Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: ((((Masterpiece)))), a contemporary, explosive fusion of multi-block woodcut, linocut, and vibrant street art, reimagining sacred iconography with raw, psychedelic energy. The Shepherds' visit to the Nativity is a burst of color in a gritty, visionary landscape. The shepherds, defined by a sharp, graffiti-inspired key block, stand at the mouth of a cave. This cave is a chaotic explosion of electric magenta, screaming chartreuse, and deep violet layers, carved with jagged, splattered grooves and frantic cross-hatching that mimics cracked urban murals. Inside, the Holy Family is rendered with graphic, cosmic elegance: Mary and Joseph as elongated, serene figures in robes of flat, luminous gold and turquoise. The infant Jesus is a radiant focal point, glowing with an intense neon-orange rim light from a layer of fluorescent ink, nestled in a bed of swirling cerulean and silver hatch marks. Their stylized sheep are solid shapes in vibrant crimson and cobalt, clustered nearby. Above, the Annunciation Star is a violent, geometric supernova carved from the paper itself—a burst of pure white at the center of a radiating shockwave of solar yellow, hot pink, and acid green grooves that slash downward, spotlighting the scene. The shepherds' faces are etched with powerful, emotive lines in stark black, their expressions awestruck. The "night" sky is not dark, but a flat, velvety field of ultramarine blue, making the star's explosive color and the converging rays of light vibrate with cosmic reverence. The atmosphere crackles with urban mysticism. The composition blends the rawness of spray-painted stencils and torn posters with the precise, rhythmic grace of Art Deco. The entire scene is a hand-pulled testament to divine revelation in a vivid, modern world, screaming with high-contrast, textured, and stylistic power.
Prompt: La Pasada, in the style of Frieda Kahlo, Mary, whose head is surrounded by a nimbus, has long, dark and curly hair and wears a simple woolen cloak over a plain weave woolen dress, she is very heavily pregnant and rides side saddle on a donkey. Joseph, whose head is surrounded by a nimbus, stands, holding the donkey's reigns. Joseph wears a simple traveling cloak. He beseeches a disdainful inn keeper, who holds aloft a lantern, inspecting the holy couple. The style of this image should be heavily influenced by Mexican and Mexican Indigenous Art
Prompt: magnificent scene of the "birth of Christ" - a baby in a manger, with a halo of light on his head - Mary and Joseph next to the manger - the Holy Spirit floating overhead, emanating beams of light - a donkey, a cow, a rooster and some sheep around - ultra high quality, sharp focus, focused, high focus, very sharp, high definition, extremely detailed, hyper realistic, intricate, fantastic view, very attractive, fantasy, imperial colors, colorfu
Prompt: a beautiful night sky with the stars and the star leading the 3 kings to baby Jesus outside the manger, The Nativity scene with all the animals near baby Jesus, make the image as beautiful as possible
Prompt: ((((Masterpiece)))), a contemporary multi-block woodcut and linocut print fusing visionary street art with sacred iconography. The Nativity is re-envisioned in a raw, urban graphic style. Mary and Joseph are depicted with the elongated, minimalist forms of a modern fashion illustration, defined by a master key block of clean, decisive lines. Their serene faces are stylized, carved with a graphic, emotive simplicity. The newborn Jesus is a small, bundled form, swaddled in a cloth that glows with a sharp, neon-bright rim light, achieved through a vibrant, translucent layer of electric cyan or magenta ink. The Three Wise Men are reimagined as enigmatic, contemporary figures. Their majestic presence is conveyed through bold silhouettes and intricate, tattoo-like patterns carved into their robes. Their gifts are not traditional vessels but stylized, symbolic objects: a geometric gold bar, a fractal resin orb (frankincense), and a prismatic vial (myrrh), each shimmering with metallic foil stamping and glossy varnish. The atmosphere is one of profound, mystical wonder, translated into a cosmic, street-art aesthetic. The background is not a stable, but a vast, textured wall of peeling posters and graffiti, overlaid with a swirling, starry cosmos carved with chaotic, expressive grooves. This cosmic layer is printed in deep indigo and violet, with stars as tiny dots of untouched paper and metallic silver. Ray tracing effects are mimicked through dramatic contrasts and sharp, directional hatching that create a vibrant depth of field, separating the holy family from the energetic background. The entire scene merges the raw texture of spray paint and wheatpaste with the precise, decorative grace of Art Deco linework. The style incorporates neo-expressionist carving marks, pixelated glitch patterns, and intricate, quilling-inspired borders, adding a unique, contemporary sacredness to the timeless narrative through the tactile, hand-pulled power of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, urban, cosmic, symbolic, high-contrast, textured, stylistic, contemporary sacred art.
