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Če bil bi ogenj, bi razvnel ljudi. v stilu Sebastian del Piombo Če bil bi veter, bi skrbi pregnal. v stilu Henry Orlika Če bil bi voda, vino bi postal. v stilu basquiat mešanega z acrylic Aboriginal Australian desert-style dot painting Če bil bi bog, bi rekel, da me ni. V stilu Dante Gabriel Rossetti in Hinka Smrekarja Če bil bi papež kar nerad bi bil, iz hudobije papež bi ostal. v stilu Penrose vzorca magičnih ploščic Če bil bi kralj, bi Engelsa prebral in legel v grob in prav marljivo gnil. V stilu Optičnih iluzij Erik Johanssen in Igorja Morskega Če bil bi Smrt, bi se pri priči ustrelil. Vzorec Einstein ploščic in Frak Frazetta brez robov in črt, celotni vzorci se prekrivajo in prehajajo iz enega v drugi vzorec
A colorful maximalist collage combines various artistic styles and historical references, divided into sections. The left side features a dynamic scene with a vortex of fire and swirling gray clouds on a fiery background. Distressed people, eyes turned upwards and mouths agape, gather in the bottom-left corner surrounded by flames. A man in an ornate gold crown and royal attire sits on a throne, holding an open book, while skeletal figures of popes are arranged in an M. C. Escher-like impossible geometric pattern on the right. A skeleton warrior, clad in armor, points a pistol to its head on the far right, set against a dark starry sky with a spiral galaxy. In the middle section, a long-haired woman with a sorrowful expression, is dressed in a Renaissance-style gown, partially outlined against a background of the swirling popes in an impossible geometric maze. A stylized depiction of a Black man with red lips and spiky hair, reminiscent of Basquiat's style, is painted on a light blue background behind her; labeled with the words "VODA" and "VINO", with goblets of spilt wine. A river of swirling blue water containing spilling wine glasses and bubbles flows downwards, dividing the collage
