#fantasy

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The newest addition to the Iowa University campus – which houses the departments of sculpture, ceramics, photography, metals, printing, and 3D multimedia – covers four floors of pupil and faculty studios, classrooms, and gallery spaces. The stylish new structure replaced an older structure that had previously housed similar departments but had been devastated by flooding in 2008. Seven courtyards, together with other basic square windows on the façades, offer ample access to sunlight within, allowing light to penetrate deep into the structure’s wide floors. The perforated zinc coating also helps with this and at the very same time, its design provides complexity to the facility’s exterior and gives it a cool, steely grey color.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Gothic Revival is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. Revival architecture varied considerably in its faithfulness to both the ornamental style and principles of construction of its medieval original, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on a building otherwise on a wholly 19th-century plan and using contemporary materials and construction methods, most notably in the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Paxton's modular, hierarchical design reflected his practical brilliance as a designer and problem-solver. It incorporated many breakthroughs, offered practical advantages that no conventional building could match and, above all, embodied the spirit of British innovation and industrial might that the Great Exhibition was intended to celebrate. The geometry of the Crystal Palace was a classic example of the concept of form following manufacturer's limitations: the shape and size of the whole building was directly based around the size of the panes of glass made by the supplier, Chance Brothers of Smethwick. These were the largest available at the time, measuring 10 inches (25 cm) wide by 49 inches (120 cm) long. Because the entire building was scaled around those dimensions, it meant that nearly the whole outer surface could be glazed using millions of identical panes, thereby drastically reducing both their production cost and the time needed to install them. The original Hyde Park building was essentially a vast, flat-roofed rectangular hall. A huge open gallery ran along the main axis, with wings extending down either side.
  • Using base image: Yes

amazing plant

• Model: Artistic

• Size: 1265 X 829 (1.05 MP)

• Used settings:

  • Prompt: Gorgeous watercolor patchwork plant by Picasso and Caspar David Friedrich and Daniel Merriam
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Carreras Cigarette Factory was faced in Atlas White cement, coloured to look like sand. The front of the building was lined with a colonnade of twelve large papyriform columns, painted in bright colours with Venetian glass decoration. The columns are thought to have been inspired by columns at tombs in Amarna. The main entrance was approached by a staircase, the handrails designed in the shape of serpents mounted on the wall with bronze human hands. The entrance itself was designed in the style of a tent, similar to the cavetto-moulded lintels seen in architecture dating from the Old Kingdom. Above the door was a carved Horus of Behdet, a symbol of the winged disk of the Sun. During World War II it was felt that this symbol resembled too closely the eagle imagery of the Third Reich and it was covered up. It was not replaced during the 1990s restoration. Cow-horned Hathor lamps stood in front of the black cat statues. The repeated black cat logo also featured across the front of the building. Ornamental railings around the building featured Egyptian hieroglyphs. The building was the first factory in Britain to make use of pre-stressed concrete technology.
  • Using base image: Yes

Fantasy

• Model: Artistic

• Size: 1278 X 1643 (2.10 MP)

• Used settings:

  • Prompt: AI creating an art. Fully detailed. A human behind it watching with shocking facial expressions. AI creating the image of that man as a real sketch.
  • Using base image: No
  • Aspect Ratio: portrait