Prompt: Arthur Hughes, Pre Raphaelite painter presents Las Posadas, Mary is heavily pregnant and who has long, dark and curly hair and wears a simple woolen cloak over a plain weave woolen dress rides a donkey being led by Joseph, wearing a simple, brown woolen cloak. The holy couple stand before the doors of a simple, rather poor inn. The Inn Keeper holds a lamp high to look at Mary and Joseph, the inn keeper's face is disdainful. It is clear that Mary and Joseph will not be allowed to stay at the inn.
Prompt: Stained glass depiction of brown skinned middle eastern people. Joseph is walking and pregnant Mary is riding on a donkey approaching the manger building at sunset. Mary has a Halo.
Prompt: ((((Masterpiece)))), a contemporary digital illustration that reimagines the nativity in a gritty yet magical daytime setting. The scene is set in a cluttered old garage. Sunlight streams through dusty windows, illuminating motes of dust in the air. Mary and Joseph are depicted as a serene, young couple. Their features are stylized with the elegant elongation of Modigliani but feel real and grounded. Mary cradles the newborn in her arms, both wearing simple, modern-day clothing. Joseph, clean-shaven, stands protectively beside them. The "stable" is the garage. The manger is a repurposed half oil drum, lined with soft cleaning rags. An old, rusting car sits in one corner. Around them, chickens and a rooster peck at the concrete floor. A large, gentle Great Dane stands watch by the oil drum. The Three Wise Men have just arrived, not on camels, but on vintage, dust-covered motorcycles parked outside the open garage door. They wear practical but distinguished riding gear leather jackets, boots, and goggles pushed up on their foreheads yet their reverent posture and the precious cases strapped to their bikes make their identities clear. A beautiful angel, dressed like a mechanic in oil-stained overalls but with an unmistakable aura of grace and immense, softly feathered wings, welcomes the wise men with a warm smile. The atmosphere is one of profound, humble wonder. Ray tracing creates a stunning vibrant depth of field, making the magical light around the holy family and the angel sharp against the softly blurred, textured details of the garage's clutter. The entire scene has the layered, tangible feel of acrylic art, finding the sacred in the midst of the everyday.
Prompt: a silhouette of the nativity scene with Mary and Joseph beside a dimly lit manger. Angels are depicted in a mystical, ethereal style with deep blues and golds
Prompt: ((((Masterpiece)))), a contemporary digital illustration that reimagines the nativity in a gritty yet magical daytime setting. The scene is set in a cluttered old garage. Sunlight streams through dusty windows, illuminating motes of dust in the air. Mary and Joseph are depicted as a serene, young couple. Their features are stylized with the elegant elongation of Modigliani but feel real and grounded. Mary cradles the newborn in her arms, both wearing simple, modern-day clothing. Joseph, clean-shaven, stands protectively beside them. The "stable" is the garage. The manger is a repurposed half oil drum, lined with soft cleaning rags. An old, rusting car sits in one corner. Around them, chickens and a rooster peck at the concrete floor. A large, gentle Great Dane stands watch by the oil drum. The Three Wise Men have just arrived, not on camels, but on vintage, dust-covered motorcycles parked outside the open garage door. They wear practical but distinguished riding gear leather jackets, boots, and goggles pushed up on their foreheads yet their reverent posture and the precious cases strapped to their bikes make their identities clear. A beautiful angel, dressed like a mechanic in oil-stained overalls but with an unmistakable aura of grace and immense, softly feathered wings, welcomes the wise men with a warm smile. The atmosphere is one of profound, humble wonder. Ray tracing creates a stunning vibrant depth of field, making the magical light around the holy family and the angel sharp against the softly blurred, textured details of the garage's clutter. The entire scene has the layered, tangible feel of acrylic art, finding the sacred in the midst of the everyday.
Prompt: A detailed fantasy art piece of an ancient hut with a thatched roof, a mysterious woman draped in a white shroud by a wooden manger cradling a newborn baby, a rugged man watching over them. Gentle lambs graze nearby under a night sky filled with stars and a bright crescent moon. Above, the Star of Bethlehem shines brilliantly, guiding three kings in lavish attire and turbans bearing gifts, accompanied by a majestic camel adorned with intricate ornaments. The scene is rendered with intricate detail, evoking a sense of wonder and divinity, with atmospheric lighting and a rich color palette reminiscent of Caravaggio and Rembrandt.
