#mountainspopartportrait

gloaming

• Model: DaVinci2

• Size: 1376 X 1368 (1.88 MP)

• Used settings:

  • Prompt: style of Ed Binkley and Stan Lee, portraying a female face emerged from a fantastical landscape, gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque & swirls in zentangle style by Ernst Ludwig Kirchner, patchwork background, golden lines-motif, complex hues, embossed linework, by Erich Heckel & Karl Schmidt-Rottluff, tranquil, reflective mapping by Rebecca Saray, indiecore, orphism, retropunk composition, precise line-art detailing blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly magical, well-defined background details, low angle close-up view, textured, vibrant coloring in green gradients, surreal atmosphere, imaginative and unconventional, digital illustration, high resolution surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradeint coloring, warm tones, abstracted, overexposed, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side, very dreamy,expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients of goldenrut-yellow, deep auburn, maize-yellow, light-brown, lush gold, and warm green gradients, parallax occlusion 1.3, orphism, chuh4ib4ne, soft dynamic lighting, lineart, atmospheric depth, glossy highlights, nuanced painterly, highlights and ultra-clarity in an enchanting style, polished orphism by Werner Peiner & Lotte B. Prechner, unique and avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts,intricate squiggly lines, irregular textures, loose strokes, pastel watercolors, cold-pressed rough paper, dissolved chaos, masterpiece, gorgeous, evocative, sumptuous, stylized, unique, HD, enchanting, fuzzy, ethereal, ultra-fine texture, fine lines. coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,
  • Using base image: Yes