#house

House of mystery

• Model: Artistic

• Size: 1917 X 1095 (2.10 MP)

• Used settings:

  • Prompt: House of mystery; on floating mountains; fog; water falls; forests
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 2

Beautiful House

• Model: Fantasy

• Size: 896 X 1152 (1.03 MP)

• Used settings:

  • Prompt: 8k resolution beautiful cozy riverside solarpunk inviting Hobbit-House treehouse digital illustration matte painting.
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Conversely, some fannish terms have been made obsolete by changes in technology (the decline of the mimeograph has doomed corflu for "correction fluid"), cultural changes (a femmefan' [female fan] is no longer unusual) or the mere passage of time (slan shack for "a house where a bunch of fans live together" has faded, since fewer young fans have read Slan by A. E. van Vogt). Slan also produced one of the most common fan idioms: "Fans are slans". Fanspeak is so interwoven into the fabric of fandom that it is difficult to discuss fandom without resorting to fannish terms such as fanac "fannish activity" or filk music (originally a typo for "folk music").
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Okinawa Paradise

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Okinawa sea shore with beautiful scenery and a Japanese house in sight
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Jungle hostel

• Model: Fusion*

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: Steampunk house in the jungle
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

A colorful house in the abyss.

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A colorful house in the abyss. Hope.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Kawazoe, Maki and Kurokawa had invited a selection of world architects to design displays for the Mid-Air Exhibition that was to be incorporated within the roof. The architects included Moshe Safdie, Yona Friedman, Hans Hollein and Giancarlo De Carlo.[71] Although Tange was obsessed with the theory of flexibility that the space framed provide he did concede that in reality it was not so practical for the actual fixing of the displays.[70] The roof itself was designed by Koji Kamaya and Mamoru Kawaguchi who conceived it as a huge space frame. Kawaguchi invented a welding-free ball joint to safely distribute the load and worked out a method of assembling the frame on the ground before raising it using jacks.[72]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Cozy jungle house

• Model: Fusion*

• Size: 1635 X 1285 (2.10 MP)

• Used settings:

