#factory

Detailed Pipes

• Model: Fusion*

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: building covered with big rusty pipes and brass and copper pipes connected together to form some strange contraption with lots of valves and vents :: steampunk :: Edison bulbs :: steam :: gages :: valves :: pistons :: radiators
  • Upscale & Enhance: 1
  • Aspect Ratio: square

cyber factory

• Model: Cyberspace (v2)*

• Size: 704 X 896 (0.63 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi painting of a futuristic cyberpunk factory; appearance: The factory has a mix of sleek, modern technology and rusty, weathered metal. It is surrounded by a sprawling metropolis with towering skyscrapers and neon lights. The factory is in full operation, with robots, conveyor belts, and machinery all working in harmony. The smoke and steam from the factory gives the painting a dystopian atmosphere; environment: The futuristic cyberpunk cityscape is dark, gritty, and polluted. The sky is overcast, and the streets are crowded with people and vehicles. The factory is the heart of this city, constantly producing and providing the citizens with their daily needs. Genres: Futuristic, Cyberpunk, Dystopian; Styles: Hyperrealistic, Surrealistic, Futuristic; Techniques: Matte painting, 3D modeling, Texturing; Lights: Overhead neon lights, smoke and steam, reflection of city lights; Colors: Dark greys, metallic, neon, blues and purples; Descriptive terms: Futuristic, cyberpunk, dystopian, dark, polluted; by Artists: Syd Mead, Syd Dutton, Matthew Mosher, Steve Burg, Tom Whalen; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

cyber factory

• Model: Cyberspace (v2)*

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi painting of a futuristic cyberpunk factory; appearance: The factory has a mix of sleek, modern technology and rusty, weathered metal. It is surrounded by a sprawling metropolis with towering skyscrapers and neon lights. The factory is in full operation, with robots, conveyor belts, and machinery all working in harmony. The smoke and steam from the factory gives the painting a dystopian atmosphere; environment: The futuristic cyberpunk cityscape is dark, gritty, and polluted. The sky is overcast, and the streets are crowded with people and vehicles. The factory is the heart of this city, constantly producing and providing the citizens with their daily needs. Genres: Futuristic, Cyberpunk, Dystopian; Styles: Hyperrealistic, Surrealistic, Futuristic; Techniques: Matte painting, 3D modeling, Texturing; Lights: Overhead neon lights, smoke and steam, reflection of city lights; Colors: Dark greys, metallic, neon, blues and purples; Descriptive terms: Futuristic, cyberpunk, dystopian, dark, polluted; by Artists: Syd Mead, Syd Dutton, Matthew Mosher, Steve Burg, Tom Whalen; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

futuristic cyberpunk factory

• Model: Artistic

• Size: 576 X 1024 (0.59 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi long shot overview painting of a futuristic cyberpunk factory; appearance: a sprawling complex of steel, neon and holographic structures, with towering smokestacks belching steam and smoke, criss-crossed by bridges, pipes, and power lines; environment: the surrounding cityscape is a mix of towering skyscrapers, pulsing with neon lights, and dark, sprawling slums dotted with flickering holographic advertisements; Genres: Futuristic, Cyberpunk, Science Fiction; Styles: Hyperrealism, Photo-realism; Techniques: Detail-oriented brushwork, advanced digital painting tools, photobashing; Lights: High-Contrast, flashing neon signs, the warm glow of power plants; Colors: Vibrant neon hues, metallic blues and greens, dark shadows and gritty grays; Descriptive terms: Futuristic, High-tech, Dystopian, Brutal, Majestic; by Artists: Syd Mead, Simon Stålenhag, Tsutomu Nihei, Feng Zhu, Dave Rapoza; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

future cyberpunk factory

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi painting of a futuristic cyberpunk factory; appearance: Futuristic cyberpunk factory with rusty metal walls, intricate circuitry, and glowing neon lights, towering high above the city. The factory’s interior features massive machinery, smoke billowing from pipes, and flickering lights. environment: The factory is located in a dark, sprawling cityscape, with towering skyscrapers, holographic advertisements, and flying vehicles, creating a chaotic yet harmonious atmosphere. Genres: Cyberpunk, Futuristic, Science Fiction. Styles: Grunge, Neo-Noir, Cybernetic. Techniques: Combination of 3D rendering and hand-painting, with heavy use of volumetric lighting and detailed textures to create a sense of depth and realism. Lights: Dimly lit, with flickering neon lights and the warm glow of machinery illuminating the interior. Colors: Dark blues, purples, and grays, with bright flashes of neon pink and green. Descriptive terms: Intricate, Gritty, Futuristic, Industrial, Glowing. By Artists: Syd Mead, Michael Chang, Beeple, H.R. Giger, Stan Lee; 8K 3D, CGSociety, trending on Artstation 8K resolution
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Cute ugly monster in an old abandoned factory

• Model: Artistic

• Size: 1088 X 544 (0.59 MP)

• Used settings:

  • Prompt: A slimy, ugly, nasty, cute monster with big eyes is sitting in an old abandoned factory.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Industrial engineering

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: industrial engineering industrial process
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Lake with Storage Unit

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Large Lake with Factory in the Background
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Material is put on a sinter machine in two layers. The bottom layer may vary in thickness from 30 to 75 millimetres (1.2 to 3.0 in). A 12 to 20 mm sinter fraction is used, also referred to as the hearth layer. The second, covering layer consists of mixed materials, making for a total bed height of 350 to 660 millimetres (14 to 26 in). The mixed materials are applied with drum feeders and roll feeders, which distributes the nodules in certain depth throughout the sinterring machine . The upper layer is smoothed using a leveler. The material, also known as a charge, enters the ignition furnace into rows of multi-slit burners. In the case of one plant, the first (ignition) zone has eleven burners. The next (soaking/annealing) zone typically offers 12 burners. Air is sucked from the bottom of the bed of mixed material throughout the sintering machine. Fire penetrates the mixed material gradually, until it reaches the hearth layer. This end point of burning is called burn through point (BTP). The hearth layer, which is nothing but sinter in smaller size, restricts sticking of hot sinter with pallets. BTP is achieved in a certain zone of sinter machine, to optimize the process, by means
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hayabusa (Japanese: はやぶさ, "Peregrine falcon") was a robotic spacecraft developed by the Japan Aerospace Exploration Agency (JAXA) to return a sample of material from a small near-Earth asteroid named 25143 Itokawa to Earth for further analysis. Hayabusa, formerly known as MUSES-C for Mu Space Engineering Spacecraft C, was launched on 9 May 2003 and rendezvoused with Itokawa in mid-September 2005. After arriving at Itokawa, Hayabusa studied the asteroid's shape, spin, topography, color, composition, density, and history. In November 2005, it landed on the asteroid and collected samples in the form of tiny grains of asteroidal material, which were returned to Earth aboard the spacecraft on 13 June 2010.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Hot piping

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: industrial factory with piping
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0