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An intimate, silent interior scene inspired by Comme d'habitude. A couple shares the same room but is emotionally disconnected. They stand facing each other, looking at each other without speaking, and one holds in his hand a scale of justice which he shows to the other. Rendered in a highly atmospheric watercolor style: soft washes, diffused pigments, blurred edges. Muted, desaturated palette — warm greys, faded ochres, pale blues, dirty whites. Flat, cold morning light. Vertical drips and stains run through the composition, suggesting time, erosion, and emotional fatigue. Expressive black ink is progressively invading the figures: fine, trembling lines begin to sketch their contours, then the ink spreads like cracks along the hands and arms, it climbs toward the shoulders and faces, accumulating in shadowed areas (eyes, jawlines, hollow spaces), transforming into dense, organic black masses that partially replace the body. Parts of the figures dissolve into ink, as if being consumed from within. Faces are partially erased, fragmented between watercolor and darkness. The environment remains lighter and less affected, reinforcing the idea that the people are fading, not the world around them. Strong contrast between soft watercolor diffusion and aggressive ink expansion. Semi-abstract, gestural, emotionally driven style. Melancholic, suffocating atmosphere — a slow internal collapse rather than a dramatic rupture.
A raw watercolor painting in shades of white, black, gray, and brown depicts one man facing death. There is an impression of a window on the right side of the image, while the background and the floor have a mottled appearance similar to a watercolor painting, with colors bleeding into each other. The figure on the left is predominantly black, with a skull-like face and black, drippy hair. Its body is covered in black paint, which appears to be flaking off in some areas. The figure on the right is also mostly covered in black paint, with a more human-like face, with skin showing at the hairline and neck. Its body is also partially covered in black paint, with an empty shoulder, and the paint appears to be flaking off in some areas. The figure appears to have some sort of black vines growing across its body and an empty left eye along with some dripping dark particles. A hand with a black vine growing across it emerges from the left figure's body, holding a scale, which is also black. The figures are positioned as if in conversation, with their faces tilted towards each other. The watercolor painting is highly textured, with a mix of bold and delicate brushstrokes, creating an impressionistic
