#baroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There are five plinths on the stairways to the entrance of the temple and each of the plinth has a pair of stone guardians. Each of the pair is said to ten times stronger than the one below them. At the bottom are two Rajput wrestlers named Jai and Pratap who are said to be ten times stronger than normal men. Above them are the gaint statues of two elephants and above them are the statues of two Singhas, which is a mythical big cat and can be found throughout South and Southeast Asia. Above the cats are the statues of two Sārdūlas , a griffin-like creature of local Newari mythology. And in the topmost plinths are the Tantric deities, Simhanī and Vyāghranī, the lioness and tigress deity who are the strongest of all the guardians. There are also a total of five Ganesha idols on four shrines, one on each corner of the structure(one of the shrines, the south western one has two idols on one shrine)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Nyatapola is noted for its unique architecture as it is one of only two five storey temples in the Kathmandu Valley, the other one being the Kumbheshvara in Lalitpur and its five level plinth which along with steps to the top part also contains pairs of stone statues of animals and deities serving as the temple's guardians. Along with the Bhairava temple and other historical monuments, the Nyatapola forms the Tamārhi square, which forms the central and culturally the most important part of Bhaktapur and a popular tourist destination. Although, the temple itself has no religious significance to the locals, it is culturally used as a symbol of Bhaktapur. Its silhouette is used by the municipality in its coats of arms as well as by most of the corporations of the city. Reaching to a height of 33 m, the Nyatapola temple dominates the skyline of Bhaktapur and is the tallest monument there. The Nyatapola Square also divides the town of Bhaktapur into two parts: Thané (lit. 'Upper one') and Konhé
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vijaya Stambha is an imposing victory monument located within Chittor Fort in Chittorgarh, Rajasthan, India. The tower was constructed by the Hindu Rajput king Rana Kumbha of Mewar in 1448 to commemorate his victory over the army of Malwa led by Mahmud Khalji in the Battle of Sarangpur. The tower is dedicated to Hindu God Vishnu. The inscribed slabs in the uppermost storey containing a detailed genealogy of the rulers of Chittaur and their deeds is ascribed to Rana Kumbha court scholar, Atri and his son Mahesh. The names of the architect, Sutradhar Jaita and his three sons who assisted him, Napa, Puja, and Poma, are carved on the fifth floor of the tower. The Vijaya Stambha is a remarkable example of religious pluralism practised by the Rajputs. The topmost story features an image of the Jain Goddess, Padmavati.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Many of the oldest sculptural elements have been moved to the museum beside the temple, and some, such as the carved stone railing wall around the main structure, have been replaced by replicas. The main temple's survival is especially impressive, as it was mostly made of brick covered with stucco, materials that are much less durable than stone. However, it is understood that very little of the original sculptural decoration has survived. The temple complex includes two large straight-sided shikhara towers, the largest over 55 metres high. This is a stylistic feature that has continued in Jain and Hindu temples to the present day, and influenced Buddhist architecture in other countries, in forms like the pagoda.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The tower is built in the Solanki style. The tower is 75 feet (23 m) Height. The tower is famous for its for intricate carvings and architecture. The seven storey temple is adorned by sculpture and mouldings from the base to summit. The carvings on each summit is different from other. The tower stands near the Saat-Bees Jain temple.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The large group of Palitana temples on the Shatrunjaya hills in Gujarat are another very important Jain pilgrimage site, with temples numbering into the hundreds (most very small, and all but one Svetambara). Though many were founded much earlier, the site was so thoroughly destroyed by Muslim armies, starting in 1311, that there is little surviving that dates back before the 16th century. The temples are packed tightly together in a number of high-walled compounds called "tuks" or "tonks". Michell calls them "characteristic of the final phase of Western Indian temple architecture", with traditional shikharas, double storey porches, often on three or four sides, and miniature-urn roofs to the main mandapas. But there are influences from Indo-Islamic architecture in the domes, often fluted, over porches and second mandapas, "arches with petalled fringes, parapets of merlons", and other features. The Polo Forest in Gujarat has groups of Hindu and Jain ruined temples of various dates, but mostly 15th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The temple is a grand white marble structure spread over 48,000 square feet (4,500 m2) with 1444 marble pillars, twenty-nine halls, eighty domes and 426 columns. One pillar is incomplete and legend says every time it is built the next morning the pillar breaks down again. The temple, with its distinctive domes, shikhara, turrets and cupolas rises majestically from the slope of a hill. The 1444 marble pillars, carved in exquisite detail, support the temple. The pillars individually carved and no two pillars are the same. Legend says that it is impossible to count the pillars. One of the pillar bares the carving mother of a tirthankar lying on a cot. In the axis of the main entrance, on the western side, is the largest image. Inside the garbhagriha, the moolnayak of this temple, there is a 6-ft. tall, white-coloured chaumukha idol of Adinath with four heads facing in four direction. Temple has a total of 84 bhonyra (underground chambers) built to protect the Jain idols from the Mughals.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Whilst Dilwara temples are known for their sculptural work, this temple is famous for its intricate carvings and unique architecture. It was built in the form of Nalini-Gulma Vimana(a heavenly vehicle Dharna Shah saw in his dreams). This temple is built in Māru-Gurjara architecture. The temple has a garbhagriha in which the main Chaumukha Adinatha idol is placed. The four openings of the sanctum lead to rangamandapa— the Dancing hall, which is connected to a two-storeyed mandapa, which is again connected to another two-storeyed mandapa called Balana and nalimandapa. This courtyard is surrounded by a wall enclosing sub-shrines. The wall is also exclusive on projections like devakulikas and minor deity. The temple has five shikharas amongst which the central one is the largest. The temple is rich with sculptural pieces - carvings created with great skill and artistry. The Shikhara in the temple is symbolic of Mount Meru, the mountain which forms the axis of Jambudvipa with a preaching hall as the Samavasarana.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A stambha is a pillar or a column employed in Indian architecture. A stambha sometimes bears inscriptions and religious emblems. In Hindu mythology, a stambha is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, including the Atharva Veda, feature references to stambhas. In the Atharva Veda, a celestial stambha has been described as an infinite scaffold, which supports the cosmos and material creation. In the legend of Narasimha, an avatara of Vishnu, the deity appears from a stambha to slay the asura Hiranyakashipu. The stambha has been interpreted to represent the axis mundi in this myth by Deborah A. Soifer.
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The Darkest Angel

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  • Prompt: The darkest angel. She stands from the shadows, with shadows around her, masked by the darkness, wearing the evening as her cloak, the night as her dress. Painted by Rembrandt, painted by Reubens, painted by Caravaggio, superb composition, masterful, classical portrait
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Chicago Building or Chicago Savings Bank Building is an early skyscraper, built in 1904–1905. It is located at 7 W. Madison Street in Chicago. Designed by the architecture firm Holabird & Roche, it is an early and highly visible example of the Chicago school of architecture. The building's features characterize this style through the use of large "Chicago windows", metal frame construction, distinctive bays, and terra cotta cladding. The combination of the north side projecting bay windows, and the east side rectangular "Chicago windows" with movable sashes is representative of the two typical Chicago school window types. The building is prominently located on the southwest corner of State Street and Madison Street, with visibility increased by an offset in the alignment of State Street. The building is a critical component of a grouping of significant structures, including Carson Pirie Scott and the former Mandel Brothers Store, at what was once labeled the "World's Busiest Corner". The building was designated a Chicago landmark on March 26, 1996. In 1997, it was converted to a dormitory for the School of the Art Institute of Chicago.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The new building was designed by the British architect Norman Foster and civil & structural engineers Ove Arup & Partners with service design by J. Roger Preston & Partners. It was constructed by the John Lok / Wimpey Joint Venture. From the concept to completion, it took seven years (1978–1985). The building is 180 metres high with 47 storeys and four basement levels. The building has a modular design consisting of five steel modules, which were prefabricated in the UK by Scott Lithgow Shipbuilders near Glasgow and shipped to Hong Kong. About 30,000 tons of steel and 4,500 tons of aluminium were used. The original design was heavily inspired by the Douglas Gilling designed Qantas International Centre in Sydney (currently known as Suncorp Place). The new lobby and its two-part Asian Story Wall were designed by Greg Pearce, of One Space Limited. Pearce was also the Principal Architect of the Hong Kong Airport Express (MTR) station. Conceived as a minimalist glass envelope, the new lobby is designed to be deferential to Foster's structure and appears almost to be part of the original.A notable feature is that natural sunlight is the major source of lighting inside
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The main characteristic of HSBC's Hong Kong headquarters is its absence of internal supporting structure. The inverted 'va' segments of the suspension trusses spanning the construction at double-height levels is the most obvious characteristic of the building. It consists of eight groups of four aluminium-clad steel columns which ascend from the foundations up through the core structure, and five levels of triangular suspension trusses which are locked into these masts. All flooring is made from lightweight movable panels, under which lies a comprehensive network of power, telecommunication, and air-conditioning systems. This design was to allow equipment such as computer terminals to be installed quickly and easily. Because of the urgency to finish the project, the construction of the building relied heavily on off-site prefabrication; components were manufactured all over the world. For example, the structural steel came from Britain; the glass, aluminium cladding and flooring came from the United States while the service modules came from Japan.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The present building was completed in 1997, five years after architect Stirling's death and three years after construction began. It is a postmodern structure, with use of bold, perhaps unsubtle, forms and colours in a compact assembly. It is clad in pink and yellow limestone in even stripes (and apex arch stones, that is voussoirs) whilst the courtyard, an atrium, displays some of Stirling's characteristic acidulous colour play. Like many notable postmodern buildings, the imagery is rich in references. For example, from the sharp apex of the site a keyhole-shaped opening leads to a little-seen Scala Regia with a ramped floor, gold-leafed terminus and ancient Egyptian aura takes visitors into the heart of the building. Intended as site owner Palumbo's private entrance, this space is now little used: Palumbo sold the development before its completion. The turret above is sometimes likened to a submarine conning tower while the glazed thus two-sided clock is in concept and detail that of the Art Deco era Palazzo delle Poste, Naples. Completed nearly two decades after the first designs were published.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: 100 King Street, formerly the Midland Bank, is a former bank premises on King Street, Manchester, England. It was designed by Sir Edwin Lutyens in 1928 and constructed in 1933–35. It is Lutyens' major work in Manchester and was designated a Grade II* listed building in 1974. A castle-like Art Deco building, surrounded by roads on all four sides, the architects for the former bank were Lutyens in collaboration with Whinney, Son & Austen Hall and it was built between 1933 and 1935 by J. Gerrard & Sons of Swinton and features carvings by the local sculptor John Ashton Floyd. It is constructed of Portland stone around a steel frame. Its neoclassical design is unusual for Manchester, the style perhaps more suited to the architecture of Liverpool, as most of Manchester's buildings were Neogothic.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Secondary deposits, which create stalagmites, stalactites, flowstone etc., outside the natural cave environment, are referred to as "calthemites". These concrete derived secondary deposits cannot be referred to as "speleothems" due to the definition of the word.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Travertine is a sedimentary rock formed by the chemical precipitation of calcium carbonate minerals from fresh water, typically in springs, rivers, and lakes; that is, from surface and ground waters. In the broadest sense, travertine includes deposits in both hot and cold springs, including the porous, spongy rock known as tufa, and also the cave features known as speleothems (which include stalactites and stalagmites). Calcrete, which is calcium minerals deposited as a horizon in the soil profile, is not considered a form of travertine. Travertine is often defined in a more narrow sense as dense rock, sometimes massive but more commonly banded or with a fibrous internal structure, deposited in hot springs. In this more narrow sense, travertine is distinct from speleothems and tufa. Travertine is sometimes also defined by its mode of origin, as rock formed by inorganic precipitation of calcium carbonate minerals onto a surface following exchange of carbon dioxide between the atmosphere and groundwater. Calcrete, lake marls, and lake reefs are excluded from this definition, but both speleothems and tufa are included.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some of the distinguishing features of the Chicago School are the use of steel-frame buildings with masonry cladding (usually terra cotta), allowing large plate-glass window areas and limiting the amount of exterior ornamentation. Sometimes elements of neoclassical architecture are used in Chicago School skyscrapers. Many Chicago School skyscrapers contain the three parts of a classical column. The lowest floors functions as the base, the middle stories, usually with little ornamental detail, act as the shaft of the column, and the last floor or two, often capped with a cornice and often with more ornamental detail, represent the capital. The "Chicago window" originated in this school. It is a three-part window consisting of a large fixed center panel flanked by two smaller double-hung sash windows. The arrangement of windows on the facade typically creates a grid pattern, with some projecting out from the facade forming bay windows. The Chicago window combined the functions of light-gathering and natural ventilation; a single central pane was usually fixed, while the two surrounding panes were operable. These windows were often deployed in bays, known as oriel windows.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The dome is one of the largest of its type in the world. Externally, it appears as a large white marquee with twelve 100-metre-high yellow support towers, one for each month of the year, or each hour of the clock face, representing the role played by Greenwich Mean Time. In plan view it is circular, 365 metres in diameter. It has become one of the United Kingdom's most recognisable landmarks, and can be easily identified on satellite images of London. Its exterior is reminiscent of the Dome of Discovery built for the Festival of Britain in 1951. The canopy is 52 metres high in the middle – one metre for each week of the year[4] and is made of durable and weather-resistant PTFE-coated glass fibre fabric panels (original plans to use PVC-coated polyester fabric were dropped after protest led by Greenpeace[10]), with each of the 72 segments containing two panels. Its symmetry is interrupted by a hole through which a ventilation shaft from the Blackwall Tunnel rises. Six segments were destroyed during Storm Eunice on 18 February 2022.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: It was the first major example of an 'inside-out' building with its structural system, mechanical systems, and circulation exposed on the exterior of the building. Initially, all of the functional structural elements of the building were colour-coded: green pipes are plumbing, blue ducts are for climate control, electrical wires are encased in yellow, and circulation elements and devices for safety (e.g., fire extinguishers) are red. According to Piano, the design was meant to be “not a building but a town where you find everything – lunch, great art, a library, great music”. National Geographic described the reaction to the design as "love at second sight." An article in Le Figaro declared: "Paris has its own monster, just like the one in Loch Ness." But two decades later, while reporting on Rogers' winning the Pritzker Prize in 2007, The New York Times noted that the design of the Centre "turned the architecture world upside down" and that "Mr. Rogers earned a reputation as a high-tech iconoclast with the completion of the 1977 Pompidou Centre, with its exposed skeleton of brightly coloured tubes for mechanical systems". The Pritzker jury said the Pompidou "revolution
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