#space

To be Hero X #02

• Model: DaVinci2

• Size: 880 X 1168 (1.03 MP)

• Used settings:

  • Prompt: Colorful Sci-fi poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of "AKIRA" movie cover art illustrated by Katsuhiro Otomo, depicting Tetsuo Shima with dishevelled hair, immerse psychic abilities, wearing a red cape over a white singlet, hovering above a bent, warped & distorted cityscape with skyscrapers in the progress of laying waste to Neo Tokyo, shock and awe, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (alien gods, alien structures in mountainous caverns, alien technology, shock and awe for human cultists that worship these gods by doing human sacrifice) paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Alien eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes (Effect strength - 75%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Pixelated Space Hero with Colorful Blaster

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: mad dentist Tojie with a blowgun that uses teeth as bullets, pixelart, moon sci-fi background, Tojie nameplate
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Wreck of the Sable Nomad

• Model: FluX

• Size: 1728 X 1296 (2.24 MP)

• Used settings:

  • Prompt: A vast, derelict starship drifts silently through interstellar emptiness—its design an elegant fusion of Sparth’s angular futurism and Craig Mullins’ painterly abstraction, now fractured and decaying. Once a symbol of celestial ambition, the vessel’s sweeping hull plates and spired pylons bear the patina of time, their metallic surfaces dulled, scorched, or split open to vacuum exposure. Along its curved flanks and recessed chambers, patches of biomechanical corrosion—tendril-like growths with fibrous, semi-translucent textures—creep outward like ivy overtaking a cathedral. Soft residual glows pulse faintly from deep within the structure: energy reservoirs now flickering aimlessly without purpose or command. The surrounding space is rich with layered particulate—swirling veils of cosmic dust, slow-moving meteor fragments, and suspended ionized particles catching faint starlight. A vivid nebula blooms behind the wreck: tendrils of violet, gold, and indigo gas twisting like auroral fire, highlighting the ship’s silhouette in contrast. Sharp rim lighting edges across fractured hull lines and open venting shafts, giving way to pools of ambient shadow. Across the frame, starfields stretch into infinite parallax—dense clusters in one quadrant, distant points scattered like ash in another. Composition centers on the ship’s bow, turned slightly downward, as if slumping in grief. No signs of life remain. No signal. Just the echo of engineering once divine. A solemn stillness pervades—where fantasy and science fiction merge in quiet ruin. By Sparth, Craig Mullins.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

literally speaking

• Model: Ideogram

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: no, literally, we are all stuck in space. Get it? And it's way stickier than your grandmother ever imagined. And there's no backup.be prepared
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape
  • Ideogram Style: Auto

...

• Model: FluX

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: A cubist nightmare adrift in space, the alien ship fractures geometry and logic—its overcomplicated frame folds into itself like an Escher puzzle, pulsing with holographic windows that open to nowhere and everywhere. Colors glitch in impossible spectra, while reality shimmers around its jagged hull. It hums with the thoughts of extinct gods,
  • Upscale & Enhance: 1
  • Aspect Ratio: square

That’ll Buy Drinks for a While

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Two men—grinning broadly, sunburnt and dust-caked—wear tattered futuristic expedition uniforms with torn seams, faded insignia patches, and retrofitted utility belts; both are seated informally on cracked wooden supply crates, boots scuffed, lifting mismatched metal mugs in a celebratory toast; one leans back, head tilted in laughter, while the other gestures toward the valley with mock grandeur. They rest atop a rocky overlook at golden hour, overlooking a vast alien desert basin streaked with ochre and deep rust tones—thousands of titanic crystal formations, shimmering in electric violet, luminous teal, and blood-orange, rise vertically in clustered spires like a petrified forest of gemstones. The terrain features cracked clay flats, wind-carved ridges, and scattered desert bushes with fractal-leafed alien morphology; insect-winged shadows flicker through the haze. To one edge of the frame, barely visible and dwarfed by scale, rests their battered lander: a compact interplanetary shuttle scorched and jury-rigged, half-buried in orange dust with exposed shielding and one damaged landing strut. Surrounding the basin are stratified cliffs of realistic sandstone, worn into natural buttresses and overhangs by aeons of erosion; these frame a giant, milk-white moon resting low on the far horizon, casting faint glows across the crystal tips and sand below. The light glints through atmospheric dust, catching on the men’s mugs and sweat-slicked brows—emotionally rich, cinematic, and caught at the moment between disbelief and euphoria. In the style of Pino Daeni, Luis Royo, Boris Vallejo, Tom Bagshaw, John William Waterhouse, Hoàng Lập, and Justin Gerard.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Geometry of Space

• Model: Ideogram

• Size: 1142 X 648 (0.74 MP)

• Used settings:

  • Prompt: dark cosmic background with stars, large floating cube in motion, subtle glitch or distortion trail behind the object, muted teal and dark gray color palette with magenta accents, evokes spacecraft drifting through space, abstract and minimalist, bold modern design, melancholic krautrock tone, album artwork with geometric visual impact
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape
  • Ideogram Style: Auto

Into the Abyss: An Astronaut's Descent

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: an astronaut's vertiginous fall into a black hole in the middle of nowhere.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Goddes of her Realm

• Model: DaVinci2

• Size: 1520 X 1520 (2.31 MP)

• Used settings:

  • Prompt: Whimsical pen and ink illustration of Mesopotamian biomechanical demonesses girls body, blended with the soft details of Aya Tanako sci-fi watercolor style, and the sleekness of H.R. Giger's biomechanical creations, in fantastic alien world style of Mattias Adolfsson. moodily lit face. extra detailed rainbow biomechanical body of wires, swirls, lines, cogs, gears, computers, microchips, screens, buttons, switches, circles, squares, and dots in the style of art nouveau and in the art style of Takashi Murakami, watercolor-inspired digital painting. eerie Whimsical pencil and ink sketch, featuring many tall simple thin-figure like characters with a large oval heads(horizontal), two very large humanistic eyes, and very thin limbs and is a combination of neo-noir and steampunk surrealist stylized. with dreadlocks hair covered in beads and other jewelry, all the hair objects have mechanical components imbedded in them, he and his top creations have gold steampunk glasses and behind him are several of these robot and cyborg creations copies that resemble him in likeness. colorful modern abstract art technicolor silkscreen print, minimalist lo-poly Abstract digital.
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

The only oxygen bubble in the universe

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: God bless the greatest the only air bubble in the universe God bless the people on the planet Earth that share the oxygen the only oxygen in the universe
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Meraviglie cosmiche: La Terra e il buco nero

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Nel fondale di un oceano che non esiste sulle mappe, un coniglio bianco galleggia tra le correnti, le orecchie fluttuano come alghe curiose, gli occhi aperti nel blu profondo — non per cercare, ma per ricordare. Attorno a lui, meduse lucenti danzano lentamente, come lanterne di un sogno alieno. I raggi attraversano l’acqua come pensieri dimenticati, che si rifrangono sul suo pelo immacolato. Le montagne del Turkestan, riflesse in bolle sospese, appaiono e svaniscono, come se la memoria dell’universo fosse nascosta nel respiro silenzioso di un coniglio marino. Il tempo qui non scorre — fluttua. E ogni battito di pinna, ogni battito di cuore, è un frammento di sogno che si dissolve nell’abisso della quiete.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Biomechanicolor

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: A colorful graphic novel style art of Mesopotamian biomechanical demonesses girls body, blended with the soft details of Aya Tanako sci-fi watercolor style, and the sleekness of H.R. Giger's biomechanical creations, in fantastic alien world style of Mattias Adolfsson. moodily lit face. extra detailed rainbow biomechanical body of wires, swirls, lines, cogs, gears, computers, microchips, screens, buttons, switches, circles, squares, and dots in the style of art nouveau and in the art style of Takashi Murakami. psychedelic expressionism and surrealism in a vibrant, surreal masterpiece",
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Celestial Bubble: A Cosmic Reflection

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: God bless the greatest the only air bubble in the universe God bless the people on the planet Earth that share the oxygen the only oxygen in the universe
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Journey to the Distant Blue Planet

• Model: DaVinci2

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Far view of a retrofuturistic, chrome-plated streamlined spaceship, floating abandoned in deep space. It looks in poor condition... The ship has a pirate logo painted on its hull.
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Cosmic Ride: Flames Among the Stars

