Prompt: vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, gradient colors of Moss-green, teal, sage, burnt-orange, olive, and fern tones, 1face, solo, 3d effects, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, color palette, aquarelle tones, inking splatter effects, natural lighting casting soft shadows, artistic interpretation.
Prompt: vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, gradient colors of Moss-green, teal, sage, burnt-orange, olive, and fern tones, 1face, solo, 3d effects, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, color palette, aquarelle tones, inking splatter effects, natural lighting casting soft shadows, artistic interpretation.
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Prompt:
vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, gradient colors of Moss-green, teal, sage, burnt-orange, olive, and fern tones, 1face, solo, 3d effects, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, color palette, aquarelle tones, inking splatter effects, natural lighting casting soft shadows, artistic interpretation.
Modifiers:
bokeh
dof
dynamic lighting
colourful
cinematic postprocessing
vaporwave
Alex Grey
subsurface scattering
Art Nouveau
charcoal
Android Jones
Dreamscape
raytracing
cel-shaded
geometrical
eccentric
Ambient occlusion
Uhd
colored line patterns
Art of Illusion 3D shading
Clean lines by Patrick Nagel
3D effects
clear ice
clean crisp lines & linework & shapes & angles
Acid spill
Art of Illusion 3D shading, hyperdetailed,, cel-shaded, golden ratio,
anthropomorphized
auroracore, vaporwave, borderland fantasycore Art
extremely detailed background, colourful surrounding
American Gothic, Anglo Gothic, Cottagegore, Coffinwood
bas relief & op art elements
debeh
3d effects, brightness, luminosity, anisotropic filtering, shadow mapping, raytraced shadows, ambient occlusion
American primitive art, highly detailed
Headshot, close-up portrait, detailed skin texture
Luminosity
anisotropic filtering
shadow mapping,
highly detailed textures
auracore
wavery texture
plasticity
bioluminescent glow
Layered geometric art
hyperdetailed,
golden ratio,
Marvel Comics Art
Art Noir
1950s advertising art advertising art.
brightness 1.4
dynamic lighting 1.7
anisotropic filtering 1.7
editorial illustrations
few circles, minimal curves, no fragmentation
high dynamic range lighting, texture detail enhancement, global illumination
Cobalt with white
abstract dripped, splashed and poured
dark fantasycore
irresistible beauty
complexity
gothical dark fantasy,
blotting
ambient occlusion 1.6
Ambient occlusion, subsurface scattering, anisotropic filtering, raytracing, shadow mapping,
Almond beige
Displacement mapping 1.3
mip-mapping 1.1
parallax occlusion 1.3
polished hues
fine linework
HDR,
stylized by Albert Salvino & J.W.Waterhouse contemporised
+ Prompt:vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, gradient colors of Moss-green, teal, sage, burnt-orange, olive, and fern tones, 1face, solo, 3d effects, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, color palette, aquarelle tones, inking splatter effects, overspray of colors, crisp light reflections, RHADS techniques, atmospheric ambiance, 3D textures and shading, ultra-dimensional effect, Octane render for realism, displacement mapping 1.3 for depth, layered composition, vector art,soft washes, watercoloring marks, liminal, simplistic, synthetic essence, negative lucas numbers, complex hues, reflective mapping 1.3, gradient inking colors, indiecore, 1face, upper body portrait, 3d effects, UHD, HDR, 128k octane render, superb, expressionistic alternative, polished 3D illustration, rule of thirds 1.3, linework by Christophe Louis & Mira Lou, overall composition by Arshile Gorky, foampunk 1.6, shadow mapping 1.5, raytraced shadows 1.3, phong shading 1.3, subtle coloring 1.9, Byzantine face type. 128k, UHD, HDR displacement mapping 1.3, natural lighting casting soft shadows, artistic interpretation.
Prompt
vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, gradient colors of Moss-green, teal, sage, burnt-orange, olive, and fern tones, 1face, solo, 3d effects, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, color palette, aquarelle tones, inking splatter effects, natural lighting casting soft shadows, artistic interpretation.
More about Dotted
A vibrant abstract painting of a woman with long, flowing hair and a detailed face. Her hair is a riot of red, orange, yellow, blue, and black splotches and swirls, resembling an abstract floral pattern. Her skin is similarly composed of colorful splotches in shades of orange, yellow, blue, and pink. Her eyes, depicted with hints of brown, are gazing directly at the viewer, with well-defined eyebrows and eyelashes. Her lips are painted in a reddish-orange hue. She wears a large, light brown or beige teardrop-shaped earring on her visible ear. The background is a mix of blues, with darker blues along the edges and lighter, swirly blues and teals in the central area, creating an ethereal, watery or cloudy effect. To the right of her, there are lighter, more translucent blue-green leaf-like shapes ascending upwards. The overall style is reminiscent of watercolor or alcohol ink art, with a fluid and organic feel to the paint splotches and color transitions. The image has a pop art aesthetic merged with abstract impressionism.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
