#alienworld

Contact at Monolith Theta

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A lone astronaut, fully suited in advanced exosuit armor, stands on a vast, frozen exoplanet—an alien ice-world stretching to the horizon, etched with sharp ridges and glacial plains under a black sky. Towering before them is an enormous monolith of unknown origin—smooth, obsidian-like, and impossibly tall, with no visible seams or markings except for faint, shifting constellations and alien equations that pulse like living starlight across its surface. Cinematic and atmospheric with a blend of hyper-realistic sci-fi and mysterious fantasy—evoking wonder, isolation, and revelation. Precision-rendered to perfection in ultra-HD style, resembling the most polished concept key art found in top-tier film and game studios. Extreme attention to material texture: reflective armor plating, frost crystals on the astronaut’s visor, microscopic imperfections in the frozen terrain. The monolith emits subtle radiant distortions, light warping around it with quantum shimmer. Dust motes and ice particles drift in thin alien wind. Everything is modeled and rendered at ultra fidelity. Wide-angle cinematic shot, low angle from behind the astronaut, emphasizing scale and emotional gravity. Deep HDR dynamic range with complex reflections. Subsurface scattering on ice. Volumetric fog rolls gently through the air, with soft ray-traced light shafts breaking through upper atmosphere. Sharp bokeh in foreground ice shards. Backlit silhouette composition. Cinema 4D + Houdini + Arnold + Octane render blend. Ray tracing enabled, RTX on. Color grading in DaVinci Resolve. Post-processing via Lightroom and After Effects. Professional-grade asset polish, as if created for major sci-fi cinema. Inspired by 2001: A Space Odyssey, Interstellar, and the cosmic surrealism of Moebius and H.R. Giger. Visual mood akin to ArtStation high-tier concept portfolios and cinematic stills featured on NASA’s exoplanet archives.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Dust Between Stars

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A grizzled space cowboy bounty hunter strides confidently across alien terrain—mid-forties, weathered skin, stubble, rugged build, blue eyes, wearing a battered brown leather duster, dusty hat low over his brow, dark denim, wide belt with heavy brass buckle, old-style revolver holstered at his hip, futuristic blaster slung across his back; at his side, a yellow Labrador Retriever with pale fur and intelligent eyes walks faithfully, head tilted upward, looking at the man as they move in unison. Scene rendered in cinematic high-fidelity realism, hyper-detailed and texturally grounded; heroically lit arrival moment, with deep shadows and warm edge light across weathered clothing and fur; dust just settling, suggesting recent landing. Ship in midground: dented, scorched, retrofitted with industrial detailing—part freighter, part gunboat; hard sci-fi surface design emphasized with ‘exploded view’ texturing logic; inspired by Star Wars-era aesthetic realism. Landscape evokes alien Southwest: scrub brush, pale dry grass, cracked soil, towering stone spires warped into otherworldly shapes; soft haze veils distant terrain; gradient sky glows with early light, dusty blue blending to soft violet and gold. Color palette favors ochre, brown, slate, dusty cyan, metallic gray; deep shadow anchoring figures, faint glow off ship’s cooling engines; no pastel or saturated cartoon colors. Eye-level wide-angle perspective, frontal composition; bounty hunter and dog dominate lower mid-frame, spaceship recedes diagonally back-right; strong silhouette logic, clear spatial layering, full-body visibility, naturalistic pose dynamics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cradled in Lightfall

