Prompt: Vector style the abstract head-and-shoulders portrait of a nondescript 25-year-old man with medium brown hair and hazel eyes, dressed in unmarked simple Army fatigues, his face expressionless, artistic flat illustration, cyberpunk minimal figure art, impasto oil painting
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Sunrise Scene Part 1
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of IVAN BILIBIN, especially in Bilibin's illustrations of folk-tales and fairy tales ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The GOLDEN HOUR which is the hour BEFORE THE SUN BEGINS TO SET.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Sunrise Scene Part 2
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of IVAN BILIBIN, especially in Bilibin's illustrations of folk-tales and fairy tales ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The GOLDEN HOUR which is the hour BEFORE THE SUN BEGINS TO SET.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Sunrise Scene Part 3
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of IVAN BILIBIN, especially in Bilibin's illustrations of folk-tales and fairy tales ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The GOLDEN HOUR which is the hour BEFORE THE SUN BEGINS TO SET.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Sunrise Scene Part 4
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of IVAN BILIBIN, especially in Bilibin's illustrations of folk-tales and fairy tales ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The GOLDEN HOUR which is the hour BEFORE THE SUN BEGINS TO SET.
The Wilderness Beyond The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #1
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: The strange occult landscape of the spectral world in a highly detailed landscape using precision pen and inks combined with watercolor painting
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series : The Fountain Interlude
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.9, Late Afternoon
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4, Sunset
Model:
ImagineArt
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4.5, The Magic Hour
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the combined styles of ARTHUR RACKHAM and AUBREY BEARDSLEY and IVAN BILIBIN ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #5, Night
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #1, Pre-Dawn
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of AUBREY BEARDSLEY ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.5, Mid-Morning
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.0, Early Morning
Model:
SeeDream
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.0, Early Afternoon
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.7, Mid-Afternoon
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
An Apprentice Magician Visualizes The Blue Princess
Model:
ArtFusion
Size:
912 X 1224
(1.12 MP)
Used settings:
Prompt: Vibrant lunar landscape, expressive wet-on-wet gouache painting, thick textures with oil and charcoal, wet blue shades, close-up portrait of a beautiful young woman, Caucasian, long black cloak with radiant gold trim, black carriage with ultra-radiant gold motifs, royal crest, medieval village cobblestone street background, bright blue full moon, graffiti art, splash art, street art elements, high contrast, colorful polychromatic palette, ultra-detailed, CGSociety inspiration, ethereal fantasy mist, 8k resolution concept art, eldritch vibes, Illusion artistry.
A Beautiful and Mysterious Brunette with AugmenTech ( Street Scenes in an Alt-World Tokyo )
Model:
SeeDream
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Replication Specialist Prowling Downtown ( Street Scenes in an Alt-World Tokyo )
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Replication Specialist / Secondary Character, San Francisco, Comics Version ( an Origami Master )
Model:
AIVision
(Pro)
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Replication Specialist / Primary Character, San Francisco, Comics Version
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Replicant Leader / Primary Character, San Francisco, Comics Version
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Beautiful Replicant in San Francisco Pre-Makeover, Comics Version
Model:
FluX 2
(Base)
Size:
2496 X 3312
(8.27 MP)
Used settings:
Prompt: A portrait of DARYL HANNAH in 1982 as BLADE RUNNER's PRIS in a dystopian future San Francisco. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of BLADE RUNNER with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetic and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Attila and Arachne ( Futuristic Alt-Earth Cityscape )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Beautiful Replicant in San Francisco Pre-Makeover #2
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Replication Specialist Meets DARK CITY ( Street Scenes in an Alt-World Tokyo )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Cyborg Replication Specialist ( Street Scenes in an Alt-World Tokyo )
Model:
ImagineArt
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Replication Specialist, Teleporting ( Street Scenes in an Alt-World Tokyo )
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: The setting is a dystopian future vision set in SAN FRANCISCO where the street is decorated with AUGMENTED REALITY from advertising to performance art : Full neon brilliance of red, blue, yellow, green, and purple. Illustrated as a single comic-book art panel illustrating the original "Blade Runner" story directed by Ridley Scott: Watercolor & ink painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic, with high contrast colors and a vintage science fiction feel. The bold colors and textures are reminiscent of 80s and 90s japanese manga comics ; also present is Ash Thorp's neon-lit grit, as are the haunting city landscapes of Zdzisław Beksiński, illuminated by dynamic lighting. Dark and ominous, in the style of Dave McKean and Stephen Gammell.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