• Model: DaVinci2

• Size: 2304 X 1728 (3.98 MP)

• Used settings:

  • Prompt: motorcycle rider on a dark alien planet, flames coming out of the tailpipes, and large planets with rings in the dark sky
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Futuristic Spaceship in Starry Space Adventure

• Model: DaVinci2

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Far view of a retrofuturistic, chrome-plated streamlined spaceship, floating abandoned in deep space. It looks in poor condition...
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Space Adventure of a Colorful Bear

• Model: DaVinci2

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: A stunning hyper-realistic pop digital artwork seamlessly blends the textures of watercolour, alcohol ink, oil painting and coloured pencil to create a cosmic masterpiece. The centrepiece is a whimsical pale blue bear imbued with the brilliance of the cosmos, its fur swirling with nebulae, stardust and galaxies. The bears wears orange astronom suit that sparkles with celestial patterns, adding a touch of magic. The composition features vibrant, dynamic shadows and masterful lighting, creating a dreamlike, ethereal atmosphere with intricate detail and a profound sense of wonder. In the style of "Mark Brooks and Dan Mumford, comic book art, perfect, smooth
  • Upscale & Enhance: 1
  • Aspect Ratio: portrait_tall

"Veil of the Nameless"

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: professional lovercraftian full-body shot artviz. A surreal, incomprehensibly massive imperial capital, suspended in the void beyond space and time. The city is a fractal megastructure of glowing obsidian and living metal, shaped like a blooming multidimensional lotus. Its towers stretch across realities, phasing in and out of existence, with flowing rivers of quantum light and anti-gravity monorails arcing across infinite skylines. Floating cathedrals hum with dark energy. In the center: a pulsating sphere of cascading neural lightning and memory storms. Surrounding it, stars collapse silently into singularities, feeding the city's heart. Ultra-high detail, cosmic horror meets divine sci-fi, surreal architecture, dark and glowing atmosphere. 1. Rhino 8 (chameleon.tools, grow, neonamek, matrixcad) for primary structural design and complex fractal forms. Extreme micro-detailing with ZBrush 2025.2.2 for intricate surfaces, fine geometry. 2. Krakatoa, Mari 7 (natural stone, glass, metals, weathering), Substance 3D (Painter, Designer, Modeler, Sampler) for ultra-refined texturing, metallic finishes, glowing obsidian effects. Mixer 2022.1.1 for blending organic and metallic surfaces. 3. Assemble in 3ds Max 2016 + JangaFX + AWS Thinkbox (particle systems, volumetrics) for neural pulses, memory storms, fractal lighting. Add caustics, reflections, refractions for living metal, quantum light effects. 4. Krakatoa 2.12 for volumetrics, small objects, fine atmospheric particles. FStorm 1.6ON for realistic shading, dynamic high-contrast lighting, accurate caustic effects. 5. Refine lines and clarity in Nuke Family 16.0 (quantum rivers, fractal edges, collapsing stars). Add spectral highlights, atmospheric haze, fine volumetric refinements. 6. After Effects 25.2.2 (refine: microscopic ultradetailed collapsing stars, singularities, pulsating sphere of neural lighting/memory storm, depth passes), Capture one + Affinity 2 (vivid, rich final grading, color, post) best
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Cosmic Adventure

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A sleek, futuristic spaceship soars through the cosmos, its iridescent hull reflecting the colors of distant nebulae. The ship is on a mission to explore new worlds and discover new life. The scene is rendered in a cinematic style, with grain, vignetting, and color correction inspired by the works of Syd Mead and Simon Stalenhag, with a touch of ultra-fine detail from WLOP.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Futuristic Spaceship in Cosmic Voyage

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: oil paint. a symmetrical futuristic hi-tech starship, firing advanced weapons systems, laser turrets, miniguns, and missiles, planet and stars in outer space in the background, 64k, cinematic colors, cinematic lighting, hyperrealism, photorealism, sci-fi art, sci-fi illustration, uber realistic, ultra high resolution, enhanced imagine, sharp focus, intricate detail, dark theme, masterpiece
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0