#sciencefiction

Early Morning Traffic

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A vast and layered spaceport sprawls across a dusty plain under fading dusk light, its surface alive with cargo trams, steam-driven loaders, and rotating landing arms catching descending ships in stuttering arcs of flame. The entire scene is a clashing harmony of design languages: Deco towers with copper-lined ribs stretch upward beside blocky diesel-age silos, while Raygun Gothic spires bristle with antennae, awnings, and ridged ornament—stylized function grown decadent. Sky freighters glide overhead, their engines streaking contrails across the sky. Each section of the port pulses with motion—neon-lit freight corridors snake between glass-paneled customs bays and soot-darkened maintenance sheds. Cargo crates clatter across belt ramps under floodlight towers. Ornamental chrome railings line the upper gantries where handlers in canvas suits guide grav-sleds between merchant airlocks and administrative hatches. Pipes vent steam into layered walkways as filtered sunlight splinters through stained canopy panels and reinforced skyglass. This isn’t sleek futurism; it’s functional density retrofitted over decades, a city of industry welded together by necessity and heritage. Deco symmetry meets soot and scratch, art collides with combustion. It’s organized chaos where traffic weaves past ornament and every corridor hums with encoded purpose. Behind the skyline, a single massive moon hangs low—softly cratered, pale gold, silent. It balances the structural energy of the scene with stillness, its presence reinforcing the singularity of this world’s orbit. No others crowd the sky. Overhead, ships flare into station vectors, their fins catching refracted sun as they vanish behind warehouse domes. Surface trams hiss between polished deco rails and diesel-etched curbs. Towering cranes sweep across bays like skeletal arms performing cargo ballet. And still, more motion arrives: soot, chrome, neon, smoke—traffic, tradition, and tonal discord in perfect balance.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Omegon's Eye

• Model: DaVinci2

• Size: 1584 X 1448 (2.29 MP)

• Used settings:

  • Prompt: closeup photo of an alien creature's empty oval eye, side view of a dragon wasp compound eye, sharp focus 3D science fiction model, rich smooth iridescent beetle texture, dragonfly peacock butterfly style, purple cyan blue green, colorful detailed perfect maximalism, exquisite intricate maximalist details, domineering wonder, majestic segmented rough eye, biological reflective gradients,
  • Using base image: Yes

Worlds Through Fantasy

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Moondozer
  • Using base image: No
  • Aspect Ratio: landscape_wide

Contact at Monolith Theta

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A lone astronaut, fully suited in advanced exosuit armor, stands on a vast, frozen exoplanet—an alien ice-world stretching to the horizon, etched with sharp ridges and glacial plains under a black sky. Towering before them is an enormous monolith of unknown origin—smooth, obsidian-like, and impossibly tall, with no visible seams or markings except for faint, shifting constellations and alien equations that pulse like living starlight across its surface. Cinematic and atmospheric with a blend of hyper-realistic sci-fi and mysterious fantasy—evoking wonder, isolation, and revelation. Precision-rendered to perfection in ultra-HD style, resembling the most polished concept key art found in top-tier film and game studios. Extreme attention to material texture: reflective armor plating, frost crystals on the astronaut’s visor, microscopic imperfections in the frozen terrain. The monolith emits subtle radiant distortions, light warping around it with quantum shimmer. Dust motes and ice particles drift in thin alien wind. Everything is modeled and rendered at ultra fidelity. Wide-angle cinematic shot, low angle from behind the astronaut, emphasizing scale and emotional gravity. Deep HDR dynamic range with complex reflections. Subsurface scattering on ice. Volumetric fog rolls gently through the air, with soft ray-traced light shafts breaking through upper atmosphere. Sharp bokeh in foreground ice shards. Backlit silhouette composition. Cinema 4D + Houdini + Arnold + Octane render blend. Ray tracing enabled, RTX on. Color grading in DaVinci Resolve. Post-processing via Lightroom and After Effects. Professional-grade asset polish, as if created for major sci-fi cinema. Inspired by 2001: A Space Odyssey, Interstellar, and the cosmic surrealism of Moebius and H.R. Giger. Visual mood akin to ArtStation high-tier concept portfolios and cinematic stills featured on NASA’s exoplanet archives.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Library of the First Equation

