#industrial

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Material is put on a sinter machine in two layers. The bottom layer may vary in thickness from 30 to 75 millimetres (1.2 to 3.0 in). A 12 to 20 mm sinter fraction is used, also referred to as the hearth layer. The second, covering layer consists of mixed materials, making for a total bed height of 350 to 660 millimetres (14 to 26 in). The mixed materials are applied with drum feeders and roll feeders, which distributes the nodules in certain depth throughout the sinterring machine . The upper layer is smoothed using a leveler. The material, also known as a charge, enters the ignition furnace into rows of multi-slit burners. In the case of one plant, the first (ignition) zone has eleven burners. The next (soaking/annealing) zone typically offers 12 burners. Air is sucked from the bottom of the bed of mixed material throughout the sintering machine. Fire penetrates the mixed material gradually, until it reaches the hearth layer. This end point of burning is called burn through point (BTP). The hearth layer, which is nothing but sinter in smaller size, restricts sticking of hot sinter with pallets. BTP is achieved in a certain zone of sinter machine, to optimize the process, by means
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hayabusa (Japanese: はやぶさ, "Peregrine falcon") was a robotic spacecraft developed by the Japan Aerospace Exploration Agency (JAXA) to return a sample of material from a small near-Earth asteroid named 25143 Itokawa to Earth for further analysis. Hayabusa, formerly known as MUSES-C for Mu Space Engineering Spacecraft C, was launched on 9 May 2003 and rendezvoused with Itokawa in mid-September 2005. After arriving at Itokawa, Hayabusa studied the asteroid's shape, spin, topography, color, composition, density, and history. In November 2005, it landed on the asteroid and collected samples in the form of tiny grains of asteroidal material, which were returned to Earth aboard the spacecraft on 13 June 2010.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Hot piping

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: industrial factory with piping
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Industrial

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: waiting for processing atoms
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Mechanical Madness

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Surreal Industrial Nightmare Machine
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Mechanics

• Model: DreamForge

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Surreal Industrial Nightmare Machine
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Dystopian Dream Factory

• Model: MirageMaker

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Surreal Industrial Nightmare Machine
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Mechanical Marvels: A Steampunk Showcase

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Steampunk art
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Futuristic Elegance: Industrial Enigma

• Model: Artistic 2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: a small group of angry long eared aliens pose for a portrait, in a derelict, rubbish strewn factory in Russia, in 4k photographic detail,
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Metallic Marvel in Dim Light

• Model: MirageMaker

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Robot steampunk, biomechanical machines
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Forgotten Factory in the Clouds

• Model: MirageMaker

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Painted etching old abandoned factory
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Echoes of Isolation.

• Model: Artistic

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: closed system
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Urban Decay: A Glimpse Beyond

• Model: DreamForge

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: View from the inside. Gloomy depressive endless panel multi-storey building, Eastern Europe, hopelessness, post-punk. Inside view.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Ivory Titan: A Post-Nuclear Wasteland

• Model: Artistic 2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: a gigantic, weary, and rusty 40-foot robot in an industrial, post-nuclear blast setting. The robot will have an ivory color, worn and aged by the harsh environment. The scene will be dimly lit, with a green lamp post providing a faint glow. Rubble will scatter the ground, and a few minor and wasted soldiers will be visible in the background, adding to the desolate atmosphere.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Whimsical Robot in a Mystical Factory

• Model: AIVision

• Size: 1024 X 1792 (1.84 MP)

• Used settings:

  • Prompt: Rusty and battered anthropomorphic robot character, whimsical and eerie environment, full-body portrait, autumn theme, intricate brass, copper, iron, and bronze details, overgrown vines and moss, abandoned factory backdrop, flickering dim lights, eerie shadows, fallen leaves in shades of orange, red, and brown, quirky mechanical design, expressive eyes, weathered textures, digital illustration, detailed and textured, warm ambient lighting, by Adi, ArtStation.
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Steampunk Robot in an Industrial Setting

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Robot steampunk, biomechanical machines
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Futuristic Guardian in Misty Industrial Realm

• Model: DaVinci2

• Size: 1728 X 1344 (2.32 MP)

• Used settings:

  • Prompt: A woman in futuristic light pink armor stands beside a large robot in a misty industrial setting.other robots can be seen in the distance, it's sunny but misty and cold
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Vintage Industrial Gears in Monochrome

• Model: DaVinci2

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Imitation of an old black and white photograph from the late 19th century. The photograph shows a complex gear mechanism, made up of many gears, which is driven by a very large water wheel. From the mechanism, the rotation is transmitted to a futuristic-looking electric generator, somewhat similar to a Faraday electric generator. Nearby are no less futuristic Tesla generators and elongated incandescent lamps with carbon filaments, emitting soft light. Thick wires in a fabric braid extending on insulators. The equipment is located in the premises of an old stone mill, from a large arched window you can see a view of the dam, the river and the water wheel. Near the equipment, a Man of 45 years old, with a thick beard, curly hair to his shoulders, shaggy eyebrows, is busy with his own affairs, on his nose are pince-nez on a chain. He has a solid figure, stocky. Dressed in a canvas shirt with rolled-up sleeves, a sleeveless jacket, and trousers made of English wool cloth. He is seriously working on debugging the equipment. It is obvious that this is a working sample, not a laboratory. Most likely, this is an example of forgotten technologies of the past. The image is rubbed off in places, faded in places, folds in the paper, it is obvious that this "original" is very, very old and has "survived" a lot.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape