#ornatedesignssurrealism

Whimsical Surreal Fantasy

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: Close up, adorable Alexander jansson white face creature in the labyrinth of the ancient city by Catrin Welz-Stein, Michael Parkes in the style of Aubrey Beardsley A masterpiece of unparalleled excellence)), ((("The mystery woman of ancient cities "))), Stunning apothecary watercolors, Pen and Ink, Pencil drawings, as if created by Michael Parkes, Arthur Rackham, Ernst Haeckel, Gustav Klimt, Jean-Baptiste Monge, Kandinsky, Tim Burton. Modifiers: intricate 8k very attractive wallpaper hyperrealistic ultra detailed high definitioncolourful Ultra realistic Alexander Jansson 8k intricate very attractive intricate
  • Using base image: Yes

Futuristic Face with Intricate Patterns

• Model: DaVinci2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: digital painting by matt swanscroft featuring some eye catching colors and an elaborate abstract design, in the style of psychedelic portraiture, three-dimensional effects, art nouveau curves, symbolic elements, high detailed, detailed perfection, graphic illustration
  • Using base image: Yes

Futuristic Elegance: A Mystical Portrait

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: A woman portrait, striking chiseled features, beautiful realistic eyes, iridescent opalescent moire designs, swirls, smooth shimmering skin, insect-wing-like structures on the face and head, powerful expression, mysterious sensuality. Background dark and contrasting with her face. In the Style of Greg Rutkowski, Artgerm.
  • Using base image: No
  • Aspect Ratio: landscape

Surreal Sculptural Face with Architectural Design

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Inspired by the glossy textures of Lucian Freud’s portraiture and the minimalist architectural sketches of Gustav Klimt’s early works. A striking, bald woman with graceful, sculpted features is covered in thick, wet white paint, giving her skin a glossy, almost porcelain-like sheen. The paint clings to her form, emphasizing her bone structure while reflecting light in soft, liquid glimmers. Only parts of her face are revealed beneath the layers of wet paint—her eyes, the curve of her cheekbone, and her lips—like a figure slowly emerging from the paint itself. The surface of the paint has a wet, tactile quality, as if it's still drying, giving the scene a fresh, almost ethereal glow. Drawn directly onto the white paint on her face and head are simple, yet elegant brownish pencil-like outlines of doorframes and windowframes, reminiscent of old European buildings. These outlines aren’t detailed depictions but rather abstracted, minimalist shapes—rectangles and arches—hinting at the architecture without fully forming it. The soft brown lines are faded in some places, as if they’ve been drawn on imperfectly wet surfaces, giving the impression of worn, forgotten structures. The windows and doorframes almost float on her skin, enhancing the idea that she is both a part of and the canvas for these architectural memories. The woman’s glossy paint reflects soft ambient light, highlighting the smoothness of the wet paint and creating subtle shadows where the outlines of the buildings meet the curves of her face. Her expression is serene yet enigmatic, blending both human vulnerability and the timelessness of the structures drawn upon her. The wet paint glistens, suggesting both transformation and the process of becoming. The glossiness of the wet paint on her skin contrasts beautifully with the rough, sketchy outlines of the old, empty doorframes and windowframes, creating a powerful visual duality. She is both emerging from t
  • Using base image: No
  • Aspect Ratio: square