Digital Painting of a Young Woman in Floral Shirt

The sun, in tender grace, warms my waiting face

Artist
Sucram...
DDG Model
DaVinci2
Access
Public
Created
1mo ago
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Public
62

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- Info
  The sun, in tender grace, warms my waiting face
  
  Model: DaVinci2
  
  Size: 936 X 1280 (1.20 MP)
  
  Used settings:
  
  Prompt: Background: girl at an oasis with a psychedelic cloud patterns in the sky. Chiaroscuro technique of contrasting light & shadows with Art styles of Takato yamamoto, Hayao Miyazaki, Takashi Murakami, yayoi kusama: pen, ink, Watercolor painting of pale ultra pale kyoto girl wearing blue, green, black psychedelic camouflage patterned sweater with military hood on, with perfect flawless hands, & legs, against a graffiti wall.
  
  Using base image: Yes
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Prompt

Background: girl at an oasis with a psychedelic cloud patterns in the sky. Chiaroscuro technique of contrasting light & shadows with Art styles of Takato yamamoto, Hayao Miyazaki, Takashi Murakami, yayoi kusama: pen, ink, Watercolor painting of pale ultra pale kyoto girl wearing blue, green, black psychedelic camouflage patterned sweater with military hood on, with perfect flawless hands, & legs, against a graffiti wall.

More about The sun, in tender grace, warms my waiting face

A portrait of a young woman with fair skin, brown eyes, and short, wavy brown hair with straight bangs. Her face is illuminated by dappled light, casting shadows in patterns across her forehead, nose, and chin, giving a dramatic, almost ethereal glow. Her lips are a soft coral color, slightly parted. She is wearing a dark blue shirt with a high collar, adorned with a pattern of stylized green, blue, and yellow flowers. Her right hand is gently touching her chin, with her fingers delicately pressed against her cheek. The background is a dark, organic pattern of green leaves and flowers, suggesting a garden or natural setting. The overall style is reminiscent of a detailed digital painting or illustration, with a smooth, almost airbrushed finish, and a soft, artistic lighting.