Yasukuni-Dori Avenue at Night

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: Elaborate, futuristic city
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The King City High School Auditorium is executed in cast-in-place concrete. The design makes full use of concrete's potential for plastic form, with compound curves, rounded corners and cast-in sculptural forms. The structure is somewhat elliptical in plan, with rounded corners. A projecting rounded bay at the front comprises the main entrance, with three pairs of doors separated by tall fluted pilasters surmounted by cast busts of Comedy and Tragedy, dividing a triptych relief sculpture that is itself divided into three levels. The ends of the facade curve around to the side elevations, which have inset fluted panels whose pilasters are crowned with more cast sculpture derived from characters from A Midsummer Night's Dream. The rear elevation is comparatively plain and utilitarian. The lobby is detailed with bright blue wainscoting and ceilings. Curved stairs give access to the balcony on either side of the lobby, with six doors into the main house. Floors throughout are covered in cork, as well as in the aisles of the auditorium. The auditorium seats 596 in the orchestra section and 387 in the balcony.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The American Radiator Building was designed in a black and gold color scheme. These specific colors came from a "somewhat offhand" suggestion made during an early discussion with Hood and Fouilhoux's team. It is not known who exactly suggested the black and gold colors, but architectural writer Walter Littlefield Creese says it may have been Hood's friend, architect Joseph Urban. Hood used the black and gold palette because he believed that conventional office buildings, with their white-masonry facades and dark glass windows, were monotonous. He had compared such windows to "waffles" and wished to find a color to make the window openings more conspicuous. After the tower's completion, Hood anticipated that additional colorful skyscrapers would be developed in New York City. The primary color of black was used to signify coal, while gold-coated decorations were used to symbolize fire. The "gold" was actually bronze powder placed on cast stone, a technique which was devised after a number of experiments by Hood and Fouilhoux's team. Hood had visited Brussels just before the American Radiator Building was built, and he had realized how golden colors had made "gloomy and dingy".
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A city exists three miles high and countless miles long encompassing tens of millions of people displaced from Earth. Structors (the builder's guild) deconstruct the "TailEnd" of the city and rebuild the "Frontend" in a sort of glacial urban march from the mountains to the sea over 30,000 years. Multiple generations of folk living at the TailEnd are obliged to pack up and relocate to the Frontend. However, entropy and decay has set in. Machines cease to function and fall into disrepair and society slowly loses technological knowledge with each successive generation. moving those houses all of mankind All mankind lived in The City, a self-enclosed towering single building that had always moved generation by generation across the vast empty landscape.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: savanna, huge acacia trees, sun, massive storm clouds, Ivan Shishkin,Victo Ngai,Gregorio Catarino,Cyril Rolando,Michal Karcz,Anato Finnstark,Flavio Greco Paglia, hyperdetailed defined oil painting, vibrant colors, 8K resolution, polished divine photorealistic intricate complex HDR, amber glow, dreamy
  • Using base image: Yes

It Takes a Lot to Laugh, It Takes a Train to Cry

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

• Used settings:

  • Prompt: It Takes a Lot to Laugh, It Takes a Train to Cry;
  • Using base image: Yes

Future

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Fantasy biomorphic steampunk flying automobile, gold and white plated highly detailed, sharp focus, travelling forest and sky highway
  • Using base image: No
  • Aspect Ratio: landscape

Wolf warrior

• Model: Artistic

• Size: 704 X 896 (0.63 MP)

• Used settings:

  • Prompt: Female half wolf Anime style
  • Using base image: No
  • Aspect Ratio: portrait

red wooman

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: woman black devil in red silk robes with gilding, hyperdetailing, small details, dark color scheme, ushill style, symmetry, 8k, octane render, epic, trending on artstation, by artgerm, highly detailed, vibrant, character render, ultra high quality model
  • Using base image: No
  • Aspect Ratio: landscape

dragon

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: olpntng style, Cute and adorable baby dragon light creature, close up portrait, dragon egg, glowing smoke white neon eyes, hoarfrost metal lace, fantasy, sunlight, sunbeam, intricate detail. 8k, dreamlike, surrealism, super cute, symmetrical, soft lighting, trending on artstation, intricate details, highly detailed, unreal engine, by ross tran, wlop, artgerm and james jean, Brian Froud, art illustration by Miho Hirano, Neimy Kanani, oil on canvas by Aykut Aydoğdu, oil painting, heavy strokes, paint dripping
  • Using base image: No
  • Aspect Ratio: landscape

Silent reflections in an enchanted forest

• Model: Fusion*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Silent reflections, in the style of Greg Rutkowski, Tom Bagshaw, H.G. Giger, Josephine Wall, Gerald Brom, ethereal, reflective, shine, beauty, highly detailed, reflective light, intricate detail, sharp focus, symmetrical face
  • Using base image: Yes

Fantasy Landscape

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: A Beautiful fantasy landscape, Castle, Lake, Woods, painting, high detail,
  • Using base image: No
  • Aspect Ratio: landscape

steam engine to eternity

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: steam engine train to eternity in style of Jacek Yerka, George Callaghan, Daniel Merriam
  • Using base image: Yes

A Druid Goddess In The Desert

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: A beautiful Druid goddess in a long swirling intricate dress is dancing in a hyper-detailed desert landscape in a sandstorm, whirling wind, rippled dunes, complex, elegant, stormy funnel clouds. Anna Dittmann, Jacek Yerka
  • Using base image: Yes