Hummin who, under the guise of a reporter, introduces them to various Trantorian walks of life in his attempts to keep Seldon hidden from the Emperor. Throughout their adventures all over Trantor, Seldon continuously denies that psychohistory is a realistic science. Even if feasible, it may take several decades to develop. Hummin, however, is convinced that Seldon knows something, so he continuously presses him to work out a starting point to develop psychohistory. Eventually, after much traveling and introductions to various, diverse cultures on Trantor, Seldon realizes that using the entire known galaxy as a
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Free love is a social movement that accepts all forms of love. The movement's initial goal was to separate the state from sexual and romantic matters such as marriage, birth control, and adultery. It stated that such issues were the concern of the people involved and no one else.[1] The movement began around the 19th century, and was advanced by hippies during the Sixties.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Much of the free love tradition reflects a liberal philosophy that seeks freedom from state regulation and church interference in personal relationships. According to this concept, the free unions of adults (or persons at or above the age of consent) are legitimate relations which should be respected by all third parties whether they are emotional or sexual relations. In addition, some free love writing has argued that both men and women have the right to sexual pleasure without social or legal restraints. In the Victorian era, this was a radical notion. Later, a new theme developed, linking free love with radical social change, and depicting it as a harbinger of a new anti-authoritarian, anti-repressive sensibility.[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Galaxy's circulation had held relatively steady in the mid-1960s, ranging between 73,000 and 78,000, but the UPD acquisition coincided with a precipitous drop—from 75,300 for the year ended October 1968, circulation fell to 51,479 just one year later. Difficulties with distribution also cut into income, and Arnold Abramson, UPD's owner, decided to cut costs and maximize profits. Galaxy went bimonthly in August 1970, ending a two-year spell of monthly scheduling (though a couple of months had been missed). The page count, which had been cut from 196 to 160 when UPD bought it, was increased again, and the price was raised from 60 cents to 75 cents. A British edition began in May 1972, published by Tandem Books, which was owned by UPD. The net effect of all these changes was a substantial increase in profitability. Circulation in 1972 also rose by about 6,000 issues, though it is possible that this was solely due to the new British edition.[32]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: UPD began to have financial difficulties in the early 1970s, and when Judy-Lynn del Rey (formerly Judy-Lynn Benjamin) left in May 1973 to work at Ballantine Books, Jakobsson's workload increased greatly. He resigned less than a year later, citing overwork and other issues, and was replaced by James Baen, who took over with the June 1974 issue after Pohl declined the post.[33] Baen also took over the editorship of If, but rising paper costs forced the closure of If at the end of 1974, and the title was merged with Galaxy.[34] The magazine had returned to a monthly schedule in September 1973, but it was only patchily adhered to, with at least a couple of issues missed every year except 1974. Baen was successful at increasing circulation again, bringing it from 47,789 when he took over to 81,035 when he left. The magazine was profitable for UPD, but the financial pressure on the parent company took its toll and Baen left in late 1977 to work for Ace Books—the October issue was his last.[8][35]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Baen was replaced by John J. Pierce, but the situation only worsened. Pierce resigned within a year: the company was in increasing debt, and his office assistant recalls that the office appeared inefficiently run, though he commented that Pierce "clearly loved what he did and knew what he was talking about". Pierce's replacement was Hank Stine, who took over in late 1978, though because of Galaxy's irregular schedule Pierce's last issue was March–April 1979. Stine managed to produce only two more issues, June–July 1979 and September–October 1979, before UPD's financial problems spelled the end. Rights to the title were transferred to a new company, Galaxy Magazine, Inc., owned by Vincent McCaffrey, proprietor of Avenue Victor Hugo, a second-hand book store in Boston; UPD retained a ten percent interest in order to receive income from future sales to pay off their debts. Stine had compiled two more issues, but neither ever appeared; McCaffrey, who had also launched a separate magazine, Galileo, had cash-flow problems that prevented him from distributing the magazine as he had planned. One more issue did finally appear from McCaffrey, in July 1980, in a large format; it was edi
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