#opera

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Petronas Towers (Malay: Menara Berkembar Petronas), also known as the Petronas Twin Towers or KLCC Twin Towers, are a pair of 88-storey supertall skyscrapers in Kuala Lumpur, Malaysia, standing at 451.9 metres (1,483 feet). From 1998 to 2003, they were officially designated as the tallest buildings in the world until they were surpassed by the 2004 completion of the Taipei 101. The Petronas Towers are the world's tallest twin skyscrapers and remained the tallest buildings in Malaysia until 2019, when they were surpassed by The Exchange 106. The Petronas Towers are a major landmark of Kuala Lumpur, along with the nearby Kuala Lumpur Tower and Merdeka 118, and are visible in many places across the city.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism is an architectural style that emerged in the 1960s and emphasizes the use of new technologies, materials, and a focus on functionality and sustainability. Incorporating the concept of the Sun into Neo-futuristic architecture can be done by using solar panels and other renewable energy sources to power the building. The building's design can also take inspiration from the Sun's shape, such as using circular or spherical shapes and bright colors that reflect the Sun's vibrant nature. The use of glass and other sustainable materials that allow natural light to enter the building can also be incorporated into Neo-futuristic architecture inspired by the Sun. Additionally, the building can be designed to maximize views of the surrounding environment, taking advantage of the natural beauty of a sunny location.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A dam is a barrier that stops or restricts the flow of surface water or underground streams. Reservoirs created by dams not only suppress floods but also provide water for activities such as irrigation, human consumption, industrial use, aquaculture, and navigability. Hydropower is often used in conjunction with dams to generate electricity. A dam can also be used to collect or store water which can be evenly distributed between locations. Dams generally serve the primary purpose of retaining water, while other structures such as floodgates or levees (also known as dikes) are used to manage or prevent water flow into specific land regions. The earliest known dam is the Jawa Dam in Jordan, dating to 3,000 BC.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

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  • Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: A Neo-futurism architecture with undulating forms that mimic the movement of water would be a stunning and dynamic piece of architecture. The building's exterior could feature a flowing, curvilinear design that evokes the movement and texture of water. The facade could be made of glass or other advanced materials that create the illusion of waves or ripples. Inside, the building could have an open floor plan that creates a sense of fluidity and movement. The interior could be designed to incorporate natural light and views of the surrounding landscape, further accentuating the connection to water. The building could also incorporate advanced technologies and sustainable design features, such as a rainwater harvesting system or a greywater recycling system. Additionally, the building could be designed to integrate with the surrounding environment, with landscaping that incorporates water features and other natural elements. Overall, a Neo-futurism architecture with undulating forms that mimic the movement of water would be a striking and innovative piece of architecture, showcasing the beauty and power of nature while also incorporating the latest advances in sustainable design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The spacecraft features four solar-electric ion thrusters for propulsion called μ10, one of which is a backup. These engines use microwaves to convert xenon into plasma (ions), which are accelerated by a voltage applied by the solar panels and ejected out the back of the engine. The simultaneous operation of three engines generates thrusts of up to 28 mN. Although this thrust is very small, the engines are also extremely efficient; the 66 kg (146 lb) of xenon reaction mass can change the speed of the spacecraft by up to 2 km/s. The spacecraft has four redundant reaction wheels and a chemical reaction control system featuring twelve thrusters for attitude control (orientation) and orbital control at the asteroid. The chemical thrusters use hydrazine and MON-3, with a total mass of 48 kg (106 lb) of chemical propellant.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Sphere neo-futurism architecture is a unique and futuristic architectural style that emphasizes the use of spherical forms and structures as a key design element. This style can be seen in buildings, sculptures, and other structures. The main pattern of sphere neo-futurism architecture is the use of spherical forms or spheres as the primary shape. The use of spheres in the design brings a futuristic and innovative look to the structure. The interior space of the building is planned and organized around the central sphere, which often serves as the focal point and main gathering space. The façade of buildings designed in sphere neo-futurism architecture pattern can be made of materials like steel, glass, or other modern materials, with smooth surfaces and sleek finishes. The sphere may also be constructed of transparent or translucent materials, which allows natural light to penetrate the structure and creates an interesting interplay of light and shadow within the building. The interiors of sphere neo-futurism architecture are open and fluid spaces with minimal partitions and walls, where the focus is on functionality, simplicity, and visual appeal.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The cathedral exterior gives the impression of being constructed entirely of brick, but actually is composed of two cylinders of reinforced concrete covered with bricks of the classic construction size. The inner cylinder is 29.3 metres (96 ft); the outer is 38.4 metres (126 ft) The space between the cylinders is filled with passageways, staircases and technical spaces. The brick of the exterior is designed as a series of horizontal bands, broken by a small number windows. The bricks are laid in designs that give it a delicate, lace-like quality. Botta explained that he selected brick for its aesthetic qualities, and because "I try to utilise the most basic, humble materials, but with the desire to give them a certain dignity."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Fondation Cartier pour l'Art Contemporain, known simply as the Fondation Cartier, is a contemporary art museum located at 261 boulevard Raspail in the 14th arrondissement of the French capital, Paris.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The solitary, often snow-capped Mount Fuji (Fujisan), rising above villages and tree-fringed sea and lakes, has inspired artists and poets and been the object of pilgrimage for centuries. Fujisan is a solitary strato-volcano, around 100 km south-west of Tokyo that rises to 3,776 meters in height. The base of its southern slopes extends to the sea shores of Suruga Bay. The awe that Fujisan’s majestic form and intermittent volcanic activity has inspired was transformed into religious practices that linked Shintoism and Buddhism, people and nature, and symbolic death and re-birth, with worship ascents and descents to and from the summit, formalised in routes and around shrines and lodging houses at the foot of the mountain. And the almost perfect, snow-capped conical form of Fujisan inspired artists in the early 19th century to produce images that transcended cultures, allowed the mountain to be known around the world, and had a profound influence on the development of Western art. From ancient times, pilgrims carrying a long staff, set off from the compounds of the Sengenjinja shrines at the foot of the mountain to reach the crater at its summit.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The first public thermae of 19 BC had a rotunda 25 metres across, circled by small rooms, set in a park with an artificial river and pool. By AD 300 the Baths of Diocletian would cover 140,000 square metres (1,500,000 sq ft), its soaring granite and porphyry sheltering 3,000 bathers a day. Most Roman homes, except for those of the most elite, did not have any sort of bathing area, so people from various classes of Roman society would convene at the public baths. Roman baths became "something like a cross between an aqua centre and a theme park", with pools, exercise spaces, game rooms, gardens, even libraries, and theatres. One of the most famous public bath sites is Aquae Sulis in Bath, England.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy.
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Lviv Opera and Ballet Theatre

