Full Body Portrait of a Woman with White Hair and Red Eyes

The Scepter Of The All-knowing

Artist
Sucram...
DDG Model
DaVinci2
Access
Public
Created
3d ago
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Public
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- Info
  The Scepter Of The All-knowing
  
  Model: DaVinci2
  
  Size: 1232 X 2168 (2.67 MP)
  
  Used settings:
  
  Prompt: Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君: Digital glitch art portrait of a pale ethereal elven high priest with glowing red eyes and vibrant red lips holding a glowing energy orb of power. Full brilliantly coloured red, green, blue, brown, yellow. a pale ethereal full length girl with glowing red eyes and vibrant red lips against a saturated boligraph composition where energy orbs gets suspended in mid air radiating energy outwards. The image embraces accumulation—each object a relic—yet binds them through rigorous cross-hatching. Chaos becomes structure, turning bric-à-brac into a coded visual system. Artistic Statement: “Bric-à-Brac” explores accumulation as language. Drawing from cubist fragmentation and obsessive boligraph technique, it transforms trivial objects into a dense architecture of meaning. The work rejects hierarchy, letting repetition, pressure, and line density create coherence from apparent disorder. Influences: Picasso structures fragmentation and multiplicity. Paul Klee brings symbolic intimacy. Fernand Léger reinforces mechanical solidity. JeanDubuffet informs raw density and anti-refinement. Miró injects subtle poetic dissonance within the clutter. A mechanical creature with circuit-board patterns on its skin is nuzzling her face. The image is heavily distorted with VHS tracking errors, pixel sorting, and chromatic aberration. Palette of neon pink, electric blue, and deep crimson. High contrast, grainy texture, cyberpunk "weirdcore" aesthetic, 90s internet nostalgia style,
  
  Using base image: Yes
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Prompt: Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君: Digital glitch art portrait of a pale ethereal elven high priest with glowing red eyes and vibrant red lips holding a glowing energy orb of power. Full brilliantly coloured red, green, blue, brown, yellow. a pale ethereal full length girl with glowing red eyes and vibrant red lips against a saturated boligraph composition where energy orbs gets suspended in mid air radiating energy outwards. The image embraces accumulation—each object a relic—yet binds them through rigorous cross-hatching. Chaos becomes structure, turning bric-à-brac into a coded visual system. Artistic Statement: “Bric-à-Brac” explores accumulation as language. Drawing from cubist fragmentation and obsessive boligraph technique, it transforms trivial objects into a dense architecture of meaning. The work rejects hierarchy, letting repetition, pressure, and line density create coherence from apparent disorder. Influences: Picasso structures fragmentation and multiplicity. Paul Klee brings symbolic intimacy. Fernand Léger reinforces mechanical solidity. JeanDubuffet informs raw density and anti-refinement. Miró injects subtle poetic dissonance within the clutter. A mechanical creature with circuit-board patterns on its skin is nuzzling her face. The image is heavily distorted with VHS tracking errors, pixel sorting, and chromatic aberration. Palette of neon pink, electric blue, and deep crimson. High contrast, grainy texture, cyberpunk "weirdcore" aesthetic, 90s internet nostalgia style,

Modifiers:

No blemishes or deco on face No nudity. Remain clothed. by Jean-Paul Riopelle Detailed, perfect, flawless, beautiful

Started from image:

Prompt

Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君: Digital glitch art portrait of a pale ethereal elven high priest with glowing red eyes and vibrant red lips holding a glowing energy orb of power. Full brilliantly coloured red, green, blue, brown, yellow. a pale ethereal full length girl with glowing red eyes and vibrant red lips against a saturated boligraph composition where energy orbs gets suspended in mid air radiating energy outwards. The image embraces accumulation—each object a relic—yet binds them through rigorous cross-hatching. Chaos becomes structure, turning bric-à-brac into a coded visual system. Artistic Statement: “Bric-à-Brac” explores accumulation as language. Drawing from cubist fragmentation and obsessive boligraph technique, it transforms trivial objects into a dense architecture of meaning. The work rejects hierarchy, letting repetition, pressure, and line density create coherence from apparent disorder. Influences: Picasso structures fragmentation and multiplicity. Paul Klee brings symbolic intimacy. Fernand Léger reinforces mechanical solidity. JeanDubuffet informs raw density and anti-refinement. Miró injects subtle poetic dissonance within the clutter. A mechanical creature with circuit-board patterns on its skin is nuzzling her face. The image is heavily distorted with VHS tracking errors, pixel sorting, and chromatic aberration. Palette of neon pink, electric blue, and deep crimson. High contrast, grainy texture, cyberpunk "weirdcore" aesthetic, 90s internet nostalgia style,

More about The Scepter Of The All-knowing

A Chinese art nouveau character, a beautiful elven creature with red eyes, red lips, and pointy ears, has long straight white hair. The elf is wearing a light gray kimono with a red border around the bottom, and she is holding a red magic orb with small white dots inside. Her hands are in a holding position, her fingers are intertwined, and blood is dripping from them. The elven creature is standing in front of a light gray backdrop with a rainbow and a red crescent moon in the background.