#fantasy

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property encompasses the remains of the temple complexes with their Pure Land Gardens and the sacred mountain of Mount Kinkeisan to which they are visually aligned. Although the sites of Chûson-ji, Môtsû-ji, Kanjizaiô-in Ato and Mount Kinkeisan conserve their visual links in a complete manner, at the Muryôko-in site, houses and other structures have a negative influence. The visual links between the temples and Mount Kinkeisan span areas outside the property in the buffer zone. To protect the spatial landscape relating to Pure Land cosmology, the spatial integrity of these links need to be sustained. There is no doubt of the authenticity of the excavated remains. Two of the gardens have been reconstructed and this work has been underpinned by rigorous analysis of the built and botanical evidence. For the surviving structures, the main building Chûson-ji Konjikidô is a remarkable survival and has been conserved with great skill in a way that ensures its authenticity of materials and construction. The authenticity of the temple in its landscape has to a certain extent been compromised by the concrete sheath building that now surrounds it.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Much of the area was destroyed in 1189 when the city lost its political and administrative status. Such was the spectacular rise and conspicuous wealth of Hiraizumi and its equally rapid and dramatic fall, that it became the source of inspiration for many poets. In 1689, Matsuo Basho, the Haiku poet, wrote: 'Three generations of glory vanished in the space of a dream...'. The four temple complexes of this once great centre with their Pure Land gardens, a notable surviving 12th century temple, and their relationship with the sacred Mount Kinkeisan are an exceptional group that reflect the wealth and power of Hiraizumi, and a unique concept of planning and garden design that influenced gardens and temples in other cities in Japan. The temples and Pure Land gardens of Hiraizumi demonstrate in a remarkable way how the concepts of garden construction introduced from Asia along with Buddhism evolved on the basis of Japan's ancient nature worship, Shintoism, and eventually developed into a concept of planning and garden design that was unique to Japan. The gardens and temples of Hiraizumi influenced those in other cities, notably Kamakura where one of the temples was based on Chûson-ji.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hiraizumi - Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land comprises five sites, including the sacred Mount Kinkeisan. It features vestiges of government offices dating from the 11th and 12th centuries when Hiraizumi was the administrative centre of the northern realm of Japan and rivalled Kyoto. The realm was based on the cosmology of Pure Land Buddhism, which spread to Japan in the 8th century. It represented the pure land of Buddha that people aspire to after death, as well as peace of mind in this life. In combination with indigenous Japanese nature worship and Shintoism, Pure Land Buddhism developed a concept of planning and garden design that was unique to Japan.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Technological developments in metal mining and production in Japan resulted in the evolution of a successful system based on small-scale, labor-intensive units covering the entire range of skills from digging to refining. The political and economic isolation of Japan during the Edo Period (1603 to 1868) impeded the introduction of technologies developed in Europe during the Industrial Revolution and this, coupled with the exhaustion of commercially viable silver-ore deposits, resulted in the cessation of mining activities by traditional technologies in the area in the second half of the 19th century, leaving the site with well-preserved archaeological traces of those activities. The abundant traces of silver production, such as mines, smelting and refining sites, transportation routes, and port facilities, that have survived virtually intact in the Iwami Ginzan Silver Mine Site, are now concealed to a large extent by the mountain forests that have reclaimed the landscape. The resulting relict landscape, which includes the surviving settlements of the people related to the silver production, bears dramatic witness to historic land-uses of outstanding universal value.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Set in the dense forests of the Kii Mountains on a peninsula in the southernmost part of mainland Japan, overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, and Koyasan – are linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto. Together these sites, the connecting pilgrimage routes, and surrounding forests form a cultural landscape that reflect the fusion of Shintoism, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sacred sites are connected by 307 km of pilgrimage routes which cover a total area of 506.4 ha. With the surrounding forest landscape, they reflect a persistent and extraordinarily well-documented tradition of sacred mountains maintained over 1,200 years.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The buildings of Itsukushima-jinja are in the general tradition of Japanese Shinto architecture, in which a mountain or natural object becomes the focus of religious belief to be worshipped from a shrine, generally constructed at the foot of the mountain. The harmoniously arranged shrine buildings in the property are located on the sea and the scenery, with a trinity composed of the man-made architecture in the centre, the sea in the foreground, and the mountains in the background, and have become recognized as a Japanese standard of beauty. The sites reveal great artistic and technical skill and are unique among extant shrine buildings in Japan. The shrine is an outstanding and unique architectural work which combines manmade achievements and natural elements. It is tangible proof of the great achievements of Taira no Kiyomori.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Elvan village

