The man from Mars. You go out at night, eatin' cars. You eat Cadillacs, Lincolns too...

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  • Mr Pete Peter Repeaterson's avatar Artist
    Mr Pete Pe...
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More about The man from Mars. You go out at night, eatin' cars. You eat Cadillacs, Lincolns too...

Prompt based on Blondie - Rapture

Fab 5 Freddy told me everybody's fly
DJ spinnin', I said, "My, my"
Flash is fast, Flash is cool
François c'est pas, flashé no deux
And you don't stop, sure shot
Go out to the parking lot
And you get in your car and drive real far
And you drive all night, and then you see a light
And it comes right down, and it lands on the ground
And out comes a man from Mars
And you try to run, but he's got a gun
And he shoots you dead, and he eats your head
And then you're in the man from Mars
You go out at night, eatin' cars
You eat Cadillacs, Lincolns, too
Mercurys and Subaru
And you don't stop, you keep on eatin' cars
Then, when there's no more cars, you go out at night
And eat up bars where the people meet
Face to face, dance cheek to cheek
One to one, man to man
Dance toe to toe, don't move too slow
'Cause the man from Mars is through with cars
He's eatin' bars, yeah, wall to wall
Door to door, hall to hall
He's gonna eat 'em all
Rapture, be pure
Take a tour through the sewer
Don't strain your brain, paint a train
You'll be singin' in the rain
Said, don't stop to punk rock

A giant metallic alien wreaks havoc on a city street at night during a rainstorm. The alien, iridescent and humanoid with large eyes, is depicted in a dynamic pose, crushing the roof of a parked silver sedan with one hand and holding a crumpled piece of its roof above its head with the other. The street is wet and reflective from the rain, with puddles on the asphalt. To the left, a brick building features graffiti, including the words "RAPTURE" and "FLASH IS COOL," and a red neon sign reading "BAR" illuminates a lively club interior where people are dancing and a DJ is playing music. Various vintage cars are parked or stranded on the street, some appearing damaged. In the background, an elevated train track with a graffiti-covered train passes overhead, adding to the urban atmosphere. Streetlights cast pools of light on the scene, and smoke or steam rises from manhole covers on the wet street. The overall impression is one of chaos and destruction amidst a vibrant, rainy city night, with elements of sci-fi invading a gritty urban landscape reminiscent of the 1980s or 90s.

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