#t2i

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The archaeological area of Agrigento, the Valley of the Temples, is on the southern coast of Sicily and covers the vast territory of the ancient polis, from the Rupe Atenea to the acropolis of the original ancient city, as well as to the sacred hill on which stand the main Doric temples and up to the extramural necropolis. Founded as a Greek colony in the 6th century BCE, Agrigento became one of the leading cities in the Mediterranean region. Its supremacy and pride are demonstrated by the remains of the magnificent Doric temples that dominate the ancient town, much of which still lies intact under today's fields and orchards. Selected excavated areas reveal the late Hellenistic and Roman town and the burial practices of its early Christian inhabitants. Agrigento has a special place among classical sites in the history of the ancient world because of the way in which its original site, typical of Greek colonial settlements, has been preserved, as well as the substantial remains of a group of buildings from an early period that were not overlain by later structures or converted to suit later tastes and cults.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism architecture is a style that emphasizes dynamic, futuristic forms and innovative use of materials and technology. It often incorporates organic shapes and curves, as well as elements of industrial design. If we were to generate a fractal with a finite subdivision rule for an alternating link in this style, we might imagine a structure with a series of overlapping curves and angles, like a spiraling staircase or a twisted helix. The fractal could be generated by applying a recursive rule that alternates between dividing each segment into two parts and then rotating those parts in opposite directions. This would create a repeating pattern of intersecting curves that could be used to define the overall form of the building. The result could be a visually striking and complex structure that embodies the principles of Neo-futurism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

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  • Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Pre-modern writers typically assumed that extraterrestrial "worlds" would be inhabited by living beings. William Vorilong, in the 15th century, acknowledged the possibility that Christ could have visited extraterrestrial worlds to redeem their inhabitants.[5] Nicholas of Cusa wrote in 1440 that the Earth was "a brilliant star" like other celestial objects visible in space, which would appear similar to the Sun from an exterior perspective due to a layer of "fiery brightness" in the outer layer of the atmosphere. He theorized that all extraterrestrial bodies could be inhabited by men, plants, and animals, including the Sun.[6] Descartes wrote that there was no means to prove that the stars were not inhabited by "intelligent creatures," but their existence was a matter of speculation.[7] The writings of these thinkers show that interest in extraterrestrial life existed throughout history, but it is only recently that humans have had any means of investigating it.[citation needed]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In November 1964, von Braun proposed a more ambitious plan to build a much larger station built from the S-II second stage of a Saturn V. His design replaced the S-IVB third stage with an aeroshell, primarily as an adapter for the CSM on top. Inside the shell was a 10 feet (3.0 m) cylindrical equipment section. On reaching orbit, the S-II second stage would be vented to remove any remaining hydrogen fuel, then the equipment section would be slid into it via a large inspection hatch. This became known as a "wet workshop" concept, because of the conversion of an active fuel tank. The station filled the entire interior of the S-II stage's hydrogen tank, with the equipment section forming a "spine" and living quarters located between it and the walls of the booster. This would have resulted in a very large 33 by 45 feet (10 by 14 m) living area. Power was to be provided by solar cells lining the outside of the S-II stage.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Jesuit Missions of the Chiquitos. Between 1696 and 1760, six ensembles of reducciones (settlements of Christianized Indians) inspired by the ‘ideal cities’ of the 16th-century philosophers were founded by the Jesuits in a style that married Catholic architecture with local traditions. The six that remain – San Francisco Javier, Concepción, Santa Ana, San Miguel, San Rafael and San José – make up a living heritage on the former territory of the Chiquitos.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Combining Neo-futurism and Art deco architecture with boundless, endless, or larger than any natural number would result in a stunning and futuristic building that is technologically advanced and highly stylized. The use of geometric shapes, bold colors, and streamlined designs of Art deco architecture would be seamlessly blended with the fluid lines, minimalism, and functionality of Neo-futurism. The building’s height and scale would be boundless, reaching higher than any previous structure, and the materials used would be space-age and highly sustainable. The structure would be built with the latest technology and incorporate energy-saving features like solar panels and wind turbines. Inside the building, the open spaces would be vast, with seemingly endless corridors leading to rooms and suites that go beyond any natural number. The decor would be a mix of Art deco and Neo-futurism, with sleek furnishings and high-tech gadgets.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A combining of Neo-futurism and Art deco architecture with transistors, diodes and integrated circuits would result in a building that blurs the lines between technology and design. The use of innovative circuits and electronics in building design is an emerging trend that seeks to redefine the concept of a smart building. This new approach combines the aesthetics of Art deco elements with the functionality of modern transistor technology and integrated circuits to create a visually stunning structure. In such a building design, the Neo-futurist elements would be characterized by personalized and simplistic forms, unencumbered by extraneous detail. The shapes would be accented by lights and embedded electronics, creating a contemporary, minimalist aesthetic. Meanwhile, the Art deco style would lend itself to the use of patterned or textured surfaces, with geometrical motifs and contrasting colors, seamlessly integrating the electronics into the overall design. The creatively placed transistors, diodes and integrated circuits would add a technical aspect to the building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: These Haitian monuments date from the beginning of the 19th century, when Haiti proclaimed its independence. The Palace of Sans Souci, the buildings at Ramiers and, in particular, the Citadel serve as universal symbols of liberty, being the first monuments to be constructed by black slaves who had gained their freedom. The ensemble was embellished with gardens, basins and fountains. Inaugurated in 1813, the Palace Sans-Souci was looted at the death of the king in 1820. Since then, abandoned, it was seriously damaged by the earthquake of 1842. Nevertheless, by its size, it remains an impressive and coherent ruin, owing its bizarre beauty to an exceptional harmony with the mountainous setting, as well as its recourse to diverse and yet reputedly irreconcilable architectural models. The Baroque staircase and the classical terraces, the stepped gardens reminiscent of Potsdam and Vienna, the canals and basins freely inspired by Versailles, impart an indefinable hallucinatory quality to the creation of the megalomaniac king.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: 330 North Wabash (formerly IBM Plaza also known as IBM Building and now renamed AMA Plaza) is a skyscraper in downtown Chicago, Illinois, United States, at 330 N. Wabash Avenue, designed by the architect Ludwig Mies van der Rohe (who died in 1969 before construction began). A small bust of the architect by sculptor Marino Marini is displayed in the lobby. The 52-story building is situated on a plaza overlooking the Chicago River. At 695 feet (212 meters), 330 North Wabash is the second-tallest building by Mies van der Rohe, the tallest being the Toronto-Dominion Bank Tower at Toronto-Dominion Centre. It was his last American building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Lutherans the world over know of the castle as the very place where Martin Luther made his translation of the Bible. The veneration of Saint Elizabeth, which extends far beyond the frontiers of Germany, includes Wartburg Castle where she lived and worked. The patronage of Hermann I, Landgrave of Thuringia, occupies an extraordinary place in the creation of a national literary tradition. In poetry and in legends, Wartburg Castle, the medieval Court of the Muses, bears an undying reputation through the names of Walther von der Vogelweide and Wolfram von Eschenbach. While these authors represented the first steps in German literature, and Martin Luther's translation of the New Testament marked the creation of a unified and accessible written German language, Wartburg Castle is also associated with the beginnings of a bourgeois and democratic nation, through the content and effects of the Wartburg festival of German students' associations. From the very earliest days of its existence, this fortress of the Landgraves of Thuringia has repeatedly acted as a venue for and witness of historic events and activities worthy of renown as a monument to national and world history.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurist architecture often incorporates various spiral forms, such as the Archimedean spiral, the helix, and the conic spiral. The Archimedean spiral is a mathematical curve that expands outward as it revolves around a central point. The design can be seen in the Guggenheim Museum in New York, designed by Frank Lloyd Wright. The helix is a three-dimensional spiral that can be seen in buildings such as the Turning Torso tower in Sweden, designed by Santiago Calatrava. The conic spiral is a curve that narrows as it spirals out from a point. This design can be seen in the Capital Gate building in Abu Dhabi, designed by RMJM. All of these spiral forms create a sense of movement and dynamism in the building, while also serving functional purposes such as providing structural support or creating unique interior spaces.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism is a style of architecture that emphasizes technology, experimentation, and functionality. A unique pattern that could be incorporated into this style might be a repeating geometric shape, such as a hexagon or triangle, that is used to create a dynamic, three-dimensional texture. For example, in a neo-futurist building, the facade could be made up of a series of hexagonal panels that are arranged in a tessellating pattern. The panels might be made of a high-tech material, such as glass fiber reinforced concrete or carbon fiber, to emphasize the futuristic aspect of the design. Inside the building, the same hexagonal pattern could be repeated on the walls, creating a sense of continuity and cohesion. The pattern might be used to create niches or alcoves for seating or shelving, adding to the functionality of the space. Overall, a neo-futurist building with a unique pattern would be visually striking, highly functional, and technologically advanced.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kikutake's Expo Tower was situated on the highest hill in the grounds and acted as a landmark for visitors. It was built of a vertical ball and joint space onto which was attached a series of cabins. The design was to have been a blueprint for flexible vertical living based upon a 360m3 standard construction cabin clad with a membrane of cast aluminium and glass that could be flexibly arranged anywhere on the tower. This was demonstrated with a variety of cabins that were observation platforms and VIP rooms and one cabin at ground level that became an information booth.[73]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some floors were designed with smaller footprints to attract prospective lessees, so the building's height was increased to meet Sears's floor-area requirements.[17] Architect Bruce Graham and structural engineer Fazlur Rahman Khan, both of whom were partners with SOM, proposed a tower with 55,000-square-foot (5,100 m2) floors in the lower part of the building, as well as a series of setbacks with gradually tapering floor plates, giving the tower its distinctive look.[18] During the design process, one of the architects reportedly pulled out nine cigars and staggered them vertically until the pair both agreed to the arrangement.[18][19] This allowed Sears to occupy the large lower stories, while providing more conventional office space that could be rented out on the upper stories.[20] The firm of Saphier, Lerner, Schindler was responsible for determining Sears's space requirements and designing furniture for the company.[14][21] It conducted a year-long study to determine how 16 of the company's departments should be laid out within the building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Culzean Castle (/kʌˈleɪn/ kul-AYN, see yogh; Scots: Cullain[1]) is a castle overlooking the Firth of Clyde, near Maybole, Carrick, in South Ayrshire, on the west coast of Scotland. It is the former home of the Marquess of Ailsa, the chief of Clan Kennedy, but is now owned by the National Trust for Scotland. The clifftop castle lies within the Culzean Castle Country Park and is opened to the public. From 1972 until 2015, an illustration of the castle was featured on the reverse side of five pound notes issued by the Royal Bank of Scotland.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ulysses sits atop the PAM-S and IUS combination
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