Prompt: Ancient hut with thatched roof, mysterious woman draped in a shroud, rugged man tending to a wooden manger cradling a newborn baby, gentle lambs grazing nearby, night setting with a crescent moon illuminating a starry sky, a brilliantly shining star of Bethlehem above, three kings adorned in lavish attire and turbans bearing gifts, a majestic camel adorned with intricate ornaments, intricate and detailed fantasy art piece capturing the essence of the nativity scene.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a stark, contemporary urban style. The scene reinterprets the sacred narrative with raw, graphic force and high-contrast symbolism. Mary and Joseph are depicted as a young, weary couple, their forms defined by a powerful, black key block of sharp, angular lines. Mary leans against a graffitied steel service door, the "NO VACANCY" sign carved as stark, glowing red lettering using translucent vermilion ink. She wears an oversized coat with an Art Deco-inspired geometric lining, rendered through precise, repetitive patterns. Joseph stands beside her, his palm pressed against the cold metal, his worn work jacket and boots textured with cross-hatching and coarse stippling to suggest fatigue and grit. Their expressions resilient exhaustion and quiet defiance—are etched with minimal, emotive detail. They are illuminated by the harsh light of a streetlamp, represented by a burst of radial grooves and untouched white paper, casting long, dramatic shadows on the wet asphalt suggested by horizontal, wavy lines. The background is a towering, blurred cityscape. Skyscrapers are simplified into geometric silhouettes in deep indigo and charcoal. Neon lights and reflections are depicted as scattered bokeh circles and pixelated glitches, carved as tiny dots and jagged shapes that shimmer with metallic and fluorescent inks. Rain is implied by fine, vertical scored lines cutting through the composition. The atmosphere is one of urban isolation and dignified struggle, achieved through a masterful balance of sharp foreground detail and a soft-focused, textured background, using the high-contrast, layered potential of printmaking to tell a timeless story in a modern vernacular. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, urban, atmospheric, textured, stylistic, contemporary narrative.
Prompt: Stained glass style illustration of a mother and baby, with the mother gently looking down at the baby who seems to be held safely within her arms. Both the mother and baby have light brown skin tones, and black hair. The mother is wearing a black head covering. Both mother and baby have closed eyes, which appear to be drawn with single black wavy lines for the eyelids. They both also have halos, or a glow, around their heads, which have hues of light blue, pink, and yellow. The mother’s glow extends from behind her head with two curved lines meeting above her forehead. The baby’s glow is a circular shape around its head. The mother’s and baby’s bodies are surrounded by shapes of vibrant gold with varying tones. The lines outlining the figures and shapes are thick and solid black.
Prompt: "A Baroque-style painting in the Renaissance tradition, featuring a highly detailed and realistic portrayal of religious figures. The central figure is depicted with soft shading and lifelike textures, embodying grace and divinity. The scene includes flowing robes, intricate fabric details, and ornate accessories. The background is filled with classical architectural elements like columns and arches, softly illuminated by golden light filtering through stained glass windows. The overall atmosphere is serene and reverent, capturing the essence of Renaissance religious art with the dramatic contrasts and rich detailing typical of Baroque style."
Prompt: Overview
Lyrics
Other recordings
Good people all, this Christmas time
Consider well and bear in mind
What our good God for us has done
In sending his beloved son
With Mary holy we should pray
To God with love this Christmas Day
In Bethlehem upon that morn
There was a blessed Messiah born
Near Bethlehem did shepherds keep
Their flocks of lambs and feeding sheep
To whom God's angels did appear
Which put the shepherds in great fear
'Prepare and go, ' the angels said
'To Bethlehem, be not afraid
For there you'll find, this happy morn
A princely babe, sweet Jesus born
With thankful heart and joyful mind
The shepherds went, this babe to find
And as God's angel had foretold
They did our saviour Christ behold
Within a manger he was laid
And by his side the virgin maid
Attending on the Lord of life
Who came on earth to end all strife
Good people all, this Christmas time
Consider well and bear in mind
What our good God for us has done
In sending his beloved Son
With Mary holy we should pray
To God with love this Christmas day
In Bethlehem upon that morn
There was a blessed Messiah born
Prompt: A rectangular brass plate fully engraved with dark copper, a handcrafted metal technique that creates 3D relief of a nativity scene representing Father Joseph, Mother Mary and baby Jesus wrapped in swaddling clothes and lying in a cradle, surrounded by angels. Sparkling Bethlehem star right above the baby. Mary cradles the baby in a intricate manger. Virgin Mary wears a long, flowing dress with a cape. Saint Joseph has a plain, long-sleeved coat. The scene is set in a lush valley with towering snow-capped mountains in the distance, adorned with sparkling snowflakes. Every detail is meticulously crafted.The atmosphere is one of peace, wonder, and celestial beauty. The composition includes metallic sparkling glitter and iridescent pearlescent details. 128K resolution, hyper-realistic quality with 3D effects and 25 Degree Art features. dim cinematic, 3D Max render, deep 3D layering. Photorealistic, ultra-definition, dynamic atmosphere, surreal divine serenity.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
21d