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Labyrinth with tree of life in a beautiful and ancient elven village, by Ferdinand Knab, Greg Staples, Alan Lee, Michal Karcz, smooth details, lord of the rings, game of thrones, detailed terrain, oil painting, trending artstation, concept art, fantasy matte painting, high definition. elf, garden or words, fantasy, fiction, glowing, aurora, coral, neon, reef, glowing corals, glowing reef, elf and beasts.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Elvan village

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Labyrinth with tree of life in a beautiful and ancient elven village, by Ferdinand Knab, Greg Staples, Alan Lee, Michal Karcz, smooth details, lord of the rings, game of thrones, detailed terrain, oil painting, trending artstation, concept art, fantasy matte painting, high definition. elf, garden or words, fantasy, fiction, glowing, aurora, coral, neon, reef, glowing corals, glowing reef, elf and beasts.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Blue dragon

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: "Fantasy world with a big close up cold blue dragon amidst volcanoes."
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  • Aspect Ratio: landscape

Cosmos

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: "A Journey To The Underworld" By James Jean & Mark Ryden & Brian Froud & Zdzisław Beksinski & H. R. Giger & Hieronymus Bosch. Witchcraft, Dark Magic, Divination, Resurrection, Vision (Spirituality), Ghost, Evocation, Death, Sorcery, Magic (Supernatural), Incantation, Talisman, Wand, Magic Circle, Shade (Mythology), Trance, Hallucinogen, Maleficium (Sorcery), Interment, Exorcism, Astral Plane, ∞. lunar, beast, red moon, coral moon, glowing moon, neon. spiritual, meditation, coral, reef, glow, neon, aurora, glowing coral, glowing reef, beast, fantastic beast.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Cosmos

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: "A Journey To The Underworld" By James Jean & Mark Ryden & Brian Froud & Zdzisław Beksinski & H. R. Giger & Hieronymus Bosch. Witchcraft, Dark Magic, Divination, Resurrection, Vision (Spirituality), Ghost, Evocation, Death, Sorcery, Magic (Supernatural), Incantation, Talisman, Wand, Magic Circle, Shade (Mythology), Trance, Hallucinogen, Maleficium (Sorcery), Interment, Exorcism, Astral Plane, ∞. lunar, beast, red moon, coral moon, glowing moon, neon. spiritual, meditation, coral, reef, glow, neon, aurora, glowing coral, glowing reef, beast, fantastic beast.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Cosmos

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: "A Journey To The Underworld" By James Jean & Mark Ryden & Brian Froud & Zdzisław Beksinski & H. R. Giger & Hieronymus Bosch. Witchcraft, Dark Magic, Divination, Resurrection, Vision (Spirituality), Ghost, Evocation, Death, Sorcery, Magic (Supernatural), Incantation, Talisman, Wand, Magic Circle, Shade (Mythology), Trance, Hallucinogen, Maleficium (Sorcery), Interment, Exorcism, Astral Plane, ∞. spiritual, meditation, coral, reef, glow, neon, aurora, glowing coral, glowing reef, beast, fantastic beast.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Katie in the grasses...

• Model: Artistic

• Size: 768 X 736 (0.57 MP)

• Used settings:

