#baroque

Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: The revolution in materials came first, with the use of cast iron, drywall, plate glass, and reinforced concrete, to build structures that were stronger, lighter, and taller. The cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and plate glass construction, followed in 1864 by the first glass and metal curtain wall. These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884 by William Le Baron Jenney.[3] The iron frame construction of the Eiffel Tower, then the tallest structure in the world, captured the imagination of millions of visitors to the 1889 Paris Universal Exposition.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Tamil architecture of Meenakshi Temple
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Al-Khazneh
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: The Patriarchal Cathedral Basilica of Saint Mark is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. As built, the Contarini church was a severe brick structure. Adornment inside was limited to the columns of the arcades, the balusters and parapets of the galleries, and the lattice altar screens. The wall surfaces were decorated with moulded arches that alternated with engaged brickwork columns as well as niches and a few cornices. With the exception of the outside of the apse and the western façade that faced Saint Mark's Square, the stark brick exterior was enlivened only by receding concentric arches in contrasting brick around the windows. The western façade, comparable to middle-Byzantine churches erected in the tenth and eleventh centuries, was characterized by a series of arches set between protruding pillars.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Japanese traditional architecture. Posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable and never load-bearing. Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō, in the case of temples and shrines. Simpler solutions are adopted in domestic structures. The oversize eaves give the interior a characteristic dimness, which contributes to the building's atmosphere. The interior of the building normally consists of a single room at the center called moya, from which depart any other less important spaces.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design.[1] The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu (Machu Pikchu) is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Victorian Architecture. This style of architecture refers to buildings that were constructed during the reign of England’s Queen Victoria. Unlike other styles, Victorian architecture is not limited to a single particular design but is used as a broad term that saw the revival of Gothic, Romanesque, and Tudor elements. The Victorian style was applied to residential house designs during the industrial revolution. Many homes in the UK, US, and Australia utilised this style. One characteristic that most Victorian homes share is the “dollhouse” look having elaborate trims, vivid colours, and asymmetrical designs.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Ancient Egyptians believed that the soul resided in the heart, and that each individual would therefore undergo a "Weighing of the Heart" in the afterlife; each human heart is weighed on a giant scale against an ostrich feather, which represents the concept of the goddess Maat. All souls that successfully balance the scales will be allowed to start a long and perilous journey to Aaru, where they will exist in peace and pleasure for eternity. Conversely, hearts that weigh heavy with evil will tip and fall into the crocodilian jaws of the goddess Ammit. Any souls that are subject to Ammit's "second death" are doomed to restlessness in the Duat. Aaru (or the Field of Reeds (sḫt-jꜣrw), is the name for heavenly paradise in Egyptian mythology. Ruled over by Osiris, an Egyptian god, the location has been described as the ka of the Nile Delta. It has been represented in hieroglyphs as three reeds:
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Ukrainian architecture. has initial roots in the Eastern Slavic state of Kyivan Rus. After the 12th century, the distinct architectural history continued in the principalities of Galicia-Volhynia and later in Grand Duchy of Lithuania, Ruthenia and Žemaitia. During the epoch of the Zaporozhian Cossacks, a style unique to Ukraine developed under the influences of the Polish–Lithuanian Commonwealth. The great church architecture, built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kyivan state, which quickly established itself, was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples. Several examples of these churches survive to this day. However, in the course of the 16th–18th centuries, many were externally rebuilt in the Ukrainian Baroque style. Examples include the grand St. Sophia of Kyiv.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. For the dwarves that can not afford and do not have access to any stone, that will make buildings of wood in styles similar to early, American 1700's style buildings (Revolutionary America). Due to this many small villages and towns are not truly recognized as settlements until a stone structure is completed, often the town hall and maybe some of the rich of the settlement. In larger surface cities, the lower floors are made of stone, with the upper levels often being stone bricks to reduce weight issues. A side effect is that most dwarven surface structures are not that tall, but often have 2-3 stories of depths (floors beneath ground). These basements vary in use house to house, but often have more use than their human surface dweller counterparts. In dwarven society one would refer to floors above ground the same as surface dweller, but basements would be referred to a depths to symbolize floor levels beneath the surface. Street layout would often follow a frid pattern when available, but more unaligned segments might exist depending on the settlements age.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
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