  • Prompt: Steampunk house in the jungle
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Lviv is the largest city in western Ukraine, and the sixth-largest in Ukraine, with a population of 717,273 (2022 est.).[5] It serves as the administrative centre of Lviv Oblast and Lviv Raion,[6] and is one of the main cultural centres of Ukraine. It was named in honour of Leo, the eldest son of Daniel, King of Ruthenia. Lviv emerged as the centre of the historical regions of Red Ruthenia and Galicia in the 14th century, superseding Halych, Chełm, Belz, and Przemyśl. It was the capital of the Kingdom of Galicia–Volhynia[7] from 1272 to 1349, when it was conquered by King Casimir III the Great of Poland. From 1434, it was the regional capital of the Ruthenian Voivodeship in the Kingdom of Poland. In 1772, after the First Partition of Poland, the city became the capital of the Habsburg Kingdom of Galicia and Lodomeria. In 1918, for a short time, it was the capital of the West Ukrainian People's Republic. Between the wars, the city was the centre of the Lwów Voivodeship in the Second Polish Republic. After the German-Soviet invasion of Poland in 1939.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Most embroidery was used for clothing. The primary object of clothing that was decorated with embroidery was the shirt or vyshyvanka. The shirt was mostly decorated with embroidery on the sleeves, and also on the neck, bosom, and the cuffs. Other elements of clothing are also embroidered, including scarves, skirts, aprons, men's caps and trousers, sleeveless jackets, kozhukh and kozhushanka (sheepskin coats), sashes, ochipok, etc. In some areas, bed linens were also embroidered. Aside from clothing, other items decorated with embroidery are towels, tablecloths, bench covers, veils and kerchiefs, and pillowcases. Many of these items are used to decorate the interior of churches, for example a cover for the sacraments or a shroud for icons.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The beginnings of this art are perceptible in the dreamlike dimension of the work of pre-romantic painters. The style of Augustus Pugin (England, 1812-1852), classified among the artists of the neo-Gothic style, foreshadows the extraordinary decorative saturation of Art Nouveau, the freedom of forms, the power of color, the struggle between architecture and decoration, which is one of the great artistic battles of the second half of the 19th century6. Furthermore, pre-Raphaelism awakened in 1850 to curves and colours, inspired by the Italian masters of the 15th century or the Florentine Renaissance (Botticelli) in reaction to the industrial revolution15.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Externally characteristic parts or elements of Art Nouveau are decorative curved lines and large floral ornaments. However, such formal classifications should not overlook the fact that Art Nouveau was by no means a cohesive movement. It is a series of partly divergent currents in Europe, which at best were really united in turning away from historicism, i.e. rejecting the hitherto common imitation of historically handed-down formal models. Numerous artistic programs and manifestos are associated with Art Nouveau. In today's understanding, it also stands for large overall artistic designs, such as that of the Palais Stoclet in Brussels, in which everything from the outer building to the decorative interior was designed in a uniform manner. This was also linked to the demand for the great fusion of "art and life", the re-inclusion of art in everyday life in the sense of a comprehensive artistic redesign of all everyday things, with the decorative arts being particularly important. On this point, however, Art Nouveau tied in with historicism, which had already elevated the “Gesamtkunstwerk” to a program. It was a programmatic alternative to the detachment of auratic works of art
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In 1905, with the patronage of the Grand Duke of Weimar, he created the Grand Ducal School of Arts and Crafts in Weimar. He created a showcase of applied arts for the Dresden Exposition of Applied Arts in 1906, decorated with paintings by Ludwig von Hofmann, intended as the main room of a new museum of decoration in Weimar. He transposed the characteristics of his silverware, dishes, and furniture into the architecture. Van de Velde left off the curling vegetal lines of Art Nouveau decoration and replaced them with much simpler, more stylized curves which were part of the structure of his buildings and decorative works. In 1907, van de Velde became director of the a new school of decorative arts in Weimar. His remake of Art Nouveau into a more functional and simplified style very different appeared in his door handles, his chairs, and the facades of his buildings. The ornament merged into the structure. The importance of Weimar as a cultural was broken in 1906, when its main patron, Count Harry Kessler, commissioned Rodin to make a nude statue for the Archduke. The Archduke was scandalized, and Kessler was forced to resign. The Weimar school of design lost its importance until
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A bellcote, bell-cote or bell-cot is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Town Hall has three main stories, lined with pointed Gothic windows on the three sides visible from the Grote Markt. Above is a gallery parapet, behind which rises a steep roof studded with four tiers of dormers. At the angles of the roof are octagonal turrets pierced with slits allowing for the passage of light. Statues in canopied niches are distributed all over the building. The corbels supporting the statues are carved with Biblical scenes in high relief. While the niches and corbels are original with the building, the 236 statues themselves are relatively recent, dating from after 1850. Those of the first floor represent personages of importance in the city's local history; those of the second, patron saints and symbolic figures; those of the third, the Counts of Leuven and Dukes of Brabant from various ages. The main façade has an entrance staircase, and two portals in the centre, above which are figures of Saint Peter (left) and the Madonna and Child (right), the former in compliment to the patron of the church opposite.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This building is more than just a functional machine: it responds to the significance of being located at the junction of two main streets, elegantly bearing its landmark status and acting as a gateway to the city beyond. It is something beautiful, sculptural and human. Despite its landmark status, the emphasis is not solely on height. Our design features a continuous balcony that surrounds the whole building, eliminating the vertical barriers traditionally used in high rise architecture. The entire building rotates by different degrees at different levels, corresponding with the surrounding scenery.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The scheme also conserves the courtyard's original spatial layout, aesthetic and material temperament, restoring it to its original glory; with the wood filigree panels lining it having been stripped of their stains and returned to their original lustre. Glazing along the street front has been replaced with transparent glass, maximizing natural light on the interior. From here, no one suspects the existence of the 'bubbles' beyond.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0