#architecture

An Entire Caustic City....

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: An Entire Caustic City With Black Rainbow Lightning Tanzanite Buildings and Transparent Platinum Streets In An Asymmetrical Otherworldly Dimension. Thousands Of Octillions Of Colors, Deep Dream Quantum Diffuser, Ivanhoe Diffuser
  • Using base image: No
  • Aspect Ratio: landscape

Suburbs

• Model: Artistic

• Size: 992 X 576 (0.57 MP)

• Used settings:

  • Prompt: Architecture electrical storm lightning.
  • Using base image: Yes

..With Black Rainbow Lava Tanzanite Buildings

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: An Entire Caustic City With Black Rainbow Lava Tanzanite Buildings and Platinum Streets In An Asymmetrical Otherworldly Dimension. Thousands Of Octillions Of Colors, Deep Dream Quantum Diffuser, Ivanhoe Diffuser
  • Using base image: No
  • Aspect Ratio: landscape

Rome eternal city

• Model: Fusion*

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Rome eternal city
  • Using base image: No
  • Aspect Ratio: landscape

Modern House on the Lake

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Modern house on the lake
  • Using base image: No
  • Aspect Ratio: square

Future osndondf888877

• Model: Artistic

• Size: 992 X 576 (0.57 MP)

• Used settings:

  • Prompt: People living in a swirly science fiction future.
  • Using base image: Yes

Future osdnfondsknofdno425423

• Model: Artistic

• Size: 1120 X 512 (0.57 MP)

• Used settings:

  • Prompt: People who are living in the future and in there fantastic detailed homes.
  • Using base image: Yes

Future ksdonfsdof435636

• Model: Artistic

• Size: 1088 X 544 (0.59 MP)

• Used settings:

  • Prompt: Fancy science fiction buildings.
  • Using base image: Yes

Windows: Blueprint 6

• Model: Artistic

• Size: 1355 X 774 (1.05 MP)

• Used settings:

  • Prompt: Abstract architectural sketch
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Darmstadt Artists' Colony is a remarkable collection of Jugendstil buildings created beginning in 1899 by Ernest Ludwig, Grand Duke of Hesse, a grandson of Queen Victoria, to promote both commerce and the arts. He brought together a group of designers to create his new community, including Peter Behrens, Hans Christiansen, and Joseph Maria Olbrich. The Colony architecture represented a complete break with the earlier floral style, and was much bolder in its design. Behrens and several of the other architects built their own houses there, and designed every detail, from the doorknobs to the dishes.
  • Using base image: Yes

City

• Model: Artistic

• Size: 896 X 640 (0.57 MP)

• Used settings:

  • Prompt: Ancient Civilization and the future.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Çifte Minareli Medrese is an architectural monument of the late Seljuk period in Erzurum City, Erzurum Province, Turkey. Built as a theological school a few years before 1265, it takes its name, Twin Minaret Madrasa, from the two fluted minarets that crown the monumental façade. The Çifte Minareli Medrese is thought to be the model for the Gök Medrese in Sivas. According to the inscription on the portal, it was built in 1271 by Khudavand Khatun, the daughter of Seljuq Sultan Kayqubad I. The madrasa probably had an impact on the Buruciye Madrasa too. The east entrance of the madrasa and the enormous stone facade of ornamental brick and tile masonry with two minarets are remarkable works of art. On each side of the entrance there is a panel. The right side is decorated with a double-headed eagle. The motif on the left side does not seem to be completed.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The influences of peasant houses were manifested through ornaments and elements used under various interpretations, but which retain their origin. Among the elements are the loggia, the trilobed arch, wooden pillars, a treatment of the cornice as an ordinary eaves of a peasant house, the inclusion of the roof in the image of the facade as an element of ornament, carved wooden awnings, and tiled roofs. Commonly used ornaments are knots and ropes (aka interlace), peacocks drinking symmetrically from a cup, and complex vegetable spirals (aka rinceaux). Some of the ornaments of some Neo-Romanian buildings from the Belle Époque are made of polychrome glazed ceramic, as is the case of the Școala Centrală National College in Bucharest.[9] Considering the fact that most Romanians were and are Orthodox, the architects sometimes added Byzantine-inspired elements (like the two peacocks drinking from a cup) or with Christian significance. A characteristic of the style is the use of elements grouped in threes (for example a row of three windows), which refers to a Christian concept, representing the Holy Trinity (Father, Son and Holy Spirit).
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Romanian Revival architecture is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches, columns (usually Corinthian), sometimes with twisted flutings, and metallic or ceramic tile roof. The main ornaments used for decoration are the interlace and the complex vegetal spiral (aka rinceau). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture, and a some can also be found in medieval Russian architecture. Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest). The walls of their interiors are filled with Byzantine style frescos. Above their main door there is a pisanie, which is an inscribed stone plaque.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Romanian Revival architecture is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870.
  • Using base image: Yes

Future osdnfoknds45366

• Model: Artistic

• Size: 1088 X 544 (0.59 MP)

• Used settings:

  • Prompt: People who are living in the future and in there fantastic detailed homes.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The settlement of the Middle Neolithic (5000–4000 BCE), housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems, around 4000–3000 BCE), the population increased dramatically.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Arthur Evans, who unearthed the palace of Knossos in modern times, estimated that c. 8000 BCE a Neolithic people arrived at the hill, probably from overseas by boat, and placed the first of a succession of wattle and daub villages (modern radiocarbon dates have raised the estimate to c. 7000–6500 BCE). Large numbers of clay and stone incised spools and whorls attest to local cloth-making. There are fine ground axe and mace heads of colored stone: greenstone, serpentine, diorite and jadeite, as well as obsidian knives and arrowheads along with the cores from which they were flaked. Most significant among the other small items were a large number of animal and human figurines, including nude sitting or standing females. Evans attributed them to the worship of the Neolithic mother goddess and figurines in general to religion.
  • Using base image: Yes

Future kdn_Ddfofsdnf45

• Model: Artistic

• Size: 960 X 608 (0.58 MP)

• Used settings:

  • Prompt: People living in a swirly science fiction future.
  • Using base image: Yes