#dreamlikeriversurrealism

Dreamlike Cityscape of Floating Colors

• Model: AIVision

• Size: 2069 X 1512 (3.13 MP)

• Used settings:

  • Prompt: A hyper-realistic, architecturally complex cityscape, once grand & imposing, now surrealistically melting under a blazing, furious sky with a scorching sun. Buildings, Norman Foster, Zaha Hadid, and Santiago Calatrava , twist + bend in, gravity-defying poses as they melt. Gleaming chrome + polished metal façades are depicted with distinct, elongated drips like liquefying wax, creating an eerie atmosphere. Creeping, menacing vines choke the buildings, each vine resembles limbs in final, gasping struggles, contorted & straining against tight hold. A collapsing bridge by Calatrava shows cracked, reflective chrome blisters, emitting strange vaporous toxins that shimmer with an iridescent sheen. Foreground depicts overturned cars submerged in a molten silver river, the water rippling with oil-slick iridescence, evoking a silken moiré effect of opalescent blues, purples, & silvers. Scene is surreal yet disturbingly lifelike, with hyper-focused detailing on textures, nuanced special effects, & kinetic energy for heightened intrigue, architectural details intermittently emerge through the distortions of heat & time. Thick, viscous drips & vapor emit fading pulse as if the city itself is last, desperate gasp. Composition is set at a low angle with an upward tilt, creating a dramatic perspective, emphasized with the Rule of Thirds, emphasizing the buildings’ towering descent into decay & chaos. Cool tones of blues and silvers with accents of iridescence and opalescence create dynamic color movement. The dark periphery encroaches, enclosing the scene in a sense of foreboding. Artistic techniques emphasize cracked, corroding surfaces and mathematical curve art, contributing to the surreal decay of a once-futuristic utopia. This master-level artwork combines hyperrealism, structural intricacies, and atmospheric depth for an immersive viewing experience.i influences: nathan walsh James R. Eads, Agostino Arrivabene
  • Using base image: No
  • Aspect Ratio: landscape_wide