Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A crowded street scene in an abstract city". Smiling faces, stylish clothing.
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A crowd walking on an abstract version of Wall Street in New York City. in 1927 before the Crash." Smiling faces, stylish clothing, Rich people, fancy young speculators and office workers.
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A crowded street scene in an abstract version of LAS VEGAS NEVADA". Smiling faces, stylish clothing.
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A crowd standing on an abstract version of The Brooklyn Bridge." Smiling faces, stylish clothing.
Crowd Scene - The Roman Coliseum in The Days Of Empire, in a Crowd Close-Up
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A Coliseum CROWD CLOSE-UP SCENE during The Roman Empire." Smiling and laughing faces, togas.
Crowd Scene - A Roman Coliseum in The Third Place, ie The Dreamworld
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A crowded Coliseum during The Roman Empire". Smiling and laughing faces, togas.
Monsters, Hiding in Plain Sight #01 ( Cityscapes 2025-12-15 series )
Model:
DaVinci2
Size:
1198 X 720
(0.86 MP)
Used settings:
Prompt: New York City, 1947 in a residential Manhattan street scene with vintage architecture in the first light of pre-dawn by Bernard Buffet translated into a colorful comics illustration for the quoted text : "There are monsters in our world, hiding in the shadows. They’re unknown to most, but a threat to us all."
Monsters, Hiding in Plain Sight #02 ( Cityscapes 2025-12-15 series )
Model:
DaVinci2
Size:
1065 X 695
(0.74 MP)
Used settings:
Prompt: New York City, 1947 in a residential Manhattan street scene with vintage architecture in the first light of pre-dawn by Bernard Buffet translated into a colorful comics illustration for the quoted text : "There are monsters in our world, hiding in the shadows. They’re unknown to most, but a threat to us all."
It Happened In Vienna - Decorative Modernist, Fantastic Realism ( Cityscapes 2025-12-15 series )
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Vivid and intricate patchwork landscape, inspired by Mandelbrot and Julia fractals, reminiscent of Wassily Kandinsky, Alphonse Mucha, Paul Klee, Gustav Klimt, Amanda Clark, Catrin Welz-Stein, and Aubrey Beardsley. The scene unfolds in a long, narrow stone corridor adorned with stylized symbols and designs, divided into rectangular sections. Two monumental figures dominate the space: one standing tall and powerful, the other chained and seated in distress within a maze. The figures exude a human-like yet dark and grayish hue. The atmosphere is somber and dimly lit, with a cool gray palette. Wooden planks line the floor, contrasting with the recessed area where the figures reside. The walls are adorned with intricate patterns and symbols, hinting at a ritualistic or ancient ambiance. Chains accentuate the theme of captivity, while the perspective offers a view from above the seated figure. The overall style is dark, symbolic, and surreal, evoking a dystopian narrative. Key elements include the maze, chains, and carved symbols, enhancing the mysterious and confined setting. Hand-drawn with meticulous attention to detail, bringing out the complexity and depth of the scene.
Neo-Tokyo #1 (thanks to Mel S for prompting Inspiration)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Neo-Tokyo #2 (thanks to Mel S for prompting Inspiration)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: Oil painting of a HAIRY DEMONIC MONSTER STANDING AMONG THE SMOKE AND FLAMES OF HELL'S LAVA PITS wearing minimal clothing, in the style of Frank Frazetta and Boris Vallejo
A Wandering Wizard (note that his left hand hovers near his weapon case, probably containing a wand)
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A nondescript bearded medieval peasant wearing a tunic of rough gray wool and leather trousers and boots, painted in the style of Frank Frazetta and Boris Vallejo
A Vampire in New Orleans : Long-Time Local Resident #02, 3rd View
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking African-American vampire depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, walks down a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : LUGOSI'S COUNT DRACULA, View #01
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking vampire BELA LUGOSI AS COUNT DRACULA depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, he is facing forward and standing squarely on a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : COUNT ORLOK, the NOSFERATU, 1st VIEW
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: The Nosferatu vampire COUNT ORLOK depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, stands squarely on a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : Long-Time Local Resident #01
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking vampire depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, walks down a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : Long-Time Local Resident #02, 1st View
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking African-American vampire depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, stands squarely on a street in New Orleans' French Quarter at night. Roy Lichtenstein
A Vampire in New Orleans : Recently Relocated #02 (a "Baby Vamp," Turned by Long-Time Resident #2)
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome young vampire depicted in COMIC BOOK style, wearing a black leather jacket with ripped black T-shirt and black denim jeans and low black motorcycling boots, stands solidly on a street in New Orleans' French Quarter at night, suggesting youthful defiance. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : Recently Relocated #01 (a "Baby Vamp," Turned by Long-Time Resident #01)
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome young vampire depicted in COMIC BOOK style, wearing a black leather jacket with ripped black T-shirt and black denim jeans and low black motorcycling boots, stands solidly on a street in New Orleans' French Quarter at night, suggesting youthful defiance. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : COUNT ORLOK, the NOSFERATU, 2nd VIEW
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: The Nosferatu vampire COUNT ORLOK depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, walks down a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : Long-Time Local Resident #02, 2nd View
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking African-American vampire depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, STANDS SQUARELY on a street in New Orleans' French Quarter at night. Roy Lichtenstein
A Vampire in New Orleans : LUGOSI'S COUNT DRACULA, View #02
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking vampire BELA LUGOSI AS COUNT DRACULA depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, walks down a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : LUGOSI'S COUNT DRACULA, View #03
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking vampire BELA LUGOSI AS COUNT DRACULA depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, stands squarely on a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
