Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: .The Girl Ironing a Dress for a Day That Never Comes,
(Mixing Palette Knife: space, light; Impasto: figure, dress, emotion)
In a room with high ceilings, as the midday sun softly slips down the white curtains, a young girl stands barefoot, wearing a simple pajama, in front of an old iron board. On it — a midnight-colored evening gown, rich and delicate, as if it belongs to a grand event that hasn't yet happened. Impasto captures her tenderness and silence — her hair is loosely tied, her gaze distant, as if she’s not ironing the dress, but a memory of what could have been. Mixing Palette Knife shapes the room with rich, textured strokes — a wall with an old mirror, a table with empty coffee cups, a book left open halfway. Everything around her breathes with silence, waiting, the unspoken. The iron glides, steam rises like a dream, and she — still believes she’ll wear that dress one day… for the right occasion. Or for the right version of herself.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: The Boy Ironing His Dreams.
(Mixing Palette Knife: background and objects, Impasto: figure and emotion)
In the center of a windowless room, under the warm, diffused light of a bare bulb, stands a young man in a rolled-up shirt. The ironing board is old and wobbly, and on it — not clothes, but colored sheets of paper: old writings, scattered poems, crumpled drawings, dreams postponed. Impasto technique captures the expression on his face — sweat on his forehead, a slight tension in his jaw, a gaze filled with affection toward the chaos before him, as if he knows something great will come out of that messy collage. Palette Knife gives the background a raw contrast: messy shelves, empty coffee cups, a torn wall with a poster of a favorite band — all in half-shadow, but with bold strokes, as if the space breathes with the same anxious hope as he does. In his hand — he’s ironing the papers, as if trying to flatten time, to calm his heartbeat, to make everything he thought he missed — clean again, smooth and ready to be written.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: The Man Ironing Shirts at the Train Station.
Techniques: Mixing Palette Knife (for the texture of concrete, shirts, and tools), Impasto (for train smoke, facial wrinkles, heat from the iron), Glazing (for reflections, station glass, and light transitions). Foreground: On a cracked platform, right next to the yellow safety line, stands a wooden table with an old-fashioned steam iron. A middle-aged man, tidy but unremarkable, in a white undershirt, carefully irons a blue shirt, steam rising into his face with every pass. Impasto technique highlights the sweat on his brow, the wrinkles around his eyes, and the steam—rising like smoke from a personal ritual. His hand glides over the fabric tenderly, as if he’s ironing memories, not wrinkled cotton. Middle ground: A traveler with a suitcase walks by, glances, but says nothing. A little girl with a balloon stops and stares. On a metal bench nearby — a thermos, an old wristwatch, and a radio softly playing a blues tune from another decade. Palette knife strokes are sharp and brisk — on the pavement, rails, and metal — contrasting with the smooth fabric on the table. Background: A train approaches. Smoke, noise, lights. Through the station window, people’s reflections blur… but his reflection is crystal clear — as if he’s the only one truly present. Glazing technique is used for glass, steam reflections, and the golden gleam of late afternoon. Lighting: The sun hangs low. The iron’s metal surface glows — every crease in the shirt smoothed by light.
Prompt: Meticulously ironing white fabric on a wooden table, elegant maid outfit, photorealistic details, distinctly French facial features, attire reminiscent of Salomon de Bray's fashion, embracing a simplified realism style, fabric tank top inspired by the Hildebrandt brothers' designs, oil painting medium, fine brush strokes, intricate textures, rich color palette, soft ambient lighting, detailed shadows and highlights, sophisticated composition, high-resolution artwork
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