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A monumental, mystical stone hall in ruin—its once-sacred geometry fractured and strewn with broken statue fragments. The walls, lined with towering pillars and deep-relief bas-reliefs, are etched with runic inscriptions, arcane equations, and alchemical symbols. At the center stands a raised silver dais, supporting a massive transparent glass cube. Suspended within the cube, a simulation of the galaxy rotates in slow celestial motion—black space pierced by radiant stars, swirling nebulae, and cosmic filaments. A dim red glow from the simulation bleeds through mist and shadows, casting a haunted, reverent ambiance over the shattered chamber. Ultra-high-definition digital artwork, hyperreal 3D rendering with full volumetric treatment. Precision detail on stonework, particle haze, and transparent surfaces. Mystical fantasy realism with biomechanical undertones—elements echo the dense intricacy of H.R. Giger’s forms but softened by sacred architecture and cosmic minimalism. Composition evokes sacred geometry and lost civilizations through both narrative and visual structure. Dim, directional red ambient light sourced from the inner galaxy simulation. High-contrast raking light catches engraved surfaces and debris edges. Subsurface scattering within the fog layer creates soft radiant glow, especially at ground level. Muted grays and basalt tones dominate the stone interior, offset by pale silver highlights and the internal crimson galaxy core. Accents of violet and amber flicker within the glass cube’s internal swirl. Overall tone is moody and austere, with restrained palette focus. Centered, symmetrical perspective aligned with the temple’s primary axis. Foreground grounded by angular stone debris. Mid-frame holds the glowing cube, elevated for prominence. Background layers retreat into shadow and colonnade recesses, maintaining full depth and sacred framing.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Architect of Becoming

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: The Jungian Magician archetype.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Time’s Bridge Has No Rails

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A panoramic tableau depicting four archetypal male figures representing different epochs of human civilization, standing side by side as if in conversation—each framed by the landscape of his own time. On the far left, a primal man-ape crouches beneath the canopy of a dense prehistoric forest, gesturing curiously toward the others. Next to him stands a rugged barbarian clad in fur and leather, muscular and intense, backdropped by crumbling stone towers of an ancient city. Beside him, a robed philosopher with a serene expression gestures as if speaking, framed by white marble columns and sunlit arches of a classical metropolis. On the far right, a futuristic astronaut in a gleaming, high-tech spacesuit responds—his body posture upright and dignified—set against a gleaming skyline of Syd Mead–inspired structures: radiant spires, transparent walkways, and atmospheric towers ascending into the clouds. The four figures are not walking but interacting, as if across time, their stances and expressions suggesting recognition, tension, and shared purpose. The background transitions smoothly from left to right: forest to ruins to classical city to futurist skyline. The entire piece is rendered in cinematic digital oil style, rich with atmospheric depth and heroic scale. Light flows from left to right, casting long shadows and illuminating the scene with warm sunrise tones. The style blends Boris Vallejo’s heroic anatomy, Frank Frazetta’s primal energy, Vermeer’s atmospheric calm, and Syd Mead’s luminous architectural futurism.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Space Truckin'

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A celestial freight rig built for stellar traversal barrels forward across a suspended galactic highway. Its segmented chrome chassis is studded with glowing navigation veins and reinforced with hex-spined armor plates, each surface catching the blaze of nearby coronal bursts in a shifting reflection. Thick plasma fog drapes the path ahead, curling in weightless ribbons around its silhouette. Behind it, a black wormhole pulses with inner flame, ringed in collapsing light—an aperture still charged from its crossing. The rig’s long rear conduit glows with silent propulsion fields as it sails past fractured constellations and auroral debris. The highway beneath it is an invisible lattice traced in slow-moving photons, converging and dissolving beneath its weightless mass. Above, a band of pale stars arcs through a nebular sky, their forms distorted in the rig’s reflective shell. The scene is silent, vast, and immense—only the radiative shimmer of stellar light stirs in its wake.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Dust Between Stars