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A majestic, futuristic cityscape beneath an alien night sky, its towers and domes rising like polished crystal spires from a vast reflective wetland; the city’s architecture fuses organic curvature with intricate mechanical detail—each building a unique amalgam of spires, hemispheres, and flowing latticework; large, faceted glass chambers emit warm, golden glows from within, suggesting vibrant life inside; suspended walkways and canal bridges connect platforms across shallow, mirror-still waters; lush alien trees and glowing bioluminescent plants frame the foreground with quiet intensity <L2> Highly detailed digital painting with fantasy realism and concept art precision; blended media logic evokes painterly texture layered with cinematic visual clarity <L3> Aesthetic fusion of James Gurney’s world-building romanticism and Stephan Martinière’s futuristic complexity, with subtle influence from Studio Ghibli’s dreamlike architectural flow <L4> Lit by twin auroras—green and yellow—cascading across the sky, casting surreal ambient reflections across the water; warm internal lighting from structures contrasts with the aurora’s cool spectrum; rim lighting defines crystalline geometry and organic silhouettes <L5> Dominated by cool greens, deep blues, and reflected golds; bursts of amber and sapphire glimmer in the vegetation and structure interiors; the night sky shimmers with stars, nebulae, and subtle cosmic dust veils <L6> Wide-angle panoramic composition; layered with deep background mountains and sky, middle-ground cityscape rising from water, and a detailed foreground of glowing flora and glassy terrain; subtle lens depth and atmospheric falloff reinforce spatial grandeur
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Bloom Cathedral

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A sleek interstellar spaceship cruising low and slow through an alien jungle of enormous, luminous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals glowing with iridescent hues—violet, teal, bioluminescent amber. Vines as thick as subway tunnels dangle from their branches, some brushing against the hull. The jungle is dense and otherworldly, pulsing faintly with light, mist curling from the undergrowth. Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

Observatory at Spiral Edge

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> An alien research station perched on a crystalline ridge above a surreal frozen valley; the structure is geometric and enigmatic, with stylized domes, curved antennae, and odd protrusions in vivid pastel hues; its surface is matte and lightly weathered, marked with glyphs and glowing portholes; the scene includes towering, irregular ice formations and surreal alien plants—luminous, spiraled, or coral-like—sprouting from crystalline soil; the station’s lights pulse faintly, casting long shadows over icy ridgelines; a sense of quiet observation and scientific curiosity pervades the scene <L2> Digital illustration with flat-toned painterly textures and graphic contour lines; evokes comic-book surrealism and hand-drawn dimensionality; subtle texture grain enhances the sense of physical media <L3> Rendered in the style of Jean Giraud Moebius—clean lines, pastel palette, and symbolic spatial logic—blended with mid-century sci-fi illustration and mild psychedelic influence; visual storytelling rooted in the absurd and wondrous <L4> Lit by a pitch-black sky filled with stars and a massive, brightly glowing spiral galaxy that dominates the upper sky; soft underlighting from the crystalline terrain and the station’s diffused glows provide surreal depth and color contrast <L5> Dominant palette of soft blues, pale oranges, icy violets, and cosmic white; building lights pulse amber and aquamarine; glowing flora in pink, teal, and radioactive green subtly punctuate the foreground <L6> Wide-angle 3/4 perspective; station is left of center, distant mountain ridges arc across the background, and alien flora in the foreground anchors the frame; visual rhythm balances stylized geometry with natural asymmetry and negative space
  • Using base image: No
  • Aspect Ratio: landscape_wide

Threshold of the Infinite

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A figure in a futuristic spacesuit (from behind) standing on a large stony rock outcropping (detailed) with snow drifts high around its base, looking up at an oversized moon (blue-green, white highlights, glowing corona) high in the ((starry:1.9)) night sky :: Arctic valley, alien world, midday :: by Pino Daeni, Luis Royo, and Tom Bagshaw, John William Waterhouse, Hoàng Lập, Justin Gerard :: wide angle shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

Outpost Borealis

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A lone figure stands on a cold, barren alien planet under a starry night sky. In the foreground, right of center, a handsome square-jawed man with piercing blue eyes is dressed in bulky, insulated cold-weather gear with a high-tech helmet featuring reflective goggles that can lower over his eyes and padded ear covers suggesting radio headphones. The man and his cold-weather gear are the focus of the image, their sharp, realistic detail contrasting with the worn, muted, cold landscape. He stands (facing the viewer) with his hands in his jacket pockets, looking toward the left side of the image. The barrel of a rugged yet futuristic rifle is visible above his helmet, its strap is over his left shoulder. Immediately behind the man and partially obscured by his body rises a half-sphere dome habitat set into the ground, made of dull metallic material designed to endure harsh, extreme elements. The dome has a large, thick hatch open toward the right side of the image, and warm yellow light emanates from the opening. In the background, the landscape consists of lifeless, pale hills that fade into a cold haze, creating a subdued, shadowy atmosphere. A ((single) large ringed planet) looms low on the horizon against a deep, star-filled sky. The lighting is soft and diffuse, lighting the man well from above, but casting muted shadows in a cold palette of whites, grays, and blues, evoking isolation and the harsh solitude of a distant outpost. The scene is rendered as a realistic oil painting in the style of Jim Burns, inspired by the cover art ‘There Is No Darkness’ in subdued, cold lighting with soft diffuse shadows. The palette uses muted whites, grays, and blues. Futuristic sci-fi concept art, intricate and highly detailed. https://tinyurl.com/y8w5fs2z
  • Using base image: No
  • Aspect Ratio: landscape_wide

Port Meridian, 82 Eridani III

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A colossal futuristic spaceport teeming with motion and detail—freighters, skiffs, modular haulers, docking cranes, mechanical lifts, and neon-laced cargo drones in constant movement. The sprawling port city merges dieselpunk industry, steampunk ornamentation, and cyberpunk energy—massive brass-and-steel structures, exposed pipes, glowing conduits, and multilevel gantries packed with vehicles and foot traffic. Sleek chrome ships offload next to rusted, armored freighters. Billboards flicker with alien language, and overhead, tethered airships drift beside buzzing courier craft. Thick vented fog rises between engine stacks and catwalks. In the distance, a single massive moon dominates the horizon—its cratered surface lit by warm planetary glow, lending surreal scale to the scene. The entire city is bathed in twilight atmosphere, casting long golden shadows, blue halogen reflections, and occasional pools of magenta light beneath cantilevered structures. Captured in an extreme wide-angle cinematic shot, slight downward perspective from an elevated control tower or drone cam view, showcasing full vertical depth—from rooftop billboards to subterranean hangar entryways. Background structures fade into volumetric haze, while foreground elements retain sharp architectural detail. Rendered in hyper-detailed, ultra-wide matte style with photorealistic materials and 32-bit lighting range. Massive scene complexity, rich surface variation, clean line architecture with distressed overlays. ((masterpiece)), ((ultra high detail)), ((4k to 8k cinematic resolution)), trending on ArtStation, 32-bit color depth, photoreal rendering, volumetric fog, depth of field, global illumination, reflective surfaces, fine ambient occlusion, ray-traced shadows Inspired by: Eddie Del Rio, Luke Aegis, Alex Pronin, Jan Ditlev, Stas Yurev
  • Using base image: No
  • Aspect Ratio: landscape_wide

Binary Duskfall

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Ancient Egyptian ruins, crumbling sandstone pillars, broken obelisks, intricate but eroded reliefs, shattered stone blocks, behind desert, dunes reclaiming the site, drifting sand, deserted, glowing glyphs on stone entrance, remnants of an ancient civilization, cracked stone pathways, broken pavement, abandoned temple entrance, mysterious scenery, mystical and forgotten atmosphere. Above, the sky is a surreal mix of colors, with swirling clouds and two suns casting dramatic light on the scene. The composition contrasts the hyper-realistic details, captured from a full-shot, eye-level perspective, emphasizing the depth of the vast, mysterious landscape. Rendered in hyper-realistic, photorealistic quality with amazing depth, meticulous lighting, and extraordinary attention to detail, akin to the works of Jim Burns, Chris Foss, Fred Gambino, and Chris Moore. A true masterpiece, with incredible composition and depth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Garden Built by Stars

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A stunning woman in a sleek, futuristic white spacesuit with intricate exploded view details, designed for exploration, hiking through an alien forest on a distant planet. The spacesuit features advanced technology with a glossy, reflective surface and visible, delicate components, such as tubing, lights, and an oxygen helmet. The forest around her is an otherworldly vision—tall, twisting alien trees with vibrant red and gold hues, their branches adorned with bioluminescent markings. Lizard-like creatures with textured scales crawl along the tree limbs, while bizarre plants with spiraling, twisted stems and strange, luminous blossoms dot the landscape. Above, the sky is a surreal mix of colors, with swirling clouds and two suns casting dramatic light on the scene. The composition contrasts the hyper-realistic details of the woman and her spacesuit with the fantastical, almost dreamlike environment of the alien world. This scene is captured from a full-shot, eye-level perspective, emphasizing the depth of the towering trees and vast, mysterious landscape. Rendered in hyper-realistic, photorealistic quality with amazing depth, meticulous lighting, and extraordinary attention to detail, akin to the works of Jim Burns, Chris Foss, Fred Gambino, and Chris Moore. A true masterpiece, with incredible composition and depth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Wasteland Within

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Space pirate (man, dark hair with grey at temples) wearing patched power armor with scuffs and dents, dusty leather boots, holding a futuristic assault rifle :: futuristic alien temple made of diamond-like crystals trimmed with gold filigree, weird trees with fuzzy leaves, bright blue and gold plants :: by Jim Burns, Pino Daeni, Luis Royo, Chris Foss, Fred Gambino, Chris Moore :: full shot, eye level :: hyper-realistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Petting Zoo, Rigel IV

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Two astronauts in futuristic space suits (exploded view, details) explore an alien landscape, their reflective visors hiding their faces; one is examining strange vegetation, the other holds a digital tablet to record data. The terrain is filled with exotic, oversized plants with twisting, organic forms, bioluminescent moss, alien creatures with large black eyes and insect-like mandibles, and strange crab-like creatures scuttling across the ground. In the background, a massive blue planet looms in the sky; the sky is split between deep blue on one side and dark, stormy purple with lightning on the other, creating a surreal and ominous atmosphere; cinematic lighting, hyper-detailed textures, retro-futuristic sci-fi art style.
  • Using base image: No
  • Aspect Ratio: landscape_wide

New World

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: A sleek cruiser spaceship with an Roman Empire aesthetic. Floating above a lush an alien desert.
  • Using base image: No
  • Aspect Ratio: landscape_wide

When Helios Sings

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Engineer in exosuit, orbital elevator ruins, sunset lighting, scanning alien glyphs, photorealistic, Eddie Mendoza
  • Using base image: No
  • Aspect Ratio: landscape_wide

Beneath the Moon That Bends Time

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Generate a highly detailed high-resolution photo of a massive, modern giant citadel made of reflective glass and steel rising out of the sandy dunes of an alien world on the brink of chaos. The citadel's sleek architecture and futuristic spires are shrouded in perpetual sandstorms, with towering dust devils swirling around its base like ethereal sentinels. In the distant horizon, a fracturing moon hangs low in the sky, casting an eerie orange glow over the desolate landscape as it hurtles towards a catastrophic collision course with its parent planet. The once-stable orbit is now unraveling, threatening to unleash unspeakable destruction upon this unforgiving world. The atmosphere is thick with sand and debris, making every surface appear worn and battle-worn. Vines of iridescent blue-green fungus have begun to claim the crumbling stones as their own, weaving a network of eerie bioluminescence across the citadel's walls. In stark contrast, the sky above has transformed into an apocalyptic backdrop: a swirling nebula of electric blues and purples stretches out before us like an eternal stormfront. The camera captures this surreal scene from a dramatic angle, as if it were shot through a veil of grit-covered glass, imbuing every detail with an otherworldly sense of immediacy. The sandstorms rage on, driven by the dying moon's gravity; yet amidst the turmoil, we find glimpses of ancient civilizations and unfathomable secrets buried within this unforgiving world.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Architects of the Forgotten Stars

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A digital painting in a semi-realistic yet slightly stylized futuristic aesthetic, with bold color contrasts and subtle painterly textures. The central focus is a massive, blue-grey monolithic structure of unknown origin, its surface gleaming with a polished yet worn texture, suggesting alien craftsmanship. Angular and sleek, the structure resembles a hybrid of futuristic architecture and ancient ruins, etched with glowing red alien symbols that pulse faintly, adding an eerie touch. Flanking the structure are several sleek yellow spacecraft, some stationary and others in dynamic motion, creating a sense of scale and urgency. Their sharp, insectoid-like design contrasts vividly with the cooler tones of the environment, and light trails left by their movement heighten the sense of depth. In the background, a vast star-studded sky transitions from deep purples to rich blues, with a nebula or distant celestial body subtly hinting at the vastness of the universe. The atmosphere is ethereal and dreamy, with nebulous clouds swirling faintly and pockets of light and shadow adding intrigue. The scene exudes mystery and quiet tension, as the structure—though advanced—feels ancient, like a forgotten relic of an alien civilization. The dynamic interplay of light and shadow emphasizes its intricate surface details, contrasting the technology of the spacecraft with the mystical aura of the structure.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Red Meadows

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A surreal landscape featuring vibrant red grass-like vegetation covering the ground, with towering, jagged rock formations in the background. To the right of center, a majestic rock spire is capped by a futuristic domed structure, casting a shadow on the terrain below. The sky is bright blue with fluffy white clouds scattered throughout, creating a striking contrast with the vivid colors of the ground. The scene evokes a sense of otherworldly adventure and exploration.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Eye of the Infinite

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A massive science fiction-style stargate towering over the barren landscape of a desolate moon, its colossal ring pulsing with energy as the shimmering event horizon swirls like liquid light. Surrounding the stargate is an immense futuristic industrial complex, with towering structures and intricate machinery bathed in the cold glow of distant starlight. The surface of the moon is airless, lifeless, and heavily cratered, casting long shadows under the eerie luminescence of a nearby gas giant. Sleek starships, ranging in size from nimble fighters to colossal freighters, glide steadily toward the stargate, their engines creating long trails of blue ion light.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Vigilance

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A six-legged robotic weapons system (multi-barrel miniguns, armor plate, exploded view, details) guarding an alien temple complex (rough stone, ancient) surrounded by weird fern-like trees and deep blue-green plants :: alien world :: by Jim Burns, Pino Daeni, Luis Royo, Chris Foss, Fred Gambino, Chris Moore :: full shot, eye level :: hyper-realistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Descent into Madness

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Frozen chaos reigns inside the monolithic research station carved into Europa's icy plains. Walls lined with malfunctioning holographic displays hum ominously, their flickering glow casting grotesque shadows on the scientists. Huddled around the observation window, the scientists wearily take in the unspeakable horror unfolding before them. From a gaping maw in the station's core, Giger-esque tendrils ooze and writhe, dripping wet with black slime. They twist and contort, coalescing into nightmarish tentacles that reach out with impossible grace, casting grotesque silhouettes against the desolate plains of Europa stretching beyond the window. The air crackles with Beksinski-inspired dread, thick with the metallic tang of malfunctioning equipment and the acrid bite of alien energy. Capture this cosmic nightmare through the lens of wet-surface Giger, chilling Beksinski landscapes, and glistening slime. Let the horror unfold in every glistening drop of slime, every tortured scream echoing through the sterile corridors, every tendril reaching for its unsuspecting prey.
  • Using base image: No
  • Aspect Ratio: landscape_wide