• Model: Artistic

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  • Prompt: Lviv Opera and Ballet Theatre, illustration style Hugo Pratt
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Kyi, Shchek and Khoryv were three legendary brothers—often mentioned along with their sister Lybid —who, according to the Primary Chronicle, founded the medieval city of Kyiv, which eventually became the capital of Kievan Rus' and present-day Ukraine. There is no precise and historically established information about the rule of Kyi and the establishment of the city of Kyiv.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Kyoto roofs reflecting sunlight inspired the whitish silver color of the outside.[19] Likewise, the roof-like shape that defines the building derives from the distinctive roofs of old Japanese temples.[19] The roofs of these monuments, Kikutake says, differentiate them from other structures while simultaneously cohering with the landscape.[19] The four legs were erected first, followed by the cantilevers.[17] The first elevated floor is supported on the legs' 19.7' deep bottom chords, while a second set of chords supports the other floors.[17] Each of the four composite steel with reinforced concrete legs is a 46' deep "H" shape.[17] From the plaza to the first raised floor, they are 63' tall.[17] The building is cantilevered 119' over the legs on the North and South sides.[17] Fluorine resin-coated square panels cover the building.[20]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: National Kaohsiung Center for the Arts, also known as Weiwuying, (traditional Chinese: 衛武營國家藝術文化中心; simplified Chinese: 卫武营国家艺术文化中心; pinyin: Wèiwǔyíng Guójiā Yìshù Wénhuà Zhōngxīn), is located in Fengshan District, Kaohsiung, Taiwan and has been acknowledged as the largest performance arts center under one roof in the world while owning the largest pipe organ in Asia.[1] The site was originally a military compound and was reconstructed as an arts centre. With its 14,000 square meter complex, the arts centre contains four indoor performance halls and an amphitheater for outdoor performances.[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Zollverein industrial complex in Land Nordrhein-Westfalen consists of the complete infrastructure of a historical coal-mining site, with some 20th-century buildings of outstanding architectural merit. It constitutes remarkable material evidence of the evolution and decline of an essential industry over the past 150 years. The Zollverein XII Coal Mine Industrial Complex has a high level of authenticity. The individual industrial components have inevitably lost their functional authenticity. However, a policy of sensitive and imaginative adaptive reuse has ensured that their forms survive intact, with significant items of the industrial plant preserved, and that their interrelationships remain visible in a clear and logical manner. In particular, the authenticity of the important group of industrial buildings designed for Zollverein XII by Fritz Schupp has been carefully conserved.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The theatre is built of reinforced concrete and features rectangular forms, straight lines, and decoration attached to the outside on plaques of marble and stucco, which was a radical departure from the Art Nouveau style, and, at the time, shockingly plain in appearance. The building's concrete construction was not merely a stylistic choice. Subsoil conditions and the site's proximity to the Seine made concrete necessary. Henry van de Velde was the initial architect, resigning when it was clear that the contractors, the Perret brothers, had a far deeper understanding of reinforced concrete construction than he did, although the Perrets, were not licensed architects and had another designer, Roger Bouvard, sign their plans. The building includes an exterior bas relief by Antoine Bourdelle, a dome by Maurice Denis, paintings by Édouard Vuillard and Jacqueline Marval, and a stage curtain by Ker-Xavier Roussel. The building houses two smaller stages, the Comédie des Champs-Élysées theatre on the 3rd floor, and the Studio des Champs-Élysées on the 5th floor.
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