#tentacles

Useful Parts of the Departed

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Floating machines dominate the scene as primary subjects, multiple hovering entities in active formation above a partially destroyed machine, each built with biomechanical design, metallic exoskeleton, glowing bioluminescent details, intricate metallic tentacles, and clearly visible pulsating energy core; forms read as advanced synthetic organisms or machine-intelligences rather than drones, insects, or spacecraft, silhouettes distinct and load-bearing against an open minimal horizon. Hovering machines actively tear apart the partially destroyed machine beneath them, metallic tentacles hooked into panels, joints, and exposed structure, pulling, prying, suspending fragments, and separating components in a single decisive instant; causal read explicit, disassembly in progress, no idle hovering, no repair activity, no explosion basin, no aftermath-only wreck, victim machine clearly mechanical and damaged but still legible as one coherent larger machine under violation. Biomechanical identity remains explicit across the hovering machines: articulated tentacle arrays, armored shells, segmented metallic anatomy, luminous seams, ribbed plating, sensory apertures, and central pulsating cores glowing through translucent housings or recessed cavities; technology feels alien and predatory yet fully mechanical, no flesh, no gore, no soft organism drift, metallic surfaces intricate and high-detail, every appendage tied to the tearing action and hover logic. Environment is an infinite flat Tron:Legacy-like plain, broad and minimal, smooth reflective or semi-reflective plane extending to the horizon with subtle grid or luminous surface logic, no mountains, no city, no debris field beyond the central event; plain reads as endless synthetic expanse and spatial isolator, not interior room, not desert, not battlefield, the emptiness intensifying the machine interaction and silhouette clarity. Lighting and color drive the atmosphere: vibrant deep purples, blues, and greens across the plain, machine surfaces, bioluminescent accents, and reflected glow, dramatic lighting shaping the exoskeletons, tentacles, and torn machine fragments; energy cores pulse as localized light sources, reflections controlled, high contrast and clean edge separation preserved, no washed-out bloom, no muddy darkness, ultra-realistic high-resolution digital artwork with immersive scale and luminous precision. Asymmetrical cinematic composition locked around the cluster of hovering machines above the partially destroyed machine, strong foreground-to-background hierarchy, digital science-fiction illustration, Dylan Cole environmental scale, David Levy conceptual futurism, Nick Runge dynamic visual force, single photographable instant of predatory mechanical disassembly on an infinite synthetic plain, surreal, severe, and visually arresting. --mod hovering biomechanical machines --mod metallic tentacle disassembly action --mod pulsating energy-core visibility --mod intricate exoskeleton detail --mod partially destroyed machine target --mod infinite Tron:Legacy-like plain --mod deep purple blue green palette --mod ultra-realistic high-resolution lighting
  • Using base image: No
  • Aspect Ratio: landscape_wide

Public Toilet Vibes 19: Who you're gonna call?

• Model: SeeDream

• Size: 4736 X 3488 (16.52 MP)

• Used settings:

  • Prompt: A dark public toilet with four booths. Wet floor, walls and ceiling. One of the booths emits spooky light, the light source is not directly visible. Glowing semitransparent tentacles are creeping out of the open gaps under and over the closed door of that booth and spread over the floor.
  • Using base image: No
  • Aspect Ratio: landscape

Public Restroom Vibes 12: Are these ghosts? - Who cares, as long as they spend some light...

• Model: AI Upscaler

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Public Restroom Vibes 10: No light again. Luckily there are at least those tentacles.

• Model: AI Upscaler

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Public Restroom Vibes 3: Green and yellow

• Model: AI Upscaler

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Public Restroom Vibes 2: Slipped already

• Model: SeeDream

• Size: 4576 X 3424 (15.67 MP)

• Used settings:

  • Prompt: A dark public toilet with four booths. Wet floor, walls and ceiling. One of the booths emits spooky light, the light source is not directly visible. Glowing semitransparent tentacles are creeping out of the open gaps under and over the closed door of that booth and spread over the floor.
  • Using base image: No
  • Aspect Ratio: landscape

Eldritch Horror in a Mossy Forest Depths

• Model: DaVinci2

• Size: 1680 X 2240 (3.76 MP)

• Used settings:

  • Prompt: ```text Cinematic 15-second horror film clip, hyper-photorealistic. A previously unknown Lovecraftian aquatic horror — a massive Shoggoth-like fleshy mass fused with decaying mushrooms — lies on a bed of wet wood chips in a dim forest. The creature is alive. Slow, subtle pulsating of the main body. Several tentacles twitch and curl lazily. Multiple eyes open and lock onto the camera with unnatural intelligence. One central mouth slowly opens, revealing rows of teeth and dripping ichor. A low, wet breathing sound mixed with faint gurgling. Camera starts with a slow creeping push-in from above, then circles around the creature at ground level, getting uncomfortably close. Unnerving atmosphere, cold natural light with deep shadows. Subtle cosmic dread builds throughout. Sound design: wet organic sounds, distant unnatural whispers, low infrasound rumble. Hyper-realistic, National Geographic meets cosmic horror --ar 9:16 --stylize 400 --v 6 --motion 5 --duration 15s ```
  • Using base image: Yes

Menacing Red Octopus in Deep Waters

• Model: Flux Klein

• Size: 880 X 864 (0.76 MP)

• Used settings:

  • Prompt: Roughly humanoid female Kraken is primarily portrayed in popular culture as a gargantuan, tentacled cephalopod—often a giant squid or octopus—lurking in deep ocean waters, capable of sinking ships and dragging crews to their doom. Originating from Norse mythology, it frequently serves as a menacing, unstoppable force in films, literature, and gaming.
  • Using base image: Yes

Bold Blue Humanoid in Vivid Yellow Scene

• Model: Nano Banana 2 (Base)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape

The THING adapted from "Who Goes There?"

• Model: DaVinci2

• Size: 1160 X 1032 (1.20 MP)

• Used settings:

  • Prompt: Industrialized background of pipes, scaffolding & storage spheres, high contrast, light & shadow, watercolor of full brilliantly coloured: By Hayao Miyazaki: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of a squid with tentacles grabbing a girl in naval pale blue camouflage deep space diving suits, with large white mine-like diving camouflage helmet, perfect flawless hands in black gloves, with clear spheric headgear, with black tubings or cables linked to large suspended spherical mine-like high tech ball in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular mycelium networks with immune cells attacking; maximalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add industrialized background.
  • Using base image: Yes

Salvador Steampunk Wonders in a Clockwork City

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Colourful otherworldly creatures that look like they are made of different animal species spliced together, (melting clocks with too many handles) and filled with surrealist symbols, but it's a ((high quality professional photo)) that is hyper realistic. Evrtything is just a bit unreal and off-putting, a surreal and absurd vibe.
  • Using base image: No
  • Aspect Ratio: landscape_wide

...

• Model: ChatGPT 2 (Pro)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A dark, surreal illustration of a man reclining in an ornate chair under a giant, glowing yellow moon. He is surrounded by swirling cosmic energy and abstract black-and-white patterns. A checkered floor leads into a deep space background, with dark tentacles or ribbons curling from the ground. Mystical, ethereal atmosphere, high contrast, dreamlike concept art
  • Using base image: No
  • Aspect Ratio: landscape

Fractured Majesty in a Dark Realm

• Model: ImagineArt (Pro)

• Size: 3307 X 2480 (8.20 MP)

• Used settings:

  • Prompt: a cult of personality becomes a cancer on a civil people that's terminal ... image done in flawed impressionistic cubist surrealism
  • Using base image: No
  • Aspect Ratio: landscape

....

• Model: ChatGPT (Pro)

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: Watercolor and ink illustration of a distressed girl in a white t-shirt and jeans, her left arm is undergoing a surreal mutation, transforming into a mass of thick, green, twisting plant-like vines or tentacles, her original human hand is shown fading and detaching from the limb, body horror theme, white background, expressive line
  • Using base image: No
  • Aspect Ratio: square

Intertwined Forms in Dark Teal Depths

• Model: FluX (Base)

• Size: 1664 X 2256 (3.75 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. A flock horde drove herd of pale-beige-orange fluffy airborne tendrils Crinoline-Mechano-Birds.
  • Using base image: Yes

Surreal Encounter of Blue-Hued Beings

• Model: ImagineArt (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: by Jesus rojas
  • Using base image: No
  • Aspect Ratio: landscape

Chamber of the Trident

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Colossal Poseidon dominates abyssal foreground, sea god not swimmer, divine torso rising from silted seafloor among cyclopean ruins; crown of broken coral and dark gold fused into long swept hair; beard drifting in heavy currents like storm-torn kelp; one arm lowered with trident embedded beside him in fractured stone, other arm slightly extended as if summoning pressure and life from surrounding dark; silhouette reads instantly against abyssal void, god-body massive, vertical, immovable, occupying water column like monument. Ruins form submerged necropolis around him: toppled pillars, drowned stairways, collapsed archways, cracked idol heads, basalt plazas, half-buried relic altars, bronze relics and ceremonial weapons scattered across seafloor in radial debris field proving age, collapse, and sacred abandonment; architecture descends in terraces into black depth behind him, proving scale; nearest stones sharp with barnacle crust, distant structures dissolving into particulate haze; artifacts rest where collapse and current left them. Single diver in modern scuba suit appears small and unmistakable at lower midground near artifact field, lamp beam angled upward toward Poseidon’s torso and face; diver is suspended in cautious hover, fins trailing, bubbles rising in vertical chain, posture caught between awe and retreat; scale contrast is absolute, human reduced to witness; beam catches drifting sediment, broken inscriptions, and one edge of a relic tablet, linking diver, artifact, and god; no contact, no battle, only confrontation through distance, orientation, and fragile human light. Massive tentacles emerge from darkness behind throne-ruins and from lateral chasms, abyssal appendages integrated into ruin depth; nearest limbs coil around collapsed columns and drag across stone, sucker rows half-seen through shadow and bioluminescent mist; farther limbs vanish into black, implying body too large to resolve; their arcs frame Poseidon as latent threat; disturbed silt, bent flora, and dragged rubble show their movement has just displaced water and debris. Bioluminescent sea creatures and glowing underwater flora provide secondary illumination and ecological consequence: eel-like ribbons, translucent medusae and armored fish; turquoise, cyan, emerald, and cold blue emissions pulse through anemone forests, coral wounds, glyph-cut stone seams, and drifting spores; light moves across bronze, reliefs, and scaled skin; abyss remains dominant, but selective glow reveals material texture, divine anatomy, and ruin geometry while preserving heavy mysterious shadow. Lighting is dramatic and abyssal: cold surface breach light above and behind, diver lamp from below-front, bioluminescent bloom from flora and creatures across lateral planes; saturated blues and greens dominate, with sick gold accents on metal and eyes; atmosphere ethereal but oppressive, particulate dense, edges softened by depth except where silhouette, trident, diver, and tentacle contours must read clean; digital painting, detailed textures, Giger biomechanical unease fused with Beksiński ruin-poetry, sacred dread, submerged grandeur. --mod colossal scale hierarchy --mod abyssal silhouette clarity --mod diver-to-god scale lock --mod bioluminescent light logic --mod tentacle depth framing --mod blue-green saturation control
  • Using base image: No
  • Aspect Ratio: landscape_wide

Macabre Still Life: Cups of Eyeballs and Tentacles

• Model: Z-Image Turbo

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: detailed surreal illustration shows a cluster of organic, vessel-like forms resting on a textured surface, resembling cracked ceramic cups or fleshy containers. Each vessel is overflowing with strange, living matter. Large, glossy eyeballs dominate the composition, emerging from within the containers and staring outward in different directions. Their surfaces reflect light, giving them a wet, alert presence. From the vessels spill tangled masses of tendrils and vein-like cords in muted reds and grays, some curling upward into the air while others drape downward over the edges. Among the growths are small, ambiguous creatures, including a pale, rabbit-like figure nestled between the eyes, partially obscured by the surrounding forms. The vessels appear to leak a milky, viscous liquid that pools at their bases. The background is softly washed with watercolor tones in dusty pinks, purples, and grays, fading into an abstract haze. Around the base of the composition are additional scattered elements: loose eyeballs, crystalline shapes, and melted candles with thin, flickering flames casting a dim, warm glow. The lighting is low and moody, emphasizing texture and depth, with fine ink linework definin
  • Using base image: No
  • Aspect Ratio: square

The Sinister Guardian of the Ancient Tome

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A cosmic horror entity, tentacles writhing, emerges from the cracked spine of an ancient tome resting on a desolate, windswept plain under a stormy, alien sky. The scene conveys the terror of a story's darkness breaching into existence, with a strong focal point on the book and the monstrous emergence. The atmosphere is oppressive and foreboding, rendered in a dark fantasy art style with atmospheric volumetric lighting.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Vibrant Jellyfish in Deep Blue Ocean Depths

• Model: SeeDream

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape