Antique Thai Painting of Deity on Garuda in Flames

Hindu Mythology: The tale of Garuda & Vishnu in watercolour & Chinese ink

Artist
Marcus...
DDG Model
Ideogram
Mode
Base
Access
Public
Created
2w ago
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Public
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  Hindu Mythology: The tale of Garuda & Vishnu in watercolour & Chinese ink
  
  Model: Ideogram (Base)
  
  Size: 736 X 1312 (0.97 MP)
  
  Used settings:
  
  Prompt: A highly intricate traditional Balinese Batuan-style ceremonial painting, rendered with extreme density and narrative complexity. The composition is vertically structured and fully saturated with figures, foliage, mythological beings, and symbolic architecture, leaving almost no empty space. Art Style & Technique Authentic Batuan painting style (Bali, 20th-century tradition) Extremely fine linework with precise, controlled outlines Muted, earthy palette with subdued greens, moss, olive, brown, grey, charcoal, bone white, and faded gold Tonal shading built through layered cross-hatching and stippling, not gradients Matte, hand-painted finish resembling aged natural pigments on cloth or paper Composition & Structure Dense, symmetrical yet organic arrangement with no central vanishing point Multiple narrative scenes stacked vertically and laterally Figures interwoven with jungle foliage, stone architecture, and ornamental frames Strong vertical pull, guiding the eye from lower guardian figures upward through divine and mythological realms Figures & Iconography Numerous mythological characters, deities, demons, attendants, dancers, and guardians Lord Vishnu on his Garuda (a man-bird creature with magnificent spread out wings) mount in the center, surrounded by a multitude of oni (demons), all set against a backdrop of swirling fire and smoke. Lord Vishnu is adorned in luxurious, radiant attire and ornaments and looking aggressively forward. He wears an ornate, jeweled crown on his head. The oni vary in color, including red, green, gray, and purple, and display a range of fierce expressions with sharp teeth, horns, and wild hair. Some oni are armed with spears and arrows, and arrows are seen flying around the Garuda. Mythic & Symbolic Elements Guardians and demon figures at the base with exaggerated eyes, fangs, and swirling ornaments Human and divine figures coexist in layered spiritual hierarchy Animals (e.g. deer, birds, beasts) integrated symbolically, not realistically Environment & Background Dense tropical vegetation filling nearly all negative space Leaves, vines, flowers, and trees drawn individually with rhythmic repetition Stone temples, brick structures, and carved platforms embedded within foliage Background functions as an ornamental tapestry, not atmospheric depth Color & Texture Discipline Low saturation, antique tonal harmony Emphasis on line, texture, and pattern over color contrast No modern lighting, glow, or digital effects Subtle highlights used sparingly to separate overlapping forms Mood & Aesthetic Sacred, ceremonial, mythological Contemplative yet crowded with narrative energy Dream-like, ritualistic, timeless Visual intensity achieved through detail, not motion blur Strict Exclusions (Critical) No photorealism No anime, manga, comic, or modern fantasy illustration No Western oil-painting techniques No cinematic lighting, HDR, or digital gloss No empty background or minimalism Rendering Priority Ultra-high detail Maximum figure density Sharp line clarity Absolute fidelity to Batuan tradition over creative reinterpretation
  
  Using base image: No
  
  Aspect Ratio: portrait_tall
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Visual Prompt:

Additional Prompt: A highly intricate traditional Balinese Batuan-style ceremonial painting, rendered with extreme density and narrative complexity. The composition is vertically structured and fully saturated with figures, foliage, mythological beings, and symbolic architecture, leaving almost no empty space. Art Style & Technique Authentic Batuan painting style (Bali, 20th-century tradition) Extremely fine linework with precise, controlled outlines Muted, earthy palette with subdued greens, moss, olive, brown, grey, charcoal, bone white, and faded gold Tonal shading built through layered cross-hatching and stippling, not gradients Matte, hand-painted finish resembling aged natural pigments on cloth or paper Composition & Structure Dense, symmetrical yet organic arrangement with no central vanishing point Multiple narrative scenes stacked vertically and laterally Figures interwoven with jungle foliage, stone architecture, and ornamental frames Strong vertical pull, guiding the eye from lower guardian figures upward through divine and mythological realms Figures & Iconography Numerous mythological characters, deities, demons, attendants, dancers, and guardians Lord Vishnu on his Garuda (a man-bird creature with magnificent spread out wings) mount in the center, surrounded by a multitude of oni (demons), all set against a backdrop of swirling fire and smoke. Lord Vishnu is adorned in luxurious, radiant attire and ornaments and looking aggressively forward. He wears an ornate, jeweled crown on his head. The oni vary in color, including red, green, gray, and purple, and display a range of fierce expressions with sharp teeth, horns, and wild hair. Some oni are armed with spears and arrows, and arrows are seen flying around the Garuda. Mythic & Symbolic Elements Guardians and demon figures at the base with exaggerated eyes, fangs, and swirling ornaments Human and divine figures coexist in layered spiritual hierarchy Animals (e.g. deer, birds, beasts) integrated symbolically, not realistically Environment & Background Dense tropical vegetation filling nearly all negative space Leaves, vines, flowers, and trees drawn individually with rhythmic repetition Stone temples, brick structures, and carved platforms embedded within foliage Background functions as an ornamental tapestry, not atmospheric depth Color & Texture Discipline Low saturation, antique tonal harmony Emphasis on line, texture, and pattern over color contrast No modern lighting, glow, or digital effects Subtle highlights used sparingly to separate overlapping forms Mood & Aesthetic Sacred, ceremonial, mythological Contemplative yet crowded with narrative energy Dream-like, ritualistic, timeless Visual intensity achieved through detail, not motion blur Strict Exclusions (Critical) No photorealism No anime, manga, comic, or modern fantasy illustration No Western oil-painting techniques No cinematic lighting, HDR, or digital gloss No empty background or minimalism Rendering Priority Ultra-high detail Maximum figure density Sharp line clarity Absolute fidelity to Batuan tradition over creative reinterpretation

Prompt

A highly intricate traditional Balinese Batuan-style ceremonial painting, rendered with extreme density and narrative complexity. The composition is vertically structured and fully saturated with figures, foliage, mythological beings, and symbolic architecture, leaving almost no empty space. Art Style & Technique Authentic Batuan painting style (Bali, 20th-century tradition) Extremely fine linework with precise, controlled outlines Muted, earthy palette with subdued greens, moss, olive, brown, grey, charcoal, bone white, and faded gold Tonal shading built through layered cross-hatching and stippling, not gradients Matte, hand-painted finish resembling aged natural pigments on cloth or paper Composition & Structure Dense, symmetrical yet organic arrangement with no central vanishing point Multiple narrative scenes stacked vertically and laterally Figures interwoven with jungle foliage, stone architecture, and ornamental frames Strong vertical pull, guiding the eye from lower guardian figures upward through divine and mythological realms Figures & Iconography Numerous mythological characters, deities, demons, attendants, dancers, and guardians Lord Vishnu on his Garuda (a man-bird creature with magnificent spread out wings) mount in the center, surrounded by a multitude of oni (demons), all set against a backdrop of swirling fire and smoke. Lord Vishnu is adorned in luxurious, radiant attire and ornaments and looking aggressively forward. He wears an ornate, jeweled crown on his head. The oni vary in color, including red, green, gray, and purple, and display a range of fierce expressions with sharp teeth, horns, and wild hair. Some oni are armed with spears and arrows, and arrows are seen flying around the Garuda. Mythic & Symbolic Elements Guardians and demon figures at the base with exaggerated eyes, fangs, and swirling ornaments Human and divine figures coexist in layered spiritual hierarchy Animals (e.g. deer, birds, beasts) integrated symbolically, not realistically Environment & Background Dense tropical vegetation filling nearly all negative space Leaves, vines, flowers, and trees drawn individually with rhythmic repetition Stone temples, brick structures, and carved platforms embedded within foliage Background functions as an ornamental tapestry, not atmospheric depth Color & Texture Discipline Low saturation, antique tonal harmony Emphasis on line, texture, and pattern over color contrast No modern lighting, glow, or digital effects Subtle highlights used sparingly to separate overlapping forms Mood & Aesthetic Sacred, ceremonial, mythological Contemplative yet crowded with narrative energy Dream-like, ritualistic, timeless Visual intensity achieved through detail, not motion blur Strict Exclusions (Critical) No photorealism No anime, manga, comic, or modern fantasy illustration No Western oil-painting techniques No cinematic lighting, HDR, or digital gloss No empty background or minimalism Rendering Priority Ultra-high detail Maximum figure density Sharp line clarity Absolute fidelity to Batuan tradition over creative reinterpretation

More about Hindu Mythology: The tale of Garuda & Vishnu in watercolour & Chinese ink

A traditional Indian painting depicts a deity, possibly Vishnu or a similarly adorned figure, with a serene expression, a golden crown, and green and gold robes, riding a magnificent, grey, eagle-like mythical bird. The bird has intricate feather details and prominent talons. The deity wields a spherical object on a stick. Below them, a chaotic scene unfolds with numerous generic, dark-skinned figures, possibly warriors or villagers, amidst swirling flames and smoke. They are armed with spears and appear to be engaged in conflict or fleeing a conflagration. Some of the figures are in the foreground, with their backs to the viewer, showing dark hair and simple attire. The background is engulfed in shades of brown and sepia, representing fire and confusion. The entire image is framed by a decorative border of delicate flowers and tendrils in muted tones, suggesting a sacred or framed artwork style. The art style is reminiscent of traditional Indian miniature paintings with a focus on narrative and symbolic representation.