  • Prompt: rainy weather sunny rainbow in the sky field of flowers, a woman in a red dress is sitting in the field
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property includes the Ohingni with their stone walls and low entrances, the structural support features known as buttresses, low water/sludge drainage vents from the inner livestock enclosures (kraals), the three-phase wall design, the inner and outer enclosures, industrial site and house pits. To ensure the full protection of the archaeological remains, the entire property area, including the suggested extension toward a yet private land in the south, will need to be considered in an integrated management approach. This also applies to the property’s immediate setting, where visual integrity depends on the conservation of the surrounding vegetation to retain the traditional atmosphere of the jungle-protected settlement.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built by the Portuguese at the end of the 16th century at the southern edge of the town of Mombasa, over a spur of coral rock, and kept under their control for one century, Fort Jesus, Mombasa, bears testimony to the first successful attempt by Western civilization to rule the Indian ocean trade routes, which, until then had remained under Eastern influence. The design of the fort, with its proportions, its imposing walls and five bastions, reflects the military architectural theory of the Renaissance. Fort Jesus, Mombasa, bears physical witness, in its structures and subsequent transformations, also to the interchange of cultural values and influences between and among peoples of African, Arab, Turkish, Persian and European origin that fought to gain and maintain their control over this strategic port.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Kayas provide focal points for Mijikenda religious beliefs and practices, are regarded as the ancestral homes of the different Mijikenda peoples, and are held to be sacred places. As such they have metonymic significance to Mijikenda and are a fundamental source of Mijikenda’s sense of ‘being-in-the-world’ and of place within the cultural landscape of contemporary Kenya. They are seen as a defining characteristic of Mijikenda identity. Since their abandonment as preferred places of settlement, Kayas have been transferred from the domestic aspect of the Mijikenda landscape to its spiritual sphere. As part of this process, certain restrictions were placed on access and the utilisation of natural forest resources. As a direct consequence of this, the biodiversity of the Kayas and forests surrounding them has been sustained. The Kayas are under threat both externally and from within Mijikenda society through the decline of traditional knowledge and respect for practices. The Kayas are now the repositories of spiritual beliefs of the Mijikenda and are seen as the sacred abode of their ancestors. As a collection of sites spread over a large area.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Silk Roads were an interconnected web of routes linking the ancient societies of Asia, the Subcontinent, Central Asia, Western Asia and the Near East, and contributed to the development of many of the world's great civilizations. They represent one of the world’s preeminent long-distance communication networks stretching as the crow flies to around 7,500 km but extending to in excess of 35,000 km along specific routes. While some of these routes had been in use for millennia, by the 2nd century BC the volume of exchange had increased substantially, as had the long distance trade between east and west in high value goods, and the political, social and cultural impacts of these movements had far-reaching consequences upon all the societies that encountered them. The routes served principally to transfer raw materials, foodstuffs, and luxury goods. Some areas had a monopoly on certain materials or goods: notably China, who supplied Central Asia, the Subcontinent, West Asia and the Mediterranean world with silk. Many of the high value trade goods were transported over vast distances – by pack animals and river craft – and probably by a string of different merchants.
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  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built on three closely-spaced hills in the Balqa highland of west-central Jordan, the city of As-Salt, was an important trading link between the eastern desert and the west. During the last 60 years of the Ottoman period, the region prospered from the arrival and settlement of merchants from Nablus, Syria, and Lebanon who made their fortunes in trade, banking, and farming. This prosperity attracted skilled craftsmen from different parts of the region who worked on transforming the modest rural settlement into a thriving town with a distinctive layout and an architecture characterized by large public buildings and family residences constructed of local yellow limestone. The site’s urban core includes approximately 650 significant historic buildings exhibiting a blend of European Art Nouveau and Neo-Colonial styles combined with local traditions. The city’s non-segregated development expresses tolerance between Muslims and Christians who developed traditions of hospitality evidenced in Madafas (guest houses, known as Dawaween) and the social welfare system known as Takaful Ijtimai’. These tangible and intangible aspects emerged through a melding of rural traditions and bourgeoi
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  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Located south-east of Madaba on the edge of the semi-arid steppe, this archaeological site, which started as a Roman military camp and grew to become a town from the 5th century, is largely unexcavated. It comprises remains from the Roman, Byzantine and Early Muslim periods (end of 3rd to 9th centuries AD) including a fortified Roman military camp and sixteen churches, some with well-preserved mosaic floors. Particularly noteworthy is the mosaic floor of the Church of St Stephen with its representation of towns in the region. A tall square tower and associated buildings are probably the only remains of the practice, well known in this part of the world, of the stylites (ascetic monks who spent time in isolation atop a column or tower). Um er-Rasas is surrounded by, and dotted, with remains of ancient agricultural cultivation, including terracing, water channels and cisterns.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built in the early 8th century beside the Wadi Butum, a seasonal watercourse, this desert establishment was both a fortress with a garrison and a residence/pleasure palace of the Umayyad caliphate. The exceptionally well-preserved, small pleasure palace comprises a reception hall and hammam (a bath complex with changing room, warm and hot rooms), all richly decorated with figurative murals that reflect the secular art of the time. The extensive fresco paintings of the bath building and reception hall are unique for Islamic architecture of the Umayyad period. The wall paintings show influences from classical pagan themes, Byzantine style portraits and hunting scenes, depictions of animals and birds, and are accompanied by inscriptions in Greek and Arabic. The representation of the zodiac on the domed ceiling of the caldarium (hot room) is one of the earliest known, surviving portrayals of a map of the heavens on a dome.
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