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Transform the input image into a contemporary Southeast Asian watercolor-and-ink illustration style fused with Japanese ink-splash (sumi-e) painting on aged rice paper, with a calm, poetic, and intimate atmosphere. Render all subjects with soft, graceful contours and gentle facial expressions, avoiding harsh outlines or sharp realism. Skin tones should be warm, natural, and softly blended, with visible paper texture beneath translucent washes. Use a mixed-media look combining watercolor washes, ink splatters, and subtle pencil or charcoal undertones. Edges should dissolve naturally into the background, with intentional bleeding of pigment, layered transparency, and organic imperfections typical of hand-painted watercolor on textured paper. For clothing, it will be traditional patterned sarongs with intricate batik-inspired motifs in earthy reds, greens, and golds. Incorporate decorative natural motifs—stylised leaves, palms, foliage, botanical patterns, or abstract organic shapes—arranged rhythmically in the background or upper composition. These elements should feel ornamental and symbolic rather than realistic, often using gold, ochre, sepia, black, and muted earth tones. The colour palette should be restrained and harmonious: warm browns, muted reds, soft creams, charcoal black, dusty blue-grey washes, and subtle metallic or golden accents. Avoid high saturation and strong contrast. Lighting should feel diffused and internal, as if glowing softly through paper rather than coming from a single light source. Figures and forms should feel serene, intimate, and emotionally gentle. Postures are relaxed and graceful. The overall mood is nurturing, reflective, and timeless, with a balance between figurative clarity and painterly abstraction. No photorealism, no sharp digital effects, no hard shadows, no modern graphic styling. Maintain a hand-painted, illustrative quality throughout, with visible brush textures, ink pooling, and watercolor granulation. Contemporary Southeast Asian fine-art illustration aesthetic. watercolor ink illustration soft paper texture Southeast Asian contemporary art gentle linework, organic flow poetic, intimate mood hand-painted mixed media
A watercolor painting depicts two young Asian women with long dark hair, wearing traditional Indonesian attire, seated on the ground. The woman on the left, an orangutan, wears a form-fitting strapless top and loose, flowing pants in shades of red, with intricate golden patterns. Her eyes are closed, her head slightly tilted towards the right, and her face shows a soft, peaceful expression with pink blushes on her eyelids and cheeks. She wears large red circular earrings. The woman on the right, also an orangutan, wears a draped white fabric over her bare chest, revealing some cleavage, and loose olive green pants with a similar golden swirling pattern. Her eyes are also closed, her head resting on the left woman's shoulder, with pink blushes on her eyelids and cheeks, and she also wears large red circular earrings. Her hair flows naturally around her as if blown by a gentle breeze. Both women are barefoot, their feet visible on the textured ground. The background features a large tree with intricate branches and leaves in warm autumn colors, primarily browns, oranges, and yellows. The overall style is fluid and painterly, with visible brushstrokes and watercolor splashes, creating an ethereal and dreamlike ambiance. The colors are rich and warm
