Detailed Digital Painting of an Angelic Woman

Dreamy Portrait of a Modern Muse

Artist
Werner Lew...
DDG Model
Artistic 2
Access
Public
Created
21h ago
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Public
53

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14
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- Info
  Dreamy Portrait of a Modern Muse
  
  Model: Artistic 2
  
  Size: 888 X 1344 (1.19 MP)
  
  Used settings:
  
  Prompt: Transform the photo into a fine-art impasto oil portrait of a female face, painted entirely with thick palette-knife and loaded bristle-brush strokes — no airbrushing or digital skin smoothing. Sculpt the facial structure using raised paint ridges: heavy impasto on cheekbones, nose bridge, brow line and lips, with visible knife drag marks following the natural facial contours. Skin texture must appear tactile and dimensional, like real oil paint physically built up on canvas. Use directional swirl fields that wrap around the face rather than behind it — rotational strokes must flow through hair, cheeks and neck, creating motion embedded inside the portrait rather than a separate background layer. Apply a high-contrast complementary palette: deep ultramarine, indigo and teal shadows against warm burnt-orange, sienna and amber highlights. Colours must blend by painterly pigment mixing, never smooth gradients. Preserve micro-imperfections: broken edges around eyelashes, slightly distorted features from palette-knife pressure, subtle asymmetry caused by thick paint application. Lighting should feel luminous and painterly, with glowing edges created by overlapping translucent paint layers instead of digital bloom. Canvas grain must remain visible in thinner areas; thick areas should form cracked, ridged, sculptural paint relief. The final portrait must look like it was physically painted in heavy oils — tactile, imperfect, emotionally alive.
  
  Using base image: Yes
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Prompt: Transform the photo into a fine-art impasto oil portrait of a female face, painted entirely with thick palette-knife and loaded bristle-brush strokes — no airbrushing or digital skin smoothing. Sculpt the facial structure using raised paint ridges: heavy impasto on cheekbones, nose bridge, brow line and lips, with visible knife drag marks following the natural facial contours. Skin texture must appear tactile and dimensional, like real oil paint physically built up on canvas. Use directional swirl fields that wrap around the face rather than behind it — rotational strokes must flow through hair, cheeks and neck, creating motion embedded inside the portrait rather than a separate background layer. Apply a high-contrast complementary palette: deep ultramarine, indigo and teal shadows against warm burnt-orange, sienna and amber highlights. Colours must blend by painterly pigment mixing, never smooth gradients. Preserve micro-imperfections: broken edges around eyelashes, slightly distorted features from palette-knife pressure, subtle asymmetry caused by thick paint application. Lighting should feel luminous and painterly, with glowing edges created by overlapping translucent paint layers instead of digital bloom. Canvas grain must remain visible in thinner areas; thick areas should form cracked, ridged, sculptural paint relief. The final portrait must look like it was physically painted in heavy oils — tactile, imperfect, emotionally alive.

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Step 1

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+ Prompt: Transform the photo into a fine-art impasto oil portrait of a female face, painted entirely with thick palette-knife and loaded bristle-brush strokes — no airbrushing or digital skin smoothing. Sculpt the facial structure using raised paint ridges: heavy impasto on cheekbones, nose bridge, brow line and lips, with visible knife drag marks following the natural facial contours. Skin texture must appear tactile and dimensional, like real oil paint physically built up on canvas. Use directional swirl fields that wrap around the face rather than behind it — rotational strokes must flow through hair, cheeks and neck, creating motion embedded inside the portrait rather than a separate background layer. Apply a high-contrast complementary palette: deep ultramarine, indigo and teal shadows against warm burnt-orange, sienna and amber highlights. Colours must blend by painterly pigment mixing, never smooth gradients. Preserve micro-imperfections: broken edges around eyelashes, slightly distorted features from palette-knife pressure, subtle asymmetry caused by thick paint application. Lighting should feel luminous and painterly, with glowing edges created by overlapping translucent paint layers instead of digital bloom. Canvas grain must remain visible in thinner areas; thick areas should form cracked, ridged, sculptural paint relief. The final portrait must look like it was physically painted in heavy oils — tactile, imperfect, emotionally alive.

Prompt

Transform the photo into a fine-art impasto oil portrait of a female face, painted entirely with thick palette-knife and loaded bristle-brush strokes — no airbrushing or digital skin smoothing. Sculpt the facial structure using raised paint ridges: heavy impasto on cheekbones, nose bridge, brow line and lips, with visible knife drag marks following the natural facial contours. Skin texture must appear tactile and dimensional, like real oil paint physically built up on canvas. Use directional swirl fields that wrap around the face rather than behind it — rotational strokes must flow through hair, cheeks and neck, creating motion embedded inside the portrait rather than a separate background layer. Apply a high-contrast complementary palette: deep ultramarine, indigo and teal shadows against warm burnt-orange, sienna and amber highlights. Colours must blend by painterly pigment mixing, never smooth gradients. Preserve micro-imperfections: broken edges around eyelashes, slightly distorted features from palette-knife pressure, subtle asymmetry caused by thick paint application. Lighting should feel luminous and painterly, with glowing edges created by overlapping translucent paint layers instead of digital bloom. Canvas grain must remain visible in thinner areas; thick areas should form cracked, ridged, sculptural paint relief. The final portrait must look like it was physically painted in heavy oils — tactile, imperfect, emotionally alive.

More about Dreamy Portrait of a Modern Muse

A painterly close-up of a dreamy, serene blonde woman wearing a lace veil and a spiked gold crown, reminiscent of a modern interpretation of the Virgin Mary, with her fair skin and golden hair, her features, especially her eyes and lips, are softly rendered and illuminated by a gentle glow from above. She is adorned with golden jewelry, including a spiky, gold crown, a gold ring on her left hand, a gold bracelet, and a delicate gold necklace around her neck. Her skin and parts of her clothing are splattered with vibrant, textured paint strokes in shades of blue, green, yellow, and red, creating an impressionistic effect. The background is a blend of abstract, painterly brushstrokes in similar vivid colors, with dominant blues and greens, creating a soft, ethereal atmosphere.