The REAL Amityville Horror / "The End" by The Doors.
Model:
Nano Banana 2
(Pro)
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: "Dateline Amityville, Long Island, November 13th, 1974"
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived, and then he
Paid a visit to his brother, and then he
He walked on down the hall, and
And he came to a door
And he looked inside
"Father?"
"Yes, son?"
"I want to kill you"
"Mother, I want to..."
Prompt: A sensational late-1940s to early-1950s American pulp crime paperback cover illustration, in the distinctive style of Hugh J. Ward.
Core Composition
A violently dynamic, tightly cropped urban crime scene unfolding at night. The composition is packed edge-to-edge with bodies in motion, creating a sense of chaos, panic, and imminent danger. Strong diagonals dominate the layout, with figures overlapping and pushing against the frame, as if the scene cannot be contained.
Damsel in Distress – Hugh J. Ward Style (Primary Anchor)
The female figure is the emotional and visual core, rendered with Ward’s signature vulnerability-through-movement:
Idealised but naturalistic anatomy
Dramatically arched or twisting torso
One arm raised defensively, the other pulled or restrained
Exposed neck, shoulder, or back heightening peril
Facial expression mixing fear, shock, and breathless desperation—not passivity
Wide eyes, parted lips, strong highlights on cheekbones and lips
Flowing hair disrupted by motion
Clothing (red or dark satin dress, lingerie elements visible) clings and folds naturally under stress, suggesting danger and intimacy without modern erotic stylisation.
Secondary Female Figure (Ward-Era Pulp Trope)
A second woman may appear more aggressive or morally ambiguous:
Blonde or platinum hair
Lingerie or torn garments
Armed with improvised weapons (clubs, batons, knives)
Expression fierce, unhinged, or predatory
This contrast heightens tension between innocence and corruption—classic Ward pulp psychology.
Male Figures & Threat Dynamics
Gangsters or criminals in trench coats, suits, and fedoras
One man restraining or dragging the damsel with brute force
Another man crouched or partially hidden, aiming a handgun upward
Faces angular, shadowed, emotionally restrained
Men are rendered heavier, darker, and more rigid—visual counterweights to the women’s fluid motion.
Environment
Urban nighttime setting:
Alleyway, underground room, or industrial interior
Hard floors, crates, vehicles, or stair structures
Background simplified and shadow-heavy
Minimal architecture—just enough to frame the violence
Colour & Lighting (Ward-Compatible)
Saturated pulp palette: crimson reds, inky blacks, khaki greens, muted blues
Warm flesh tones sharply contrasted against cold shadows
Lighting is theatrical and directional, spotlighting bodies rather than environments
Colour contrast replaces subtle shading
Subtle canvas grain and aged paper warmth visible.
Illustration Technique
Hand-painted paperback cover art
Painterly realism with visible brush strokes
Slight exaggeration of gesture and anatomy
No photographic detail, no digital smoothness
Stylistic Constraints (Critical)
Strict 1940s–1950s pulp noir illustration
Hugh J. Ward–style damsel emphasis
No modern fashion, no contemporary weapons
No cinematic realism, no glossy lighting
Must read instantly as vintage crime pulp cover art.
Mood & Genre
Hard-boiled noir, sexual danger, betrayal, violence.
Fear, lust, desperation, and moral collapse frozen in a single explosive instant.
Prompt: Rear view of a five year old boy in pajamas standing in front of a closed glass storm door on a dark night. On the other side of the door is a powerfully built 40 year old man looking down at him with a fake smile and intense, bloodshot eyes. The man has a southern italian complexion with dark brown hair and short boxed beard. He is wearing a brown leather jacket over a white dress shirt open at the collar and a brightly colored party hat on his head. Eerie. Surreal.
Prompt: create an image in black and white with a 1930's flavour, Gangester style dressin in a rough rumppled suit, scene with female dressed in blouse and pencil skirt. Dingy detective office large window looking out over New York, pistol , whiskey bottle and coffee mug on the desk. well dressed women with fox stoll offers him a job and has a hand full of cash. cinematic lighting, amazing ultra depth
Prompt: Awesome dark, gritty action packed movie. Liam Neeson dressed in a black suit holding a gun. Next to him is an older man, Clint Eastwood. Title Page: Taken 5.
Prompt: Photo of a very fuzzy Siamese cat burglar, wearing only a knit cap and a leather jacket, sneaking upright through the Smithsonian museum at night, carrying a small toolbox. JB Monge, Arthur Rackham, Tim Burton. Digital painting, great depth and scale, deep color palette, Unreal Engine, charming, magical, otherworldly, masterpiece, trending on ArtStation.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
