Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine the scene: Foreground: A father and son stand in front of their family car in the yard, with the father showing the son how to change a tire. The father is wearing an old work coverall, faded from years of use, while the son is in shorts and a short-sleeve t-shirt. In impasto technique, thick layers of paint emphasize the creased hands of the father holding the tool. The son’s hands, depicted with palette knife, feature sharp, precise strokes capturing moments of concentration as he carefully follows his father's instructions. Background: A green lawn and scattered tools around them, painted in impasto technique, give the scene a natural, organic feel.
Prompt: Two brutal stocky bodybuilders, covered in tattoos, fighting by the shipping containers, skinhead, beard, shiny olive oversize puffer, white t-shirt, black leather sweatpants with white stripes, brightly golden sneakers
Prompt: Edmund Cleves is a 53 year old male human bodyguard.
He has short, wavy, gray hair and brown eyes.
He has rugged black skin.
He stands 177cm (5'9") tall and has a round build.
He has a triangular, creepy face.
He is easily out of breath.
He intermittently squints
Prompt: Create a detailed image of a classic brown leather flat cap, a symbol of the working class. Show the cap worn by a rugged, hard-working figure from the late 19th century industrial era, standing in a gritty factory setting with machinery and brick walls in the background. The flat cap should have visible wear and tear, emphasizing its everyday use over decades. Include subtle elements of mid-20th century street scenes where similar caps were worn by workers, blending different eras to show the evolution of the flat cap's style. The leather should be well-textured, with a weathered, vintage look, symbolizing durability and heritage.
Prompt: handsome cowboy with piercing blue eyes, well-groomed beard, iconic cowboy hat, classic flannel shirt, defined six-pack abs, snug blue jeans, casual stance with hands nonchalantly in pockets, dusty boots, outdoor setting with a rustic wooden fence, golden hour lighting casting warm tones, detailed realism capturing every rugged feature, digital illustration, focus on character expression and attire, by Clint Eastwood and Remington Schuyler, Artstation.
Prompt: raw sketch made with nervous pencils drawing lines of a man representing the spirit of the wild. he is portrayed running and is transforming into a hord of black crows. white lines generate a raw sense of illumination of the scene while black lines suggest the shapes. The global picture is black and white with some touch of electric blue a provoke a sense of raw and nervous atmosphere with those drawing lines.
Prompt: This black-and-white photograph captures a man standing confidently in front of a vintage car, leaning against a partially open wooden door. The man, positioned centrally in the image, is dressed in a classic black tuxedo with a white dress shirt and a black bow tie. He has short, neatly styled dark hair and a relaxed yet poised expression, with his arms crossed casually over his chest. His posture suggests a sense of elegance and sophistication.
The car behind him is an old-fashioned, silver-gray vehicle with a classic design, featuring round headlights and a prominent grille. The car's license plate is partially visible, indicating a vintage style. The background is dark, with minimal details, focusing the viewer's attention on the man and the car.
The wooden door he leans against has vertical planks and a simple handle on the right side. The texture of the door contrasts with the smooth, shiny surface of the car. The overall composition of the photograph, with the man standing in front of the car and the door, creates a balanced and harmonious image. The high contrast between light and dark in the photograph adds to the dramatic and timeless feel of the image.
Prompt: That sounds incredibly frustrating and disheartening. It’s tough to feel like you’re constantly taking on extra responsibilities, especially when others aren’t held accountable for their mistakes. This kind of situation can lead to burnout and resentment.
Prompt: Illustration described with circular lines drawings of street landscape with Ripley-esque Andrew Scott Sidney Crosby insanely handsome in watercolor style of Jeremy Mann, Dee Nickerson and style of Louis Jover
Prompt: Ripley-esque noir black and white Illustration described with circular lines drawings of street landscape with Andrew Scott insanely handsome in watercolor style of Jeremy Mann, Dee Nickerson and style of Louis Jover
Prompt: A highly dimensional representation about the creation via the hyperbolic quantum instantiation of a human thought. odd, yet strangely beautiful and discombobulated. moiré patterns and fractal patterns incorporated into glass-smooth polished surfaces
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine the scene: Imagine a scene where a father and his son are painting an old bicycle together in the backyard, transforming it into something new. Foreground: The father, dressed in a work jumpsuit with paint-stained sleeves, helps his son apply a bright red coat to the bike's frame. The boy, wearing a colorful t-shirt and shorts, carefully paints with a brush, his fingers already smudged with paint. Impasto technique is used here to emphasize the thickness of the paint, adding depth to the strokes, making the scene feel textured and alive. Background: The backyard is bathed in sunlight, with a lawn scattered with small wildflowers. An old house with green shutters stands in the distance. A tree nearby casts a shadow, and the blurred colors of the background are softly rendered using palette knife strokes, giving the setting a dreamy, idyllic look. Sunbeams filter through the leaves, casting shimmering spots on the grass.
Prompt: Surrealism. Intricate details, wicked and twisted illustration. On a long day, lasting several years, you float on fluffy clouds, contemplating the meaning of life, and every theory seems correct and true. Then comes the next day, which lasts twice as many years, and all the while you feel as if you're falling into a deep hole, never quite reaching the end, the bottom, or whatever it is. You never quite fall so you can stand up again.
Prompt: A Lucid dream by Hieronymus Bosch and Robert Crump: delirium, Hypnotic, streetart, An Expansive Murel, mind-bending line-art, anthropomorphic, anthropogenic, acid spill, hypnotic, hdr, mind journey, double exposure, seamless blending of two scenes,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