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A grizzled space cowboy bounty hunter strides confidently across alien terrain—mid-forties, weathered skin, stubble, rugged build, blue eyes, wearing a battered brown leather duster, dusty hat low over his brow, dark denim, wide belt with heavy brass buckle, old-style revolver holstered at his hip, futuristic blaster slung across his back; at his side, a yellow Labrador Retriever with pale fur and intelligent eyes walks faithfully, head tilted upward, looking at the man as they move in unison. Scene rendered in cinematic high-fidelity realism, hyper-detailed and texturally grounded; heroically lit arrival moment, with deep shadows and warm edge light across weathered clothing and fur; dust just settling, suggesting recent landing. Ship in midground: dented, scorched, retrofitted with industrial detailing—part freighter, part gunboat; hard sci-fi surface design emphasized with ‘exploded view’ texturing logic; inspired by Star Wars-era aesthetic realism. Landscape evokes alien Southwest: scrub brush, pale dry grass, cracked soil, towering stone spires warped into otherworldly shapes; soft haze veils distant terrain; gradient sky glows with early light, dusty blue blending to soft violet and gold. Color palette favors ochre, brown, slate, dusty cyan, metallic gray; deep shadow anchoring figures, faint glow off ship’s cooling engines; no pastel or saturated cartoon colors. Eye-level wide-angle perspective, frontal composition; bounty hunter and dog dominate lower mid-frame, spaceship recedes diagonally back-right; strong silhouette logic, clear spatial layering, full-body visibility, naturalistic pose dynamics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Butterfly Logic

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A highly detailed digital artwork in a photorealistic, cyberpunk style: inside a sleek, high-tech robotics workshop filled with futuristic machinery and ambient neon light, a humanoid robot master meticulously repairs a delicate butterfly-shaped robot. The master—tall, elegant, constructed of brushed titanium and composite alloys—has articulated fingers and precision tool attachments integrated into its multi-jointed arms. Its posture is focused, almost reverent, as it holds the butterfly’s microchassis open, revealing intricate exposed circuitry, fiber optics, and glowing microprocessors. Scattered around the workspace are metallic tools, spare micro-servos, diagnostic tablets, and transparent canisters filled with artificial wing membranes. LED strips embedded in the ceiling and workbench cast a rich interplay of electric blue, neon green, and metallic silver across the space, while orange sparks briefly fly from a micro-welding operation. A suspended digital display above the scene shows real-time diagnostic data: voltages, structural integrity graphs, and biomimetic flight algorithms. In the background, articulated robotic arms hang from ceiling mounts, holding trays of micro-parts and surgical-grade tools. Mechanical gears and hydraulic pistons hum quietly in the periphery, adding a subtle kinetic life to the environment. The workshop walls are layered with holographic schematics and dim reflections of synthetic materials. Rendered in the style of Simon Stålenhag with a slight stylized realism edge, designed for ArtStation feature-level quality. Clean framing, dynamic lighting with shadowplay, ultra-sharp textures, vibrant palette, and futuristic ambience.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Debate Breaks Down

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> A chrome-plated humanoid robot throws a tantrum mid-debate in an alien galactic senate. Photorealistic, jointed limbs flail in exaggerated outrage: fingers splayed, arms raised, foot lifted mid-stomp, shoulders flared. Though its glowing eyes remain cold, its posture is absurdly human—chest forward, weight shifted, fists clenched. The drama is all body, stylized yet mechanical, like a spoiled child caught mid-tantrum. <L2> Hyper-detailed cinematic digital painting with chrome and luminous fabric textures <L3> In the style of Peter Elson and Michael Whelan, with expressive gesture realism akin to James Bama; architectural logic and surreal scale influenced by Chris Foss and John Harris <L4> Atmospheric chamber lighting with layered fog volume, ambient occlusion, rim highlights, and ray-traced reflections on metal surfaces <L5> Cold-toned color palette with saturated blues, glowing violet accents, reflective chrome, and warm secondary highlights on translucent alloys <L6> Wide-angle 16:9 cinematic shot. The robot and a white-haired senator are centered in the frame, standing in emotional conflict. The senator's scowling face is caught mid-rebuke—hand raised, voice silent but stern. He wears a high-collared ceremonial robe woven with glowing circuit filaments. Background alien delegates sit blurred in radial rings, behind suspended glyphs and translucent alloy pillars. The camera isolates the central drama in sharp relief, depth-blurring all else. Frozen mid-conflict, the absurd tantrum and dignified rebuke are clear without need for violence.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cathedral in Vacuum

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A massive orbital drydock under construction, cathedral-scale voids and towering scaffolds encase the hull of a vessel mid-assembly. Lone workers float like ants along red hazard rails and tether lines, surrounded by crawlspaces, exposed steel struts, and industrial netting. Cold white light casts volumetric shafts through the debris field, with scorched insulation and painted hull segments catching the dusty atmosphere. Observed through a wide-angle lens, the composition reveals engineering clarity and compositional vastness, rendered in a Syd Mead × Chris Foss style with muted complementary hues and precision concept finish.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Command Override

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> Heroic starship captain standing tall and proud on a high-tech command platform, his posture commanding and resolute; futuristic navy-blue uniform with silver trim, rank insignia glowing subtly on the chestplate; clean-shaven, strong-jawed, with piercing eyes locked on the unfolding battle beyond. <L2> Ultra-detailed science fiction illustration with cinematic depth and crisp design elements; bold, dramatic character lighting with reflective metallic accents and subtle bloom. <L3> Rendered in the refined sci-fi realism style of Chris Foss, John Harris, and Ralph McQuarrie, with an idealized balance of heroic scale and painterly atmosphere. <L4> Vivid space battle rages in the background: distant capital ships exchange energy volleys, fighter craft streak past in arcs of ion fire; glowing debris and shield flares punctuate the void. <L5> Color palette includes deep navy, slate gray, and cool blues for the captain and platform, contrasted with vibrant reds and fiery oranges in the battle scene; space lit by explosions and starfield. <L6> Frontal portrait-style composition with the captain centered in frame, three-quarter standing view, starfield and battle receding behind him in epic perspective. cinematiclight, metalreflectance, glasseffect, atmosphericdepth, volumetricshafts, brushedsteeltexture, highlightbandlayer, lightvolume, bloomcore, ionizedcolorburst, sharpfocus, dynamiccomposition, heroicpose, epicperspective, commanddeckenvironment, militaryuniformglow, spacebattleenergy, vfxclarity
  • Using base image: No
  • Aspect Ratio: landscape_wide

Sky Beneath the River

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A luminous river of golden light flows through a canyon of obsidian, its glowing surface threaded with slow-moving constellations like a celestial bloodstream. Towering basalt cliffs rise on either side, carved with titanic statues whose faces are eroded by time, yet still watch the sky with divine indifference. In the center of the river stands a cloaked figure atop a stone outcrop—tall, faceless, crowned with a diadem of fractured crystal. Their presence warps the air around them like heat shimmer. Above, the night sky churns with nebulae, auroras, and spiraling stardust, as if the heavens themselves are descending into the canyon. This scene is rendered in hyperreal digital oil, rich with layered textures and luminous atmosphere. The style blends the surreal divinity of Zdzisław Beksiński, the mystical clarity of Moebius, and the ornate metaphysical gravitas of Gustave Doré. Compositionally, the perspective is slightly elevated, looking down into the canyon from a high angle, drawing the viewer's eye along the light-river toward the central figure and sky beyond. The mood is sacred, awe-struck, and ancient beyond reckoning.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Natalie Portman

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: natalie portman science fiction costum sexy
  • Using base image: No
  • Aspect Ratio: landscape

Forge of Titans

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Interior of colossal, hyper-advanced, enclosed spacecraft manufacturing facility—world-class engineering marvel, designed by visionary minds at peak of human innovation. Cavernous space gleams with polished floors and seamless metal walls, lined with articulated support and magnetic crane rails. Tinted observation windows stretch across upper level, hinting at command deck behind impact-resistant glass. Scale and structure are awe-inspiring, reminiscent of award-winning sci-fi cinematography, lit dramatically by overhead industrial lights and flickering sparks from machinery. Dozens of elite aerospace technicians in sleek, next-generation spacesuits, work on assembly of interstellar spacecraft. Engineers hover via anti-grav harnesses, while others operate robotic manipulators or coordinate via holographic displays. In continuous motion, automated robotic units with multi-jointed limbs and wheeled chassis transport massive alloy panels, plasma welders, and precision tools. Workers calibrate systems, weld hulls with blinding light. Semi-transparent hologram shows an exploded 3D view of spacecraft's internal systems. Technicians review schematics, checklists on digital clipboards, and engage in animated discussion. Every surface glows with smart indicators: color-coded pipelines, illuminated floor guides, interactive wall panels. Heat waves shimmer near high-energy devices. Sparks fly from cutting torches. Subtle lens flares highlight glossy textures. In the distant background, mech lift an engine core while robotic arms synchronize with military precision. Epic, intense, reverent—an operatic portrayal of industrial brilliance. Atmosphere crackles with kinetic energy and human ambition. Breathtaking fusion of science, scale, and craftsmanship. Cinematic ultra-HD, photorealistic, rendered in impeccable detail, with masterful lighting, depth of field, and rich metallic textures. An award-worthy masterpiece—envisioned by legendary sci-fi concept designer at peak of
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cradled in Lightfall

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A majestic, futuristic cityscape beneath an alien night sky, its towers and domes rising like polished crystal spires from a vast reflective wetland; the city’s architecture fuses organic curvature with intricate mechanical detail—each building a unique amalgam of spires, hemispheres, and flowing latticework; large, faceted glass chambers emit warm, golden glows from within, suggesting vibrant life inside; suspended walkways and canal bridges connect platforms across shallow, mirror-still waters; lush alien trees and glowing bioluminescent plants frame the foreground with quiet intensity <L2> Highly detailed digital painting with fantasy realism and concept art precision; blended media logic evokes painterly texture layered with cinematic visual clarity <L3> Aesthetic fusion of James Gurney’s world-building romanticism and Stephan Martinière’s futuristic complexity, with subtle influence from Studio Ghibli’s dreamlike architectural flow <L4> Lit by twin auroras—green and yellow—cascading across the sky, casting surreal ambient reflections across the water; warm internal lighting from structures contrasts with the aurora’s cool spectrum; rim lighting defines crystalline geometry and organic silhouettes <L5> Dominated by cool greens, deep blues, and reflected golds; bursts of amber and sapphire glimmer in the vegetation and structure interiors; the night sky shimmers with stars, nebulae, and subtle cosmic dust veils <L6> Wide-angle panoramic composition; layered with deep background mountains and sky, middle-ground cityscape rising from water, and a detailed foreground of glowing flora and glassy terrain; subtle lens depth and atmospheric falloff reinforce spatial grandeur
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Bloom Cathedral

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A sleek interstellar spaceship cruising low and slow through an alien jungle of enormous, luminous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals glowing with iridescent hues—violet, teal, bioluminescent amber. Vines as thick as subway tunnels dangle from their branches, some brushing against the hull. The jungle is dense and otherworldly, pulsing faintly with light, mist curling from the undergrowth. Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Singularity Gate

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> Interdimensional power generator fills massive industrial warehouse, mounted in steel floor, rising like alien monument; fusion of molten-looking alloys, crystalline transparencies, and asymmetrical sculptural tech; pulsing conduits weave through glass-metal chassis; unknown components twist into smooth, inhuman geometries—each fitted with sleek control interfaces, access panels, or glowing telemetry nodes; drone arms hover nearby, while figures in exo-suits monitor from catwalks <L2> Ultra-detailed digital render with exploded-view overlays, industrial realism, refracted light paths, and high-fidelity surface logic; materials include polished alloy, pressure-cast composite, semitransparent crystal, and fused biomech tubing <L3> Visual style of Jim Burns and Alex Ries—melted mechanical surrealism with cinematic hard sci-fi influence; echoes of Arrival and Annihilation <L4> Sharp industrial lighting from above; underlit with color-shifting interior glow; beam shadows from trusses and understructure cast rhythmic bands across floor; diagnostic displays emit cool light; volumetric mist carries faint particle glow <L5> Palette: silver, cobalt, graphite chrome, and plasma violet; iridescent highlights in crystal panels; soft orange HUD glows and amber contrast from scaffolds and safety markings <L6> Wide-angle, slightly low perspective; generator centered, rising into steel rafters; background filled with scaffolding, tools, cables, wall plating; minor depth blur in corners to emphasize generator scale and presence
  • Using base image: No
  • Aspect Ratio: landscape_wide

✌️ & ❤️ : Futuristic Shamanism in Digital Art

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Deep Dream Generator
  • Using base image: No
  • Aspect Ratio: square