#t2i

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The attributes of the property illustrate authenticity in material, design, in particular workmanship, setting and to a certain extent spirit and feeling in relation to the religious concepts they evoke. The authenticity is further expressed in the inseparable bond between the frescoes and the interior architectural spaces they are part of as well as the architectural construction of the historic buildings. All components retain authentic evidence of the fresco cycles, the material support on which the frescoes are painted, the plaster surfaces, the pigments and binding agents used in fresco work, and the paints themselves. Although fragments of these frescoes have in the past suffered localized detachments, for example in Scrovegni Chapel, the Cathedral Baptistery, or Carraresi Chapel, these fragments were all replaced in their original positions during past conservation treatments.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Padua fresco cycles illustrate the important interchange of ideas which existed between leading figures in the worlds of science, literature and the visual arts in the pre-humanist climate of Padua in the early 14th century. New exchanges of ideas also occurred between clients commissioning works and the artists from other Italian cities that had been called to Padua to collaborate on the various fresco cycles inspired by scientific and astrological allegories or ideas on sacred history gleaned from contemporary intellectuals and scholars. The artists showed great skill in giving these ideas visual form and their technical abilities allowed the Padua fresco cycles not only to become a model for others but also to prove remarkably resistant to the passage of time. The group of artists striving for innovation who gathered within Padua at the same time fostered an exchange of ideas and know-how which led to a new style in fresco illustration. This new fresco style not only influenced Padua throughout the 14th century but formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond. With this veritable rebirth of a pictorial technique.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property illustrates an entirely new way of depicting allegorical narratives in spatial perspectives influenced by advances in the science of optics and a new capacity in capturing human figures, including individual features displaying feelings and emotions. Innovation in the depiction of pictorial space involved explorations of the possibilities of perspective and trompe-l’oeil effects. The innovation in the depiction of states of feeling is based on a heightened interest in the realistic portrayal of human emotions and the integration of the new role of commissioning patron as the patrons begin to appear in the scenes depicted, and ultimately even take the place of figures participating in the biblical narrative. In effect, the works illustrate the adaptation of sacred art to serve the secular celebration of the prestige and power of the ruling powers and associated noble families.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This property is composed of eight religious and secular building complexes, within the historic walled city of Padua, which house a selection of fresco cycles painted between 1302 and 1397 by different artists for different types of patron and within buildings of diverse functions. Nevertheless, the frescos maintain a unity of style and content. They include Giotto’s Scrovegni Chapel fresco cycle, considered to have marked the beginning of a revolutionary development in the history of mural painting, as well as other fresco cycles of different artists, namely Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. As a group, these fresco cycles illustrate how, over the course of a century, fresco art developed along a new creative impetus and understanding of spatial representation.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The belief in magic often includes the idea that magic and magicians are more powerful at night. Séances of spiritualism are usually conducted closer to midnight. Similarly, mythical and folkloric creatures such as vampires, ghosts and werewolves are described as more active at night. In almost all cultures, legendary stories warn of the night's dangers.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Night is often associated with danger and evil, because of the psychological connection of night's all-encompassing darkness to the fear of the unknown and darkness's hindrance of a major sensory system (the sense of sight). Nighttime is naturally associated with vulnerability and danger for human physical survival. Criminals, animals, and other potential dangers can be concealed by darkness. Midnight has a particular importance in human imagination and culture.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Colline del Prosecco di Conegliano e Valdobbiadene is a viticulture landscape resulting from the interaction of nature and people over several centuries. The adaptation and transformation of the challenging terrain of the hogback geomorphology has required the development of specific land use practices, including: vineyard management by hand on steep slopes; the grassy terraces known as ciglioni, which follow the contours of the land, stabilising the soils and vineyards; and the bellussera training system which was developed in the area about 1880. As a result, the vineyards contribute to a distinctive ‘chequerboard’ appearance with perpendicular rows of high vines, interspersed with rural settlements, forests and small woods. Despite many changes, the history of sharecropping in this area is also reflected in the landscape patterns. The boundary of the property is of adequate size, and contains the attributes of Outstanding Universal Value within a topographically distinct and intact landform. Despite many changes and challenges posed by pests, wars, poverty, and the industrialisation of viticulture, many of the attributes such as the vineyards.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Located in north-eastern Italy, the property includes part of the winegrowing landscape of the Prosecco wine production area. The landscape is characterized by ‘hogback’ hills, ciglioni – small plots of vines on narrow grassy terraces – forests, small villages and farmland. For centuries, this rugged terrain has been shaped and adapted by man. Since the 17th century, the use of ciglioni has created a particular chequerboard landscape consisting of rows of vines parallel and vertical to the slopes. In the 19th century, the bellussera technique of training the vines contributed to the aesthetic characteristics of the landscape.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The industrial city of Ivrea is located in the Piedmont region and developed as the testing ground for Olivetti, manufacturer of typewriters, mechanical calculators and office computers. It comprises a large factory and buildings designed to serve the administration and social services, as well as residential units. Designed by leading Italian urban planners and architects, mostly between the 1930s and the 1960s, this architectural ensemble reflects the ideas of the Community Movement (Movimento Comunità). A model social project, Ivrea expresses a modern vision of the relationship between industrial production and architecture.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The authenticity of Ivrea is based on the high number and quality of urban and architectural projects that date to the primary period of Ivrea’s development as an industrial city. A detailed analysis of the individual components in terms of their form, design and materials, and their location and immediate environment has been undertaken, and many elements have maintained their original characteristics in spite of the changes to production that affected the city during the last two decades. While many residential, administrative and services buildings are intact, others have been renovated; and a large number of the buildings are currently vacant, with an uncertain future. There is a risk of gradual loss of the authenticity of the property due to large-scale refurbishment proposals, decay of the exterior finishing of the facades and deterioration of the interior decoration and detailing. Efforts have been made to develop new uses that are similar in type to their original uses (such as telecommunications, production or cultural activities).
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This property consists of 6 components of defence works in Italy, Croatia and Montenegro, spanning more than 1,000 km between the Lombard region of Italy and the eastern Adriatic Coast. The fortifications throughout the Stato da Terra protected the Republic of Venice from other European powers to the northwest and those of the Stato da Mar protected the sea routes and ports in the Adriatic Sea to the Levant. They were necessary to support the expansion and authority of the Serenissima. The introduction of gunpowder led to significant shifts in military techniques and architecture that are reflected in the design of so-called alla moderna / bastioned, fortifications, which were to spread throughout Europe.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The monuments that comprise this 6.235-ha serial property include the Royal Palace and Palatine Chapel; Zisa Palace; Palermo Cathedral; Monreale Cathedral; Cefalù Cathedral; Church of San Giovanni degli Eremiti; Church of Santa Maria dell’Ammiraglio; Church of San Cataldo; and Admiral’s Bridge. Each illustrates important aspects of the multicultural Western-Islamic-Byzantine syncretism that characterized the Norman kingdom of Sicily during the 12th century. The innovative re-elaboration of architectural forms, structures, and materials and their artistic, decorative, and iconographic treatments – most conspicuously the rich and extensive tesserae mosaics, pavements in opus sectile, marquetry, sculptural elements, paintings, and fittings – celebrate the fruitful coexistence of people of different origins.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The vineyard landscapes of Langhe-Roero and Monferrato in Piedmont consist of a selection of five distinct winegrowing areas and a castle, whose names evoke profound and ancient expertise in the relationship between man and his environment. They reflect a slowly developed association between a diverse range of soils, grape varieties that are often native, and suitable winemaking processes. They offer panoramas of carefully cultivated hillsides, following ancient land divisions punctuated with buildings that lend structure to the visual space: hilltop villages, castles, Romanesque churches, farms, ciabots, cellars and storehouses for cellaring and for the commercial distribution of the wine in the small towns and larger towns on the margins of the vineyards. The serial property is outstanding for its harmony, and the balance between the aesthetic qualities of its landscapes, the architectural and historical diversity of the built elements associated with the wine production activities and an authentic and ancient art of winemaking.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This landscape covers five distinct wine-growing areas with outstanding landscapes and the Castle of Cavour, an emblematic name both in the development of vineyards and in Italian history. It is located in the southern part of Piedmont, between the Po River and the Ligurian Apennines, and encompasses the whole range of technical and economic processes relating to the winegrowing and winemaking that has characterized the region for centuries. Vine pollen has been found in the area dating from the 5th century BC, when Piedmont was a place of contact and trade between the Etruscans and the Celts; Etruscan and Celtic words, particularly wine-related ones, are still found in the local dialect. During the Roman Empire, Pliny the Elder mentions the Piedmont region as being one of the most favourable for growing vines in ancient Italy; Strabo mentions its barrels.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The economic, financial and political fortunes of the Medici were behind extensive patronage that had a decisive effect on the cultural and artistic history of modern Europe. Among the resulting architectural and aesthetic forms, the Medici villas in deep harmony with their gardens and rural environment are among the most original of the Italian Renaissance. The nominated property is a selection of twelve complete villas with their gardens and two additional pleasure gardens spread across the Tuscan countryside and near to Florence. The Medici villa and its gardens embody an ideal of the princely residence in the country where it was possible to live in harmony with nature, and dedicate as much to leisure pastimes as to the arts and knowledge.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Twelve villas and two gardens spread across the Tuscan landscape make up this site which bears testimony to the influence the Medici family exerted over modern European culture through its patronage of the arts. Built between the 15th and 17th centuries, they represent an innovative system of construction in harmony with nature and dedicated to leisure, the arts and knowledge. The villas embody an innovative form and function, a new type of princely residence that differed from both the farms owned by rich Florentines of the period and from the military might of baronial castles. The Medici villas form the first example of the connection between architecture, gardens, and the environment and became an enduring reference for princely residences throughout Italy and Europe. Their gardens and integration into the natural environment helped develop the appreciation of landscape characteristic Humanism and the Renaissance.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Longobards in Italy, Places of Power, 568 - 774 A.D. comprises seven groups of important buildings (including fortresses, churches, and monasteries) throughout the Italian Peninsula. They testify to the high achievement of the Lombards, who migrated from northern Europe and developed their own specific culture in Italy where they ruled over vast territories in the 6th to 8th centuries. The Lombards synthesis of architectural styles marked the transition from Antiquity to the European Middle Ages, drawing on the heritage of Ancient Rome, Christian spirituality, Byzantine influence and Germanic northern Europe. The serial property testifies to the Lombards' major role in the spiritual and cultural development of Medieval European Christianity, notably by bolstering the monastic movement.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Strade Nuove and the system of the Palazzi dei Rolli in Genoa’s historic centre date from the late 16th and early 17th centuries when the Republic of Genoa was at the height of its financial and seafaring power. The site represents the first example in Europe of an urban development project parcelled out by a public authority within a unitary framework and associated to a particular system of ‘public lodging’ in private residences, as decreed by the Senate in 1576. The site includes an ensemble of Renaissance and Baroque palaces along the so-called ‘new streets’ (Strade Nuove). The Palazzi dei Rolli offer an extraordinary variety of different solutions, achieving universal value in adapting to the particular characteristics of the site and to the requirements of a specific social and economic organization. They also offer an original example of a public network of private residences designated to host state visits.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The site consists of two separate elements, containing outstanding vestiges dating back to Greek and Roman times: The Necropolis of Pantalica contains over 5,000 tombs cut into the rock near open stone quarries, most of them dating from the 13th to 7th centuries BC. Vestiges of the Byzantine era also remain in the area, notably the foundations of the Anaktoron (Prince’s Palace). The other part of the property, Ancient Syracuse, includes the nucleus of the city’s foundation as Ortygia by Greeks from Corinth in the 8th century BC. The site of the city, which Cicero described as ‘the greatest Greek city and the most beautiful of all’, retains vestiges such as the Temple of Athena (5th century BC, later transformed to serve as a cathedral), a Greek theatre, a Roman amphitheatre, a fort and more. Many remains bear witness to the troubled history of Sicily, from the Byzantines to the Bourbons, interspersed with the Arabo-Muslims, the Normans, Frederick II of the Hohenstaufen dynasty (1197–1250), the Aragons and the Kingdom of the Two Sicilies. Historic Syracuse offers a unique testimony to the development of Mediterranean civilization over three millennia.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Val d’Orcia distinctive landscape comprises a network of farms, villages and towns reflecting the Renaissance agricultural prosperity, the mercantile wealth of Sienna, the need for defence, and a utopian aesthetic. The working landscape of fields, farms, trees, and woodlands, is interspersed with low, conical hills on the summits of which are situated towns and villages. The major hill towns of the area include Pienza (a separate World Heritage property), Montalcino, San Quirico d’Orcia, Castiglione d’Orcia, Rocca d’Orcia, Monticchello and Radicofani. Distinctive groups and avenues of cypress pine trees mark out the settlements and define routes.
  • Using base